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REVIEW x 2: The Lotus Palace by Jeannie Lin

REVIEW x 2: The Lotus Palace by Jeannie Lin

Dear Ms. Lin,

Although I had purchased most of your novels, I hadn’t picked one out of my TBR pile to read since your debut, Butterfly Swords. Clearly, it was a mistake to wait so long to try one of your books again, because your most recent novel, The Lotus Palace, blew me away.

The Lotus Palace by Jeannie Lin [Historical] ( A | BN | K | S | G )

The Lotus Palace (reviewed here by Jayne and Sunita) takes place in ninth century China, within the pleasure quarter of the Northern Hamlet (also known as the Pingkang Li). As the novel begins, an earthquake startles the residents of the Lotus Palace, a large establishment inhabited by exclusive courtesans, but it is only the first of a number of events that shake up their lives.

Yue Ying is a maidservant to the Lotus Palace’s most beautiful and sought after lady, the cynical, volatile courtesan Mingyu. Unlike her mistress, Yue Ying is calm, quiet and thoughtful. Also unlike Mingyu, Yue Ying has a face dominated by a large, moon-shaped red birthmark widely considered a blemish. Most people avert their eyes from Yue Ying’s marked face, but one man does not.

Lord Bai Huang is an aristocrat, the scion of a family of respected scholars and advisors to the emperor, but he himself is, in Yue Ying’s viewpoint, “a night owl, a flirt, a spendthrift and an eternal student, having failed the imperial exams three times.” While Lord Bai is ostensibly at the Lotus Palace to court Mingyu, it is Yue Ying whom he cannot look away from.

But Lord Bai is more than he appears at first glance. He has hidden reasons for masquerading as a fool and gambling away exactly a thousand copper coins a week. Yue Ying doesn’t know them, but she senses that Huang is a man keeping closely guarded secrets.

When, one night, Bai Huang claims a kiss from Yue Ying, she strikes him in self-defense. Long before Yue Ying arrived at the Lotus Palace, she was a simple prostitute, one who never had the choice to say no to a man.

But while the slap does serve to make Bai Huang aware of how important consent is to the courtesan’s servant, it does not deter his interest in her. If anything, it intensifies it. When a murder shatters the celebratory decadence of the quarter and Mingyu travels away to visit a protector, Lord Bai turns to the quiet maidservant who fascinates him for help.

The victim is the beautiful courtesan Huilan, a rival of Mingyu’s. Not long before her death, Huilan asked Lord Bai’s assistance, but she died before she could confide in him what dangers she faced. The earthquake a month before had caused a man’s body, hidden in a river boat, to surface. Are the two deaths related?

Bai Huang wants Yue Ying’s help in discovering the answer to this and other questions. But for Yue Ying to aid Bai Huang is no simple thing. Even absent, Mingyu influences Yue Ying’s decisions, for the courtesan can be jealous and Yue Ying fears alienating her.

Moreover, Bai Huang’s family is high-born enough that his association with Yue Ying, a servant and a former prostitute, cannot reflect well on him. And then there is his attraction to her. Yue Ying feels the pull of it as well, but she fears that his touch can only hurt her.

Despite those fears, Yue Ying finds herself in a friendship – or is it a romance? – that grows more and more emotionally precarious.

It is exhilarating to have a man look at her without flinching, without drawing away, with desire in his eyes. It is exciting to steal a kiss in the rain from a man who remains motionless and allows her to have her way, and to feel strong and safe.

But is that safety an illusion, as Bai Huang’s frivolity is an illusion? How can the equal ground they stand on when alone together be anything but shaky, founded as it is over a gulf of social class that is sure to  force them apart?

What secrets is Bai Huang’s hiding? Are Yue-Ying’s feelings for him also an illusion, a self-deception, when she carries secrets of her own? And if it turns out the murderer is closer than they realize, will the man Yue Ying has growing feelings for be able to protect her, and if so, at what cost?

If there is a flaw in The Lotus Palace it is that the outcome of the murder mystery isn’t one we’re given sufficient clues to solve ourselves. But frankly the romance in this book was so lovely that I didn’t care about that much.

I also started the book distracted enough to notice the occasional slightly awkward sentence, but by the time I finished I was glued to the novel like a fly to flypaper.

Here’s the reason why: Yue Ying is a wonderful character, of the “still waters run deep” variety, which is one of my absolute favorite heroine types. She may not be flashy or gorgeous, she may not be the charismatic or the life of the party, but she is observant, perceptive, thoughtful, and her very stillness is what fascinates.

Underneath her quiet surface, Yue Ying has known a lot of sorrow, but it hasn’t dimmed her capacity for love and loyalty, only made her guard her heart and the secrets it holds.

