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Jeannie Lin

REVIEW:  The Lady’s Scandalous Night by Jeannie Lin

REVIEW: The Lady’s Scandalous Night by Jeannie Lin

“Tang Dynasty China, 759 A.D.

Yao Ru Jiang, known as River, has woven many romantic dreams of honorable swordsman Wei Chen from her brother’s stories. Their meeting should have been a happy event; instead, Chen arrives to tell River he is duty bound to kill her brother for rebelling against the warlord they both serve.

River would do anything to distract the handsome, conflicted warrior from his mission—even take him as a lover….”

Dear Ms. Lin,

Though it’s an offshoot of “The Dragon and the Pearl,” felt I could follow “The Lady’s Scandalous Night” without having read the other. The story starts quickly with a pencil sketch to fill in the background of the action plus each character’s thoughts and feelings and intentions. I didn’t feel lost even though I don’t know who Governor Li is or anything about the rebellion.

Reading your intro note about marriages of the time – especially the bit about marriages being complex arrangements of families -helped a lot to enable me to believe in the HEA here. I could feel that Ru Jiang and Chen would already have some feelings for and about each other and with a story this short, they needed them. Chen continuing to offer for her out of a sense of loyalty and duty would be understandable, though not very romantic as needed for our purposes. I required the fact that Chen had heard about her and her family from her brother for so many years to build up and color in the love necessary for this outcome to fly for me. There’s a nice balance here between each person feeling the love and the need for the other. In historicals, it can be a fine line to walk since men usually have most or all of the power. But early on, Chen’s inner thoughts reveal his vulnerability and wish for something deep with Jiang. Even if she doesn’t know it yet, I do and that allows me to patiently wait for their relationship to work out.

“She prepared now for battle with jeweled hairpins and perfume. With silk.” Jiang is as much a warrior in this battle as is Chen. Her weapons are just a little different. Yet when they come together, it feels more like love than practiced seduction, more heart than cold calculation, sweet yet spicy interactions between the two. Jiang is the river who must wind her way around Chen’s heart in order to save her mountain brother.

The inclusion of the background details about Chen and Ru Shan’s sense of honor and why Chen potentially being the one who might end up delivering Ru Shan’s ultimate fate could be seen as the final act of friendship from Chen helps me to understand how such a man as Chen could go after Ru Shan – that he would do it as much for the deep bond they once had as out of duty to the warlord. This is so totally needed in a romance book of today since usually a man killing the heroine’s brother would be a deal breaker for their HEA.

When Chen realizes Ru Jiang’s actions have lead to Ru Shan’s escape, he is understandably angry. The man would be inhuman were he not pissed off. And so with less than half the book left, I was on pins and needles to find out how you would work something out so that this couple could be together with honor still served – because I knew they would never enter a relationship with the matter unresolved. And this is where the book falters for me. Ru Shan is saved by actions off page and not elaborated on in this story and POOF! it’s over. Literally a deus ex machina let-down. Perhaps when I eventually read the other book, things will be clearer but since this serves as both the source of both internal and external conflict, the muddied waters in this book let me down.

The ending is too bad since despite all the obstacles and the short length of this story, you had managed to convince me of a true love and HEA for Chen and Ru Jiang. Still, this is another enticement for me to finally get off my tuchus and get caught up on your full length books. B-/C+




Is there room on the internet for authorial interaction?

Is there room on the internet for authorial interaction?



For many years, we’ve preached that review are for readers and they are. Oftentimes, when authors react to reviews, it results in an unfortunate dustup with authors saying things they wished they hadn’t and readers throwing out threats of a ban list. The comment threads to a review can be contentious whether it is here at Dear Author or at places like Goodreads and Amazon.

But there are times when authorial interaction might actually produce interesting discussion. After I reviewed “Lord of the Abyss,” I wrote a note to Nalini Singh and Singh wrote me back* and said that she wanted to share with me why she turned Liliana beautiful at the end, an ending that I complained about:

I did consider not having that fairytale makeover, because like you said, Micah didn’t care. The thing was, I couldn’t do it to Liliana, herself because it hurt her so much when people were cruel to her, or said nasty things like in the village. The thought of her living her entire life having to bear those slights (and the reality is, people still would’ve said them and they still would’ve hurt, even if only a tiny bit each time since she would’ve had Micah’s unwavering love in contrast) – yeah, I just couldn’t. And since it was a fairytale, I did get to play fairy godmother.

I responded:

You know, your comment is one that I think would be interesting to readers, if you would be willing to post it. I’m not sure how I feel. It’s true that I wouldn’t want Liliana to be hurt constantly by the shunning of others, but I loved the idea of a truly ugly heroine. It’s amazing how none of that really matters when you are in the meat of the story.

