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REVIEW:  The Kraken King Part I-IV by Meljean Brook

REVIEW: The Kraken King Part I-IV by Meljean Brook

Jane’s Note: I asked Brie from Romance Around the Corner if she would be interested in reviewing Meljean Brook’s Kraken King books because I felt like a) I’ve reviewed too many of Brook’s books and b) I kind of consider her a friend. So for transparency purposes it made sense to get someone else to do it. 

Unfortunately Brie couldn’t come up with anything bad to say about these stories. Maybe you’ll have to read them for yourself to see what problems Brie couldn’t spot.

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REVIEW: The Kraken King, Parts I-IV by Meljean Brook

  • The Kraken King Part I: The Kraken King and the Scribbling Spinster
  • The Kraken King Part II: The Kraken King and the Abominable Worm
  • The Kraken King Part III: The Kraken King and the Fox’s Den
  • The Kraken King Part IV: The Kraken King and the Inevitable Abduction

Dear Ms. Brook,

Now that the Guardian series is over, I’m happy to inform that my enthusiasm for your books hasn’t dimmed one bit, which is why The Kraken King was my most anticipated 2014 release. What I didn’t anticipate was that the book would come in serial form, something I’m coming to terms with, and the reason why this review is going to be mostly general and incomplete, because I’ve only read the first four parts and I’m trying to avoid spoilers.

Our heroine is Zenobia, Archimedes Fox’s sister. Archimedes is a famous adventurer who became popular after he started publishing novelized recounts of his travels; books that, unknown to the public, Zenobia writes for him. They are forced to live a lie, because Fox isn’t just an adventurer, and his real identity puts her in constant danger, so she lives a relatively quiet life filled with longing for the adventures that she’s only experienced through her brother’s letters and her imagination.

When Zenobia’s best friend asks her to accompany her to meet her husband halfway across the world, she jumps at the chance to finally go on a trip and do some direct research. She hires two bodyguards to accompany them, and embarks on her first real adventure that doesn’t involve getting kidnapped. And then, of course, everything goes wrong.

Before they reach their destination, the airship they’re traveling on is destroyed by a group of flyers. They are rescued by a man named Ariq, who takes them to a part of Australia known as Krakentown, a place that serves as a refuge for smugglers and revels. Zenobia quickly recognizes Ariq as the infamous rebel known as the Kraken King. She fears that if he finds out who she is, her brother will be in danger, so her plan is to leave town as soon as possible. The problem is that Ariq is torn between how much he likes her and how much he suspects her, so he’s not letting her got that easily, thus Zenobia’s mini adventure goes from planned and safe, to exciting and unpredictable.

In a Steampunk adventure series filled with clever inventions and zombies, the complex, compelling world-building should be its shining point, and still, your heroines are always the one element I keep getting back to. These remarkable women display a wide range of nuanced characteristics that let us know that strength comes in many shapes and forms. Zenobia, who, take my word for it, is simply fabulous, has many compelling and heroic character traits: loyalty, intelligence, self-awareness, patience, and resourcefulness, yet none of those are physical traits. She’s inventive, yes, but she isn’t physically strong. Instead, she relies on her intelligence, creativity and practicality. And when contrasted with larger-than-life Ariq, she never comes across as outmatched, demonstrating that these different forms of strength can be as empowering as the more physical kick-ass women.

And speaking of strength, Ariq, who may or may not have a huge dick, but who is certainly not a huge dick, is an alpha male who escapes labels by the sheer force of his complex characterization. Yes, this guy is the biggest and strongest of them all, but instead of irrational possessiveness, what he feels for Zenobia is awe, admiration, respect, and eventually, love. It’s also great to see a world that until this point had demonized all members of the Mongolian Horde, from the perspective of a Mongolian who rebelled against the cruelty of an empire, but who is, of course, capable of separating the tyrants from the people.

There are so many other things I want to mention, like how Zenobia and her friend are basically the only white characters in the story so far, or how finally this series has a villain that promises to be worthy of its adversaries and not just a weak afterthought added at the end, but this review is already long, and there’s one more praise I want to fit into this gush-fest: The Kraken King also happens to be the most romantic (half) book I’ve read this year.  Zenobia and Ariq don’t spend that much time together, but it’s easy to believe in their potential romance, because what they see in each other is what we see in them. And unless something goes terribly wrong, I think the second half will be just as good, or at least I expect it to be. Parts I, II, III: B+; Part IV: A

Best,

Brie

As a final note for those who enjoy serials (and I guess for those who don’t), I thought the four parts were satisfying and had many elements that made them shine individually, while still working as a cohesive group. I, on the other hand, do not enjoy serials, and as much as I liked what I read so far, I wish I had all the parts (or the willpower to wait), because this fragmented reading experience is not for me.

