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REVIEW:  The Curse of Chalion by Lois McMaster Bujold

REVIEW: The Curse of Chalion by Lois McMaster Bujold

Dear Ms. Bujold,

Last year my husband and I started reading your fantasy novel, The Curse of Chalion. We read it aloud to each other but only got as far as the 34% mark before we decided the pace was too slow.

The-Curse-of-ChalionI posted about this in my reading list post from last summer, and several readers assured me that if I continued, I’d see the pace accelerate. Then, earlier this year, some months after we put it down, my husband began reading it again and told me that ironically, we’d put it down just at the point when the story was about to get exciting.

This led me to pick up The Curse of Chalion again, and start reading from the point at which we quit. Since writing this review necessitates piecing together two different reading experiences that took place a year apart, I’ve decided to structure this review a little bit differently than I usually do, by quoting from my old post and giving my current thoughts on some of my previous observations.

The novel begins with its protagonist, Cazaril, wandering the countryside of Chalion homeless and wearing rags. Charity and the death of a well-dressed stranger bring Cazaril a bit of coin and good clothing, and he uses these to make himself presentable to the provincara, a noblewoman whose household he once served, in the hope of earning a position with her and thus, some food and shelter.

Although I read it over a year ago, I still recall this portion of the book fondly. I loved the way Cazaril’s weariness came across, and how, at his most exhausted, he found the courage to try to improve his circumstances by approaching the provincara, though in his humility and modesty, he never expected to reach the heights he ascends to later in the book.

Eventually Cazaril, himself a member of the nobility but also a war veteran fallen on hard times, succeeds beyond his wildest imaginings—and also beyond his desires. He becomes tutor to the royesse Iselle and her lady in waiting Betriz, to whom Cazaril is attracted. Unfortunately this position beings him to Chalion’s royal court, and to the notice of old and powerful enemies who believed him dead.

Cazaril was a sympathetic protagonist, weary but also wise and, despite a great deal of fear, courageous.

I still agree with this description of Cazaril, but I’ll now add that he is perhaps too wise for his years. Though only in his thirties, he comes across as more mature than most people I know. In addition, the description of his gray beard made it difficult for me to picture him as a man still in his thirties, and every time his age was mentioned I got a jolt. I think this may have been intended.

I also think that Cazaril was almost too good and too fortunate. What spares him from the Marty Stu label is that he suffers, and that he has moments of wanting to be selfish, though he always ends up putting his duty to the royesse (princess) Iselle ahead of his personal wants.

The side characters were likewise interesting and appealing, and the writing lovely.

I still like the writing.

With regard to the side characters, I like most of them, especially Iselle and Betriz, but also Cazaril’s friend Palli, Iselle’s brother Teidez’s tutor Dy Sanda, and the mysterious Umegat, keeper of the royal menagerie.

Iselle’s brother Teidez was a character I wanted to see show more growth than he did. I also wanted to see the king (“roya”) Orico display a sign of backbone, but by the end of the book I understood why he as he was.

One of the villains, Lord Dondo Jironal, was a bit too repugnant. His brother, Chancellor Martou Jironal, was a more interesting villain in terms of his personality. I loved the way a character from Cazaril’s past reappears but felt this person was a little too conveniently perfect. For the most part though, the characterization in this book was superior.

While the mythology of the world was not as fascinating as some I’ve come across, it was fresh.

I have to take the first part of this sentence back, because the mythology became a lot more fascinating in the latter two thirds of the book. I especially liked the idea that sainthood is as much a curse as a blessing, as well as the idea that the gods of this world aren’t above humanity, but amidst it, if only people could look the right way and see them.

I was a bit annoyed by the use of terms like roya and royina where perfectly sound words like king and queen could have served, or provincar in place of duke, but appreciated the promise of political intrigue, which I generally like.

I got used to the made up terms, and there was much more political intrigue in the latter two-thirds of the book than in the section I read a year ago. The plotting was impressive, with several twists and surprises, some of which I saw coming and others of which I did not anticipate at all.

The main problem for me was the pacing. This novel was slow. And when I say slow, I mean really slow. Court life was portrayed in painstaking detail with a lot of ominous goings on but few actual turning point events.

The pace sped up considerably as the novel continued, but the slow pace in the first third is my main issue with this book. We don’t learn what the eponymous curse of Chalion is until the 45% mark and I really wish the first third of the book had given me a better idea of what to expect from the rest of it.