Nalini’s response:

As for the Liliana comment, I don’t know. I always wonder if author intention should have any place in a reader’s experience. I’ve always liked the idea that each reader reads a different book, dependent on what personal ideas/life experiences they bring into the story. It’s an interesting thing to think about, especially now, with authors so accessible via the web.

This got me thinking. Jeannie Lin’s response about the ending of her book was posted on her website. I thought her explanation of the Eastern philosophy that drove her story was interesting. It didn’t change how I felt about the book but I enjoyed reading it and contemplating her perspective.

Both the Singh and the Lin comments were ones I would have liked to have discussed with other readers. These might be appropriately questions at the end of the book that could be asked for a reader group (those are sometimes included in trade paperback books).

I emailed Caitlin Crews to see if she would like to write up some thoughts about Shame and Heroines in romance and mentioned that I found that Jake, the hero in “Heiress Behind the Headlines,” hadn’t suffered enough for all the horrible things he said to Larissa, the heroine.  She gave me a really interesting response:

I’m really interested in your take on Jack. I was worried that many readers would not find Larissa at all sympathetic (and indeed many do not) and so in some ways I suppose I saw Jack as a kind of mouthpiece for what I anticipated those readers might feel about her. I also thought that his public acceptance of her at the end would be more meaningful to *her* than any sort of extended grovel might be, as I imagined she wouldn’t necessarily believe that. My understanding from some of the feedback I’ve gotten so far is that some readers just hated her as I worried they might, and those readers seem to think Jack could have done much better. I guess I was trying to strike a balance between those two takes on the story; it’s always so fascinating to hear how/if that kind of thing worked!

But author interaction can result in two things, no matter the intention of the author, both which are detrimental to reader conversation. First, an authorial inerjection can reduce reader commentary. Meljean Brook shared:

I think there’s room for author interaction in the comments of a review, but it’s very limited room. In general — unless the reviewer has notified the author directly about the presence of a review and invites a reply — I think that it’s best not to comment at all. We all know that many authors are online, seeking reviews of their work and looking in on discussions; there’s no need to tap the readers on the shoulder and say, “Hey, I’m here,” because it’s likely to have a chilling effect…and for good or bad, the best thing for an author is for readers to talk about her book. Why shut that down?

The other thing that can occur is for readers to mistake the intention of the author or interpret the author’s intention exactly right and either results in a kerfluffle. Another author emailed me this response:

Explaining a book in the comment section may invite discussion, but it seems argumentative to me. A reader has the right to their opinion of the book, no matter what that opinion is. If an author thinks their book is A and the reader thinks it’s B, no matter how much the author argues the point, it’s very rare the reader is going to change their mind–they’re always going to think it’s B. It’s the reader’s experience that matters. That’s their takeaway and no amount of explaining on the author’s part is going to change that. The only additional takeaway the reader will receive is a bad view of the author, which is never a good thing, in my opinion.

Another author shared that it was frustrating to read in a review what the author’s intention was when writing. It’s one thing for a reader to say that it came off as if an author meant it X, Y, or Z and another for a reader to speak as if she is an authority on the author’s intent:

I’ll be honest, it really pisses me off when readers speak with “authority” on what my intent as an author is. They can think what they want. They can speculate to their hearts content. But don’t go around saying that Author thought this or Author did that… And any time a reader claims to KNOW what an author meant or what she was “really” doing, they just make themselves look like an ignorant.

Almost universally, the authors I emailed on this topic felt that comments to reviews are simply not a place for authors to interject their opinions. I know that at DA, if an author comes in during a discussion and I sense that it might reduce reader discussion, I’ll make a comment to try to encourage readers to discuss the book, as if the author is not there.

One author said that the only time she felt is was appropriate to comment publicly with readers is when the author is invited, such as to a Book Chat. Most authors echoed this

“In my experience, when readers really want to hear from an author, they’ll e-mail her.”

I admit that I rarely email authors at all mostly because I feel, maybe wrongly, that most authors really don’t want to hear from anyone with in the email address.  I don’t know whom I’ve offended with strongly worded reviews and I don’t want any one to feel like they need to be nice or gracious to me if I’ve hurt their feelings.  To that end, there are often questions that arise from a book for which I have no answer.

I’m curious what readers and authors would like to see.  Do they want more authorial interaction?  Do they like that the conversation is primarily between readers of the book or potential readers of the book?  Are they interested in hearing the author’s perspective?

*All emails reproduced with the consent of the sender.