 

 

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REVIEW:  The Goblin Emperor by Katherine Addison

REVIEW: The Goblin Emperor by Katherine Addison

Dear Ms. Addison,

After a disappointing reading year in 2013, the past four or so months have comprised one of the best reading streaks I’ve had in a long time. And now comes your fantasy novel, The Goblin Emperor, another stellar book.

goblin-emperor-2The novel is set in a fantastical industrial age empire known as the Ethuveraz, Elflands ruled by a long line of emperors. There are no humans, only elves and goblins in the novel, and they are not at all Tolkienesque.

These goblins and elves aren’t different species, merely different races. They can marry and have children who are able to have children of their own.

Still, the elves and goblins have different cultures, as well as different skin tones and sometimes subtle differences in facial features, and unfortunately there is racism and distrust aimed at the goblins.

But as the novel begins, the emperor of the Ethuveraz, Varenechibel IV, and his three eldest sons have just been killed in an airship crash, leaving the fourth and youngest son of the emperor to rule.

Maia Drazhar, that fourth son, is not only just eighteen years old, but also half goblin, the product of Varenechibel’s unhappy marriage to the daughter of the Great Avar, a goblin leader in Ethuveraz’s neighboring goblin empire of Barizhan.

Since Varenechibel IV had three older heirs, no one ever expected Maia to rule. And since Varenechibel hated Maia’s gentle mother and exiled her and Maia from the moment it was clear she was pregnant, and after her death exiled Maia again with only a distant cousin as his guardian, no one ever prepared Maia for the role of emperor.

Maia is as shocked as anyone to learn the news brought by the messenger sent to the marshland estate he has been confined to. He has never dreamed of becoming emperor nor wanted to rule the Ethuveraz, and can only imagine how his father’s court will react to a half goblin emperor whom Varenechibel IV, much beloved by the courtiers, despised.

Maia’s guardian, Setheris Nelar, sent away from the court by Varenechibel for reasons unknown to Maia, has been abusive (usually emotionally and until Maia was fourteen, sometimes physically) to Maia during his decade of guardianship, so although Maia is kind and good, he cannot see his own goodness.

Despite Setheris’s past cruelty, Maia finds himself grateful that Setheris taught him good elvish manners, as well as appreciative of his advice. The message sent to Maia by his father’s Lord Chancellor, Chavar, is designed to put off Maia’s return to court, but Setheris, an enemy of Chavar’s, tells Maia that if he isn’t immediately crowned, Chavar will find a way to gain control of the court.

The crown is the last thing Maia wants, but history tells him that if he doesn’t find a way to consolidate power quickly, he may not survive at all. Because he wants to live, Maia determines to follow Setheris’s advice and take the same airship that brought the messenger to him back to the Untheilenenise Court, the elves’ seat of power.

But Maia arrives there to a cool reception. Although the coronation is, at Maia’s necessary order, scheduled to precede his father and brothers’ funeral, few elves welcome the thought of Maia as their emperor. Nor does Maia’s lack of grief for the father and brothers he never knew aid his cause.

Maia is determined not only to evade Chavar’s attempts to manage him, but also not to live under Setheris’ thumb any longer. To that end, Maia chooses Csevet, the messenger who brought him the news, to act as his secretary, and, in a huge stroke of luck I found a bit unlikely, Csevet turns out to be an excellent choice.

Maia is also quickly assigned a bodyguard as well as a spiritual guard, each of which has a replacement so they can take shifts. One of each accompanies Maia at all times. Maia likes them, but he misses having privacy, and feels uncomfortable at the thought of resuming his goblin meditation practice in their presence.

The work facing Maia is enormous. Corruption and potential treachery endanger his rule, and he must learn the workings of his government and the work of governance. Maia develops his knowledge and his skills in these arenas to the best of his ability, but he must also deal with disputes, petitions, hostile relatives, and the necessity of quickly arranging his sister’s marriage—and worse, his own.

