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Self-publishing

Thursday News: Barbara Freethy partners with Ingram; Richard Flanagan takes the Man Booker Prize; Anthony Horowitz ARC surprise; and Jules Verne amusement park.

Thursday News: Barbara Freethy partners with Ingram; Richard Flanagan takes the...

I think this venture is going to be a win-win-win for booksellers, readers and Indie authors like myself who have not been able to reach the print market outside of print-on-demand in the last few years. There’s been a void in the market, and the larger publishers have been unwilling to put bestselling digital titles by Indie authors into print without taking a piece of the digital pie. But with my partnership with Ingram, I’ll still maintain all of my digital rights. I’m very excited to have Ingram as a partner in this exciting new venture. And I’m so happy that readers will be able to get my books in any format they like from print to digital to audio! –barbarafreethy.com

“In Australia the Man Booker prize is sometimes seen as something of a chicken raffle,” he joked. “I just didn’t expect to end up the chicken.”

The novel is an incredibly personal book for Flanagan, whose father was a survivor of Japan’s campaign to build the railway. He died aged 98 on the day Flanagan emailed his final draft to his publisher.

“I grew up, as did my five siblings, as children of the Death Railway,” Flanagan said. “We carried many incommunicable things and I realised at a certain point … that I would have to write this book.” –The Guardian

Ms. Andreadis said that fewer than 2,000 copies had been sent out, and that Harper planned to reprint a new batch without the errors.

It is no big deal: Mr. Horowitz did not use unsavory language, abuse the copy editors, or expose some fantastic dispute between himself and his publishers. At most, there is firm authorial pushback. He just wants things the way he wants them. And he comes straight to the point: “I’M NOT CHANGING THIS.” –New York Times

In 2007, Nantes opened the combined art installation and amusement park on the site of a former shipyard. Les Machines offers both carnival-style rides for which anyone can purchase a ticket, and smaller machines demonstrated by visitors selected from the crowd. The result is a kind of steampunk amusement park, and a breathtaking juxtaposition of old, new – and weird. –BBC Travel

Thursday News: Diversity in publishing, Litrate wants to take on Goodreads, Teju Cole on James Baldwin, and 86-year-old debut Romance novelist

Thursday News: Diversity in publishing, Litrate wants to take on Goodreads,...

Educating others in the business is just part of the job for Davis, but it might not be so necessary if there were more people of color in the industry. She believes that a company like Simon & Schuster is trying, but she says it’s not easy to attract young people. Starting salaries are so low, few can afford to take a job in publishing. –NPR

LitRate is our dream for a new website for the literary community. It will essentially be our version of Goodreads—but better. We’ve seen all your ideas, all your complaints, and all your dreams of new features. We’re here and ready to implement them in a new site that we can build together! –Litrate

If Leukerbad was his mountain pulpit, the United States was his audience. The remote village gave him a sharper view of what things looked like back home. He was a stranger in Leukerbad, Baldwin wrote, but there was no possibility for blacks to be strangers in the United States, nor for whites to achieve the fantasy of an all-white America purged of blacks. This fantasy about the disposability of black life is a constant in American history. It takes a while to understand that this disposability continues. It takes whites a while to understand it; it takes non-black people of color a while to understand it; and it takes some blacks, whether they’ve always lived in the U.S. or are latecomers like myself, weaned elsewhere on other struggles, a while to understand it. American racism has many moving parts, and has had enough centuries in which to evolve an impressive camouflage. It can hoard its malice in great stillness for a long time, all the while pretending to look the other way. Like misogyny, it is atmospheric. You don’t see it at first. But understanding comes. –The New Yorker

While she’s proud of the buzz her steamy story has generated, she never dreamed of being a writer and had only taken one creative writing class when she was younger. Gorringe, a fan of “Fifty Shades of Grey,” has no plans for a second novel. For now, she’s just enjoying the spotlight. –ABC/Yahoo