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REVIEW:  Don’t Judge Me by Sylvie Fox

REVIEW: Don’t Judge Me by Sylvie Fox

dont-judge-me

So far, Raphael Augustine’s ten year career as a comedian consists of a lot of ones: one night gigs, one night stands, and one night in jail. But he’s committed to inking a successful TV deal, nonetheless. He’s not looking for a relationship and certainly doesn’t expect to have his briefs tied in a knot by a prim and proper woman from Connecticut.
There’s not much to laugh about in Daisy Fletcher’s life. She never thought an Ivy League degree would land her work as an adult webmaster. Years later, fake chat room dates are her only companions, and a failing business her reward. Her father always told her men only want one thing. By selling that one thing to virtual customers, she’s lost faith in the opposite sex.

After Daisy catches Raphael’s shirt during a striptease at a gay bar, she’s tempted. Can a rakish comic change her ideas about love and fortune?

Dear Ms. Fox,

In a world full of romance books on SEALs, billionaires and Dukes I love it when an author steps outside the ordinary and gives me something different. When I read the blurb and saw this would be about a stand-up comic with issues and a woman who makes her living funneling users to adult internet porn sites, I thought now there’s a book I want to try. While I appreciated the unusual livelihoods of Raphael and Daisy, ultimately I had other issues with the story.

The story jumps into gear with a fast start. Daisy needs more oomph in her business which is suffering from user ennui. No, it’s not that people have stopped using adult websites but as Daisy has found out, the demand and drive is for new, New, NEW faces and combos and content. Eventually that will come back to haunt her but tonight it drives her to beg her friend Nari to accompany her to a gay bar where she meets her catnip, Korean-American Raphael.

But Daisy thinks Raphael is gay (he’s not, but his brother is) though this misunderstanding avoids being milked for comic relief. No, it’s when Raphael is arrested for sex with an underage minor (turns out the girl is of age but barely) that the truth comes out. Meanwhile Daisy is crushing on Raphael’s Korean-ness. Lots of effort goes into Daisy telling us that she’s really not fetishizing but given that she keeps saying how attracted she is to Raphael because of his ethnicity along with her long term friendship with Nari, Nari’s family, and Korean food, I find it hard to believe.

But okay let’s move on to Raphael. He’s not the typical hero material if only because of the many ways he keeps screwing up. I’m used to a hero being humanized with one bad decision but sleeping with a barely legal female is only the start of his problems with other women. But for some reason, he’s still attracted to Daisy. When he discovers what she does for a living, he thinks he’s hit the jackpot of sex with a sexy woman who knows all about sex from her job. A terrible first sexual encounter with Daisy keeps his sexual scorecard in the negative.

Daisy’s best friend Nari has been desperately trying to get Daisy to quit her job but then Nari sort of disappears for sections of the story. Daisy really stretches their friendship to the breaking point when she pulls the stunt for her work videos at Nari’s house. Seriously, just washing Nari’s $500 bedding would never be enough to make up for staging a porn shoot there. Meanwhile, Daisy’s longstanding issues with her WASP family (including alcoholic mother) continue.

Raphael faces his own family problems with a father who has rejected his gay son and an immigrant mother who can’t or won’t stand up to her husband over it. He works his ass off to win a reality TV show that will get him a network contract and tries to work to keep Daisy in his life after never having to work to get any woman before. Will he be able to get her to leave her lucrative sex industry business behind and has 10 years of it warped her idea of sexual normal?

There’s a lot going on here. It’s edgy, it takes some risks with trying to make us like the hero after his sexual exploits. It deals with family logistics and immigration worries. It deals with Asian stereotypes while also exploiting them and then throws in some WASP ones as well. What was whole WASP aspect for? To show how Daisy learned her business skills from her banker father? To bring in the issue of her mother’s drinking? Just to show she has a flawed family too? And has Daisy’s view of sex and men been skewed?

The problem for me is that all of these things are introduced but few of them are carried to a end. The story builds up to a scene and then it’s over without us seeing how it resolves. At one point my notes say, “Back and forth again.” So many plot points get introduced but then sink without a trace.