As a half-goblin deprived of opportunities to learn, Maia is sensitive to the inequities and prejudices in his society, not just toward goblins and the working classes, but also toward women. It is important to him to ameliorate the status quo, but here too he faces opposition from those whose self-interests lie elsewhere.

Having internalized Setheris’s verbal abuse, Maia is hindered as well by his tendency to self-deprecate and harshly castigate himself for his mistakes, and by his feelings of utter loneliness in his position at the top.

And all this comes before he chooses, for political reasons, a fiancée he later learns does not want to marry him– and before he learns that the airship crash that killed his father and his brothers was caused by deliberate sabotage.

The greatest pleasure of reading The Goblin Emperor is seeing Maia’s growth. He learns to forge connections, grows into not just a good emperor but perhaps an outstanding one, and begins to appreciate and be compassionate to himself.

Early on in the novel, Maia is kind and good to everyone but himself. He is initially so harsh on himself and that wasn’t easy for me to read, especially since he also dislikes the gray color of his skin, which proclaims his goblin blood.

But as he comes into his own, Maia learns to value his skills, and his self-deprecation turns into the beginnings of self-confidence. Maia is such a lovely character that experiencing this transformation and his growth into a good leader is like seeing a butterfly emerge from a cocoon.

Another pleasure is the worldbuilding, which is detailed and multidimensional. The world has a somewhat Asian feel; for example Maia’s residence is located in a minareted tower, and his food is flavored with pickled ginger. But the world does not, as far as I can tell, correspond to any specific place and time in our own world’s history.

The Ethuverz has a complex government and social structure, with different governing bodies depending on branch and geographical jurisdictions, a religion with different types of clergy, levels to the military and policing groups, a language and grammar which include different titles used to designate class and gender, and all of that gives depth and intricacy to the society.

The complexity is at times overwhelming, but this serves the novel because Maia has to deal with it all and he begins knowing very little and feeling overwhelmed. At first the vastness of his empire dwarfs him, and that is part of what makes his ultimate transformation into a good emperor so satisfying.

Just as varied and interesting are Maia’s relationships; he has to learn to navigate deep social waters, but some wonderful connections are eventually made. I don’t want to spoil who turns out to be a friend and who a foe, since there are twists to that. But I found the way things turned out delightful.

Most of the book takes place in the Untheileneise Court and the claustrophobic sensation this caused me was uncomfortable at first, but it also helped me understand just how isolated from his people an emperor can be, and how crucial the contacts he forms can become, both to his nation and to his morale.

Before arriving in the capital, Maia had no love life to speak of. At about the same time he becomes engaged to a noblewoman who treats him coldly, he is also drawn to a beautiful opera singer. I don’t want to reveal how this develops, either, but I will say that at the end of the book, all the signs point to a happy ending.

But the romantic element is only a small subplot in the book. I wanted more romance, but I was still deeply satisfied because that romantic subplot was well-executed, and because this book was not a romance but a coming of age—and coming into power—story.

There are a few minor flaws I want to mention. First, even at the beginning, Maia seems far more mature than his eighteen years, more like a man in his early to mid twenties. A fourteen year old secondary character is also more mature than his age would indicate.

Second, the character names were unfamiliar to me and sometimes similar to each other. Since there are many characters in the novel, this was confusing, although a glossary in the back of the book helps.

Third, nearly half the book takes place over the first few days of Maia’s reign, while the second half takes place over the course of months. Although I wasn’t bored at any point, I was glad when the pacing sped up.

If a reader is looking for intense action, sorcery or swordfights, he or she should look elsewhere. If, on the other hand, a reader can enjoy a thoughtfully paced novel about ascendancy and leading a country into progress, about finding friendship and loyalty in unlikely places, about protecting and caring for loved ones as well as for a nation, and about learning to accept oneself, he or she need look no further than The Goblin Emperor.

Maia was such a lovely person and though half elf, half goblin, and emperor too, he seemed so real and human to me, and always interesting despite his essential goodness. I highly recommend this satisfying novel. A-.

Sincerely,

Janine

PS to readers: Katherine Addison is the new pen name of fantasy author Sarah Monette. I’ve heard from a few different sources that The Goblin Emperor is different from and not as dark as the books she wrote as Sarah Monette.

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