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REVIEW:  All Through the Night by Connie Brockway

REVIEW: All Through the Night by Connie Brockway


Dear Ms. Brockway:

I first bought All Through the Night due to a beautiful and dead-on review written by Mrs. Giggles, who is a famously tough reviewer. She gave your book a 99/100. That, combined with the review, which excerpts the book was enough to entice me to buy it. I remember reading it in one sitting, and literally reaching the last page, flipping the book over and starting it again. That happens very rarely for me. Since my first read of it, All Through the Night has been firmly ensconced in my Top 10 list, and Colonel Jack Seward is one of my favorite romance heroes of all time. This review is an attempt to convey why I think all romance readers should give the book a try.

Jack Seward is a guttersnipe, rescued by a powerful man, and honed into a perfect weapon for the Home Office’s Secret Committee. He is, for all intents and purposes, a fixer. He works the less savory issues, finding things, and bringing to justice those whose crimes might be considered a mark against the Prince Regent. His current duty to find a letter, that if made public could turn the tides of political relations with a number of England’s allies. The Home Office believes it’s been stolen by the Wrexhall Wraith. A thief who is also stealing jewels of the ladies of the ton. Each theft is bolder and more daring, and England’s most powerful are becoming uneasy with the frequency and success of the thief. Jack has been dispatched to bring the thief to justice and retrieve the letter.  He hides out and catches the thief in the act. But he is shocked during the encounter to find that thief is something unexpected.

“Right you are, Cap.” Nearly within arm’s reach. There would be no second opportunity to catch Seward off guard. “But I told you, I ain’t got no sticker. And we don’t want the lads in the hall there to get wind of any deal we might be conductin’, now do we? Pat me down if you don’t believe me. Go on, satisfy yerself before we begins negotiations.”

Seward’s eyes narrowed at the same time his crippled hand shot out, seizing the thief’s wrist. There was surprising strength in the twisted fingers. The Wraith jerked back, instinctively fighting the implacable hold until it became clear any struggle could end only with Seward the victor.

“I believe I will, at that,” Seward murmured, pulling the black wool-clad figure against his hard chest and securing both wrists. Quickly and efficiently he swept his free hand down over the thief’s shoulders and flanks, hips, thighs, and legs. He moved back up, his touch passing lightly over the thief’s chest.

He stopped, pale eyes gleaming with sudden intensity, and quickly jerked the slight body forward by the belt. His hand dipped down, clamping hard on the juncture between the legs in a touch both violently intimate and absolutely impersonal.

“My God,” Seward said, dropping his one hand as if burned, though the other still clenched the belt, “you’re a woman.”

The thief uses Seward’s shock to outwit him and escape, setting up Jack’s singleminded determination to find the thief and bring her to justice. He demands entree into the prince regent’s social circle. After pursuing the thief for six months, he believes that the entree will help him anticipate which member of the ton is to be victimized next.

It is after his entrance into society that he meets and is immediately besotted by the widow, Anne Wilder. Anne acts as chaperone to her young and silly niece, Sophia, but is also well known in the ton as a “saint”. She runs a shelter for military veterans and collects donations from the rich and silly to keep the shelter afloat.  Her husband was an extreme extrovert and very well liked in society and theirs was considered a true love story. Anne had been known as a hoyden prior to her marriage but had calmly settled into being married to Matthew Wilder. Matthew died while captaining a ship during the war. After that, Anne becomes the quiet, steadfast woman she is today. She spends her time soliciting donations for her charity, but only she knows that pledges and payments were two different things. The ton loves the appearance of largesse, but in reality, many renig on their pledges and the charity is barely staying afloat. Anne feels a great debt to the soldiers who served under her husband, as it was his negligence that killed or maimed many of them. But still, she keeps the ton’s secrets, never revealing who hasn’t paid.  She’s spoken of as a saint, but in truth, she’s a pariah.

Jack carried Anne Wilder’s gloved hand to his mouth and brushed his lips lightly over it.

“How very pleased I am to make your acquaintance, Colonel Seward,” she said, and shivered. He could feel the alarm vibrating through her. Alerted, he looked up and found himself caught in her gaze.

She held him with a regard nearly masculine in its directness. Seasoned. Knowing. A touch of valiance. A portion of pain and much resignation. Hardly the eyes of a Procuress, as Strand had suggested. Jack had procured much himself; he knew the look.

Rather, she gazed at him like a woman who sold her body might look at her buyer: with fatalism, submission, and a certain damning anticipation. It was an expression that said, “Do it and be done.” And it aroused him.

Jack begins a pursuit of Anne, frequently meeting up with her at social functions, where he continues to be charmed, aroused, fascinated by the reserved Widow Wilder. But his eye is also firmly fixed on the Wrexhall Wraith, who he continues to pursue, but cannot seem to catch. The thief plays a dangerous game of cat and mouse with Jack, using her wiles again to escape from him (in easily one of my very favorite scenes from the book).