Their relationship goes like a gerbil in a wheel. It just keeps seeming to circle around and doesn’t really get anywhere new until suddenly the book is almost over and both declare they love the other. I closed the book still feeling like they’re feeling their way through and not quite to the stage that is presented as done.

It did make me want to try all this Korean food. But I’m still uneasy about the way the book ends. I’m told that they’re in love and in a steady relationship but I think they’ve still got a lot of work to do and have some issues that I never really saw resolved. Perhaps that’s intended and this is a HFN, which I can see, but not quite a HEA. C-

~Jayne

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Friday News: Sherlock Holmes enters public domain, Chelsea Handler signs with Netflix, women writers and alcohol, and World Cup sex rules

Friday News: Sherlock Holmes enters public domain, Chelsea Handler signs with...

JUDGES RELEASE SHERLOCK – Score one for the public domain, as the Seventh Circuit Court of Appeals has allowed the character of Sherlock Holmes — in all but the last works — out of copyright jail. What do you think the chances are that the estate will appeal (they have historically been very aggressive)?

The court ruling (PDF) releases the character into the public domain while maintaing the copyright on the final stories. In the argument, the judges cite Star Wars as a contemporary example, stating that the release of Episode III no more extends the copyright on the original 1977 film than do the last ten stories protect Sherlock. –The Rumpus

Chelsea Handler Inks Mega-Deal for Netflix Late Night Show – I think this is an absolutely fascinating development in the development of Netflix. Not only are they venturing further into original programming — and more specifically into talk shows — but they are partnering with someone who has been known to push pretty much every envelope possible. In a deal that includes stand-up specials, as well as docu-comedy programs, as well as a new type of talk show, Handler has indicated that she wanted to work with Netflix in part because of their willingness to take risks. And maybe this kind of deal will benefit consumers who have grown increasingly frustrated with the monopolized environment of cable TV and satellite companies.

For Netflix, this represents a continued pushing into original programming for its growing global subscriber-base of more than 48 million. In a recent interview with THR, original content VP Cindy Holland was asked about the possibility of late night, to which she noted she wouldn’t shut the door on any kind of experimentation and that her colleagues have no preconceived notions about what will and won’t work on the service. –Yahoo via The Hollywood Reporter

‘Every hour a glass of wine’ – the female writers who drank – This piece looks closely at the work of a number of female writers who also happened to be alcoholics. On one level it’s interesting, because we tend to focus on the link between alcoholism and male writers, ignoring that many prolific and incredibly talented female writers also struggled with substance abuse. At the same time, I’m not a big fan of psychologizing the lives of writers in the way of ‘they had a horrible childhood, then started drinking and writing.’ Okay, that’s a simplification, but I think the piece would have been even more interesting if it had not relied so heavily on some of those premises. Still, an interesting look at the lives and works of Marguerite Duras, Jean Rhys (whose novel, Wide Sargasso Sea, is a retelling of Jane Eyre, focusing on Rochester’s first wife), Elizabeth Bishop, Patricia Highsmith, Jane Bowles, and others.

Duras’s nightmarish childhood raises the question of origins, of what causes alcohol addiction and whether it is different for men and women. Alcoholism is roughly 50% hereditable, a matter of genetic predisposition, which is to say that environmental factors such as early life experience and societal pressure play a considerable role. Picking through the biographies of alcoholic female writers, one finds again and again the same dismal family histories that are present in the lives of their male counterparts, from Ernest Hemingway to F Scott Fitzgerald, Tennessee Williams to John Cheever–The Guardian

The complete guide to World Cup sex rules – For anyone contemplating a Romance featuring World Cup players, you might want to consult this primer on the World Cup Sex Rules. Quartz has kindly put together what amounts to an encyclopedic collection of national do’s and don’ts.

We listed teams that have restrictions that are more nuanced as “it’s complicated.” For instance, Costa Rican players are banned from having sex until the second round (or presumably elimination.) The French team’s rules on the matter hinge on the frequency, the type, and timing of intimacy. (France’s former team doctor has said (link in French) that sex is “relaxing” for players, but shouldn’t be an all-night activity.) Nigeria allows wives but not girlfriends and the hosting Brazilian team can have sex as long as it’s not “acrobatic.” –Quartz