My other issue was the ending. Without giving too much away, I felt that Cazaril had a great deal of good fortune, and I might have found the novel more convincing had he died at the very end, after seeing the curse lifted.

The happy ending made me very happy for Cazaril, who deserved every bit of good that came his way. But I can’t help but feel that an ending in which he sacrificed his life would have been more fitting, if sadder.

The last time I tried to read The Curse of Chalion, my verdict was as follows:

This had all the makings of a good book otherwise, and we may even go back to it at some point, but since we’ve moved on to other books it gets a DNF.

This time, I’m very glad we did go back since I enjoyed and appreciated the rest of The Curse of Chalion so much more. This time it gets a B.

Sincerely,

Janine

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REVIEW:  The Goblin Emperor by Katherine Addison

REVIEW: The Goblin Emperor by Katherine Addison

Dear Ms. Addison,

After a disappointing reading year in 2013, the past four or so months have comprised one of the best reading streaks I’ve had in a long time. And now comes your fantasy novel, The Goblin Emperor, another stellar book.

goblin-emperor-2The novel is set in a fantastical industrial age empire known as the Ethuveraz, Elflands ruled by a long line of emperors. There are no humans, only elves and goblins in the novel, and they are not at all Tolkienesque.

These goblins and elves aren’t different species, merely different races. They can marry and have children who are able to have children of their own.

Still, the elves and goblins have different cultures, as well as different skin tones and sometimes subtle differences in facial features, and unfortunately there is racism and distrust aimed at the goblins.

But as the novel begins, the emperor of the Ethuveraz, Varenechibel IV, and his three eldest sons have just been killed in an airship crash, leaving the fourth and youngest son of the emperor to rule.

Maia Drazhar, that fourth son, is not only just eighteen years old, but also half goblin, the product of Varenechibel’s unhappy marriage to the daughter of the Great Avar, a goblin leader in Ethuveraz’s neighboring goblin empire of Barizhan.

Since Varenechibel IV had three older heirs, no one ever expected Maia to rule. And since Varenechibel hated Maia’s gentle mother and exiled her and Maia from the moment it was clear she was pregnant, and after her death exiled Maia again with only a distant cousin as his guardian, no one ever prepared Maia for the role of emperor.

Maia is as shocked as anyone to learn the news brought by the messenger sent to the marshland estate he has been confined to. He has never dreamed of becoming emperor nor wanted to rule the Ethuveraz, and can only imagine how his father’s court will react to a half goblin emperor whom Varenechibel IV, much beloved by the courtiers, despised.

Maia’s guardian, Setheris Nelar, sent away from the court by Varenechibel for reasons unknown to Maia, has been abusive (usually emotionally and until Maia was fourteen, sometimes physically) to Maia during his decade of guardianship, so although Maia is kind and good, he cannot see his own goodness.

Despite Setheris’s past cruelty, Maia finds himself grateful that Setheris taught him good elvish manners, as well as appreciative of his advice. The message sent to Maia by his father’s Lord Chancellor, Chavar, is designed to put off Maia’s return to court, but Setheris, an enemy of Chavar’s, tells Maia that if he isn’t immediately crowned, Chavar will find a way to gain control of the court.

The crown is the last thing Maia wants, but history tells him that if he doesn’t find a way to consolidate power quickly, he may not survive at all. Because he wants to live, Maia determines to follow Setheris’s advice and take the same airship that brought the messenger to him back to the Untheilenenise Court, the elves’ seat of power.

But Maia arrives there to a cool reception. Although the coronation is, at Maia’s necessary order, scheduled to precede his father and brothers’ funeral, few elves welcome the thought of Maia as their emperor. Nor does Maia’s lack of grief for the father and brothers he never knew aid his cause.

Maia is determined not only to evade Chavar’s attempts to manage him, but also not to live under Setheris’ thumb any longer. To that end, Maia chooses Csevet, the messenger who brought him the news, to act as his secretary, and, in a huge stroke of luck I found a bit unlikely, Csevet turns out to be an excellent choice.

Maia is also quickly assigned a bodyguard as well as a spiritual guard, each of which has a replacement so they can take shifts. One of each accompanies Maia at all times. Maia likes them, but he misses having privacy, and feels uncomfortable at the thought of resuming his goblin meditation practice in their presence.