Of course, the thief is Anne. This is not a spoiler, as it is revealed in the second chapter. The reader knows, and Anne knows that sooner or later, her dance with Jack will end. But he makes her feel alive — stimulated for the first time in ages. She’s felt a crushing guilt as Matthew Wilder’s widow. Guilt for his lackadaisical negligence and for his extreme jealousy of her while they were married. She knows that Matthew caused his men’s death, and she will do anything, including stealing from those who pledged but never paid, to keep the Shelter afloat. But what first began as a righting of wrongs, has become the only thing that makes her feel alive. Until Jack. Then, the cat and mouse game that they play stimulates her more than she’s ever been. She’s walking a line between the saucy thief who challenges and seduces Jack with her daring, and the repressed widow who seduces Jack with her propriety and hesitance. She knows that sooner or later Jack will discover her secret, and because of his honor, and his loyalty, he’ll bring her to justice. But until then, she is trying her best to experience every emotion he provides her in the fullest.

Jack pursues Anne cautiously. He knows that he is not an honorable man, and that he must behave with the utmost propriety with her. She is, after all, a member of the ton, and one who is held in high esteem. He is torn by his deep desire for the Wrexhall Wraith and his high regard and admiration for the Widow Wilder. And in a moment of passion, he kisses Anne. Anne reacts badly, appalled. He believe it is because he has put her in a compromising position. But of course, it is because he is getting closer and closer and her game will be ending soon. Fortunately, Jack takes Anne’s reaction as a prompt that he must end things with her. So he asks her to dance with him one final time:

The maestro proclaimed a waltz. She stepped close to him. He rested his hand just above her waist, on the fine-boned ribs. Warmth permeated his palm. He took her other hand high in his.

She averted her face, unwilling to meet his gaze, and after the first few strains of music, she made no attempt to keep her artificial smile on her lips. Indeed they trembled and lost all hint of pleasure, mirroring her distress far too clearly. They had been soft beneath his kiss, soft and tender and, for the space of a heartbeat, yielding.

He wanted her. He wanted her as much, no, more than he had wanted the thief. Which was impossible.

Pain washed through him, pricking him with the knowledge of his inconstancy. He pulled her nearer. Her gaze flickered to and from his face and she recoiled from his embrace.

He would not let her. He would never hold her again, never have her in his arms, never touch her, and he would not — not for manners’ sake, not for her sake, not for his own peace — let her rob him of even one short moment.

Lithe and supple as a willow, she moved in his arms and beneath his hand. Her body was unlike those of other gentlewomen; no softness padded her slender form. Indeed, her fragile appearance belied her tensile strength. He could feel smooth muscle beneath his palm, the strength in the fingers grasping his hand so tightly in her futile attempt to hold him distant.

It intoxicated him. It bewildered him. It set him on fire.

She speared him with a look of distress and anger. She did not want to be here. Too damned bad.

He closed his eyes and pulled her closer still and breathed deeply. She smelled warm and angry and clean, devoid of any masking properties of perfume or soap –

His eyes opened slowly, like a man who knows he will witness some horror. His breath grew shallow. Strength and passion, no betraying scent. Dear God, no.

She stumbled in the steps of the dance, falling against him. He caught her body against his. So intimate, so familiar. She pushed her hand flat against his chest, in the same place she had five nights before.

She jerked back.

Somewhere, Jack thought dully, Satan laughed.

Jack’s body shook. He had never been closer to losing every aspect of self-control. How fortunate for her that they were not alone. Because, just at this moment, he was not at all certain he wouldn’t have killed her.

He grasped her shoulders and stared down at her. She gazed up at him defiantly, with eyes lit up like a midnight pantheon of dying stars.

“My thief,” he said.

And there it begins, Jack’s honor battling with his desire. Anne’s need to do what is right for the men her husband betrayed with his negligence battling with her growing attraction and esteem for Jack, who will be her downfall. A love story both dark and beautiful. As you can see from the excerpts I chose, the writing is lovely. The story so beautifully conceived, and the characters fully drawn in their complexity and nuance. It is truly a remarkable story. One that stands up perfectly to the test of time. It is as wonderful to experience now as it was the first time I read it more than a decade ago. It showcases Connie Brockway’s prodigious talent, and is one of my all time favorite romances. I cannot recommend it enough. So much so, that I’m jealous of those of you who haven’t read it and are convinced to give it a try. Please trust me when I tell you, you will not regret a moment you spend watching Jack and Anne’s cat and mouse game turn to a fall into love. Final grade: A+



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REVIEW:  Jaded by Anne Calhoun

REVIEW: Jaded by Anne Calhoun


“Nice job with the presentation,” he said. “You made a library sound both necessary and really exciting.”

