romance tropes

Everything Old is New Again

Everything Old is New Again

Last week I discussed Edith Hull’s 1919 Romance novel The Sheik, which I would offer as a potential nominee for first modern genre Romance novel. Bringing together themes and devices from captivity narratives, sentimental and sensational fiction, and other literary genres, The Sheik also created an iconic image of the romantic desert hero in the(…)

Can’t Find My Way Home

Can’t Find My Way Home

This week I want to talk about the use of captivity in the Romance genre, but before I do, I want to clarify a couple of points that cropped up in discussion of my last post and in other discussions of the genre. In my last post, commenter Katie raised the issue of slave narratives,(…)

Heroic no more? Rise of the bad, bad men.

Heroic no more? Rise of the bad, bad men.

In romance, the main characters are referred to as Hero and Heroine.  The terms are formed from the base word, hero. The term “hero” in modern vernacular refers to someone who is “of distinguished courage or ability, admired for brave deeds and noble qualities.”  In the romance genre, there are often good guys and bad(…)

All About Amnesia, a Guest Post by Miranda Neville

All About Amnesia, a Guest Post by Miranda Neville

Amnesia is one of the most reviled of romance tropes, right up there with secret babies, but it’s also immensely popular. There are few writers with long careers who fail to tackle it at some point. And why not? It delivers plots rich in conflict, deception, forgiveness–and secret babies.  I thought I’d read a lot(…)

What’s wrong with the arranged marriage trope?

What’s wrong with the arranged marriage trope?

I guess my title should be why isn’t there any arranged marriage stories? Or maybe it should be why isn’t there any arranged marriage stories portrayed in a positive light? Two young adult books have been released in 2010 that dealt with arranged marriage. One, Passion Play presented the gang rape of the female protagonist(…)

Originality in Genre Fiction – An Oxymoron?

Originality in Genre Fiction – An Oxymoron?

Genre fiction rides a thin line between consistent recognizability and appealing freshness. Often referred to as "a narrative archetype," the form of genre fiction is often denigrated as "formulaic" and derivative (Pam Regis, A Natural History of The Romance Novel, 23). In truth, there has to be something fundamental and formalistic that binds a group(…)

Poll Time: Are there storylines you just won’t read?

Poll Time: Are there storylines you just won’t read?

We have a lovely op ed piece by Janine due for tomorrow so this morning we are going to run a poll instead.   I recently read a blurb for a story that featured the heroine working for a tabloid and   was trying to write a tell all story. It appeared, by the blurb, that she(…)

The Love Triangle

[poll id="168"] I have a hard time with love triangles. If done right, some poor nice guy or girl is totally getting the shaft at the end. If done wrong, some initially poor nice guy or girl is demonized by the end to justify that person being cut out of the happy ending. (Like Hardy(…)