I had initially planned to jump right into late 20th century Romance novels and their reliance/reflection on captivity narratives, but since it’s been a couple of weeks since I’ve posted, I realized that I needed to sit down and catch myself up. And that turned into this catching up post. I ... more >
Last week I discussed Edith Hull’s 1919 Romance novel The Sheik, which I would offer as a potential nominee for first modern genre Romance novel. Bringing together themes and devices from captivity narratives, sentimental and sensational fiction, and other literary genres, The Sheik also created an iconic image of the ... more >
Note: this is the third part of a series I’m doing on the current popularity of what I’m calling Extreme Romance Novels. Part One can be found here, and Part Two here. I do think the first two installments are best read in order, but you can easily start ... more >
When I first started reading Romance, I tended to avoid contemporaries, because the sexual politics were so blindingly overt. Even in books that did not purport to be about power, it was just so there. Over time, however, I realized that all Romance was essentially about power, because, well, the ... more >
Romance readers can pick and choose from a wide selection of heroes, but despite our need for variety, are there certain kinds we’ll avoid no matter the circumstances? That question came to mind recently upon reading a comment at my blog and I’d like to get your input on the ... more >
Over the last couple of months it seems as if a lot of romance community members have been writing about how reading romance is a form of escape from everyday life. This isn’t new, of course; genre fiction has always been treated as primarily escapist (as opposed to educational or ... more >