“Libraries are both necessary and really exciting,” she said. “To me, anyway.”

Dear Ms. Calhoun:

The sequel to Unforgiven (reviewed here by Dabney,) Jaded is a story about discovering and rediscovering passion. The title refers to Lucas Ridgeway, the burned out and emotionally distant Chief of Police of Walkers Ford, South Dakota. But Alana Wentworth is also in need of discovering her passions, and of giving herself permission to have them.

Researcher Alana took the job of interim library director in Walkers Ford after an embarrassing public proposal. Always feeling a bit of the ugly duckling in her famous political family, she’s spent much of her life going with the flow — until the flow suddenly included marriage to a man she was mostly dating from inertia. Now her time in Walkers Ford is almost up, and she wants to make the most of it by having a fling with her landlord, Lucas. Somehow she believes this will teach her how to deal with men and let her “go home different”: …she wasn’t going home the same person she was when she’d left. That would make this nothing more than wound-licking hibernation, not a tactical reinvention.

But the interim job keeps getting extended, as Alana becomes more and more involved with renovating the library as a true community center. And her attachment — to Lucas, to others in town, to her work — only grows, leaving her torn. Wentworths are trained to think globally, not locally, and her responsibilities lie elsewhere… don’t they?

At first I thought I’d made a mistake requesting this, because stories about city slickers realizing life is so much better in a small town… I’d say I was so over them, but I was never under them. But slowly, this won me over. What first grabbed me was the emphasis on the importance of libraries, most sweetly expressed through the character of Cody, a poor, desperate teenaged boy who’s sentenced to community service at the library and flourishes there:

the whimsical, wistful version of Walkers Ford was visible in the picture to anyone who knew the town… But all motion swirled subtly to the center of the drawing: the library. Alana’s heart seized when she saw the picture, realized the story Cody was using art and passion and feeling to tell. This is the center of our town. Not the restaurants or the shops of the administrative buildings. This place we need to commit to, or we’ll lose our center.

On a cheekier note, there’s a deliciously evocative sex scene in the library, in which Alana slyly plays into librarian fantasies:

Without turning around, she turned the books spine out and examined the labels. Behind her Lucas stood quietly. She thought about her skirt and cashmere cardigan over a silk blouse. She even wore a strand of pearls and her brown suede heels. Moving very slowly, she selected the first two books from the stack and turned to shelve them.

Lucas was right behind her. She hadn’t heard him move, not a rustle of denim over the beating of her heart. He leaned his body weight against hers and swept aside her chin-length hair. It slithered back, obscuring the kiss he pressed into the skin between her collar and hairline….

His mouth worked over the sensitive patch on her nape, first hot and gentle, then with a scrape of his teeth.

Her hands trembled as she slid one book, then the second, into their proper places, and if she took a minute to double-, then triple-check to be sure they were correctly shelved, well she was a conscientious librarian.

I was also moved by Lucas’s difficult emotional thaw, as he begins to recognize feelings for the woman he has no actual claim on:

His. Except she wasn’t, or so his mind said. His body, as he stripped and got into the shower, said something entirely different. His body said he’d spent all day watching the woman in his bed laugh and talk with everyone but him.

He leaned his head against the tiled wall and let water course over his back. The strength of the emotion, jealousy and anger and a blood-hot lust, washed through him with an intensity that left him breathless. This wasn’t like him. Feeling this much. Caring so intensely about anyone, anything.

You used to care like this.

And now I remember why I stopped. It fucking hurts.

While Alana is finding her place in Walkers Ford, Lucas’s feelings for her help him to recover from the compassion fatigue that’s dogged him for years, and regain a sense of trust and optimism.

By the end of the story, I was convinced that this wasn’t yet another glorification of small towns but about people finding what happens to be right for them. The very positive portrayal of Alana’s sister Freddie, who happily fits right into their glamorous, jet-setting family, helped a lot, and the downsides of rural life are also honestly portrayed.

This stood alone pretty well, although the main characters from the previous book play a part so I slightly regretted not reading it first. More irksome for me was a lot of repetition in the text: Alana refers to herself and Lucas as “a cliche” numerous times, a lampshade I could have done without. There are other repetitions too: Lucas watched Tanya bite at her her nails and roam in and out of the lights like a moth attracted to the light. She was agitated, shaking, biting her nails. Later in this same scene, Lucas is confounded when Tanya, his cousin, mentions an incident from his past which no one is supposed to know about; she had already mentioned it to him earlier in the book. And this may be just a personal cultural disconnect, but I had an “oh please” moment when Lucas got all bent out of shape because someone had some pot.

But I loved the powerful feelings conveyed in the story, and the celebration of positive values. Love. Art. Community. And above all, libraries. B


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