The work facing Maia is enormous. Corruption and potential treachery endanger his rule, and he must learn the workings of his government and the work of governance. Maia develops his knowledge and his skills in these arenas to the best of his ability, but he must also deal with disputes, petitions, hostile relatives, and the necessity of quickly arranging his sister’s marriage—and worse, his own.

As a half-goblin deprived of opportunities to learn, Maia is sensitive to the inequities and prejudices in his society, not just toward goblins and the working classes, but also toward women. It is important to him to ameliorate the status quo, but here too he faces opposition from those whose self-interests lie elsewhere.

Having internalized Setheris’s verbal abuse, Maia is hindered as well by his tendency to self-deprecate and harshly castigate himself for his mistakes, and by his feelings of utter loneliness in his position at the top.

And all this comes before he chooses, for political reasons, a fiancée he later learns does not want to marry him– and before he learns that the airship crash that killed his father and his brothers was caused by deliberate sabotage.

The greatest pleasure of reading The Goblin Emperor is seeing Maia’s growth. He learns to forge connections, grows into not just a good emperor but perhaps an outstanding one, and begins to appreciate and be compassionate to himself.

Early on in the novel, Maia is kind and good to everyone but himself. He is initially so harsh on himself and that wasn’t easy for me to read, especially since he also dislikes the gray color of his skin, which proclaims his goblin blood.

But as he comes into his own, Maia learns to value his skills, and his self-deprecation turns into the beginnings of self-confidence. Maia is such a lovely character that experiencing this transformation and his growth into a good leader is like seeing a butterfly emerge from a cocoon.

Another pleasure is the worldbuilding, which is detailed and multidimensional. The world has a somewhat Asian feel; for example Maia’s residence is located in a minareted tower, and his food is flavored with pickled ginger. But the world does not, as far as I can tell, correspond to any specific place and time in our own world’s history.

The Ethuverz has a complex government and social structure, with different governing bodies depending on branch and geographical jurisdictions, a religion with different types of clergy, levels to the military and policing groups, a language and grammar which include different titles used to designate class and gender, and all of that gives depth and intricacy to the society.

The complexity is at times overwhelming, but this serves the novel because Maia has to deal with it all and he begins knowing very little and feeling overwhelmed. At first the vastness of his empire dwarfs him, and that is part of what makes his ultimate transformation into a good emperor so satisfying.

Just as varied and interesting are Maia’s relationships; he has to learn to navigate deep social waters, but some wonderful connections are eventually made. I don’t want to spoil who turns out to be a friend and who a foe, since there are twists to that. But I found the way things turned out delightful.

Most of the book takes place in the Untheileneise Court and the claustrophobic sensation this caused me was uncomfortable at first, but it also helped me understand just how isolated from his people an emperor can be, and how crucial the contacts he forms can become, both to his nation and to his morale.

Before arriving in the capital, Maia had no love life to speak of. At about the same time he becomes engaged to a noblewoman who treats him coldly, he is also drawn to a beautiful opera singer. I don’t want to reveal how this develops, either, but I will say that at the end of the book, all the signs point to a happy ending.

But the romantic element is only a small subplot in the book. I wanted more romance, but I was still deeply satisfied because that romantic subplot was well-executed, and because this book was not a romance but a coming of age—and coming into power—story.

There are a few minor flaws I want to mention. First, even at the beginning, Maia seems far more mature than his eighteen years, more like a man in his early to mid twenties. A fourteen year old secondary character is also more mature than his age would indicate.

Second, the character names were unfamiliar to me and sometimes similar to each other. Since there are many characters in the novel, this was confusing, although a glossary in the back of the book helps.

Third, nearly half the book takes place over the first few days of Maia’s reign, while the second half takes place over the course of months. Although I wasn’t bored at any point, I was glad when the pacing sped up.

If a reader is looking for intense action, sorcery or swordfights, he or she should look elsewhere. If, on the other hand, a reader can enjoy a thoughtfully paced novel about ascendancy and leading a country into progress, about finding friendship and loyalty in unlikely places, about protecting and caring for loved ones as well as for a nation, and about learning to accept oneself, he or she need look no further than The Goblin Emperor.

Maia was such a lovely person and though half elf, half goblin, and emperor too, he seemed so real and human to me, and always interesting despite his essential goodness. I highly recommend this satisfying novel. A-.

Sincerely,

Janine

PS to readers: Katherine Addison is the new pen name of fantasy author Sarah Monette. I’ve heard from a few different sources that The Goblin Emperor is different from and not as dark as the books she wrote as Sarah Monette.

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