If she is initially careful in every moment she shares with Bai Huang, Yue Ying is ultimately equally careful with every moment—careful to hold it close and cherish it, no matter what she expects the future to bring.

Similarly, Bai Huang, though outwardly carefree, is someone deeper and fiercer beneath his frivolous surface (more so than even he realizes). From early on, when he reveals that even a courtesan’s life—the dead Huilan’s—is of value to him, it is apparent that he is secure enough to want justice and fairness for those “below” his station, and that makes him a great match for Yue Ying.

Huang may not be every woman’s hero, but he is absolutely Yue Ying’s hero, because his loyalty, the permanence of his love, despite enormous obstacles, and his sense of security make him exactly the man she needs to help her feel free to choose her own path.

Yue Ying may not be every man’s chosen bride, but Bai Huang would choose her again, and again, and again – and we can see why, because just as he does for her, she brings out the strength and the courage in him.

And that may be my favorite among the many terrific things in The Lotus Palace. Not the spare, occasionally haunting sentences, not the wonderful sense of place and time, not the atmosphere of the pleasure quarter, etched in carefully chosen words, or even the compelling mysteries behind the well-drawn secondary characters.

Not even the way romance genre tropes are, as Sunita pointed out, seamlessly woven through the world of the Tang Dynasty Pingkang Li, nor Yue Ying’s poignant backstory, which reminded me a bit of Amy Tan’s writing (funnily enough, an author we’ve discussed on Twitter) in that it broke my heart and brought me to tears.

Yes, this book was as emotional as a classic Mary Balogh novel, and I loved that, but my favorite thing is how, in the midst of all I mentioned, these two people see each other, see directly into the other’s soul.

How absolutely right they are for one another. How, though neither one is perfect, they fit together perfectly, like two puzzle pieces that make a complete picture of what love looks like: Not something that mainly tethers and obligates, but something that empowers and frees.

Some books grab you by the throat from the beginning. Others sneak up on you, but prove to be no less powerful for that. For me, this book was in the latter category. It made me cry, and sigh with happiness. It made me grateful I read it, and made me want to tell everyone else to read it too. A-.

Sincerely,

Janine

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DUAL REVIEW:  The Lotus Palace by Jeannie Lin

DUAL REVIEW: The Lotus Palace by Jeannie Lin

 

It is a time of celebration in the Pingkang li, where imperial scholars and bureaucrats mingle with beautiful courtesans. At the center is the Lotus Palace, home of the most exquisite courtesans in China…

Maidservant Yue-ying is not one of those beauties. Street-smart and practical, she’s content to live in the shadow of her infamous mistress—until she meets the aristocratic playboy Bai Huang.

Bai Huang lives in a privileged world Yue-ying can barely imagine, let alone share, but as they are thrown together in an attempt to solve a deadly mystery, they both start to dream of a different life. Yet Bai Huang’s position means that all she could ever be to him is his concubine— will she sacrifice her pride to follow her heart?

The Lotus Palace by Jeannie LinJayne:I don’t think we’ve ever dual reviewed a Lin novel and I was eager to see what you thought of her latest one. “The Lotus Palace” is almost two books in one. It’s a love story between two people of vastly differing social backgrounds as well as a murder mystery. The romance worked fairly well for me but the mystery didn’t grab my attention as much as I might have wished.

Sunita: I really enjoyed your review of her previous book, The Sword Dancer, so it’s great to do this one together! I agree that the mystery wasn’t particularly unusual, and by the end I didn’t really care whodunit, but the setting and the romance were so appealing to me, especially as events unfolded in the second half, that I was really caught up in the different aspects of the book.

Jayne: One thing I can always count on when reading her work is that I will almost effortlessly learn a lot. Details, large and small, are seamlessly woven into the narrative and I never feel as if I’m being force fed every little thing she learned during her research. Recently I read something on the BBC website about the difficulty of the exams Chinese scholars who sought government positions had to face. In the struggles of Bai Huang, I can see this come to life. 20+ years later, I still remember the grueling study schedules my accounting major sorority sisters set for themselves in order to pass the CPA exam but I don’t think they had anything on what Bai Huang endures – for the fourth time. It’s too bad that women couldn’t have taken it as his sister Wei-Wei looks like she would have aced the test the first go round.

Sunita: Wei-Wei is a terrific character; she starts out as the stereotypical cute younger sister but you realize quickly what Bai Huang knows, that she is very smart and very focused. She accepts that she can’t be a scholar the way a man can, but she still manages to use her talents.

The setting is so richly realized, even more so than in The Sword Dancer, whose worldbuilding I thought was excellent. I agree that there is no sense of infodumping, just the careful evocation of a community and its geographical and political context. Because of that, the first half of the book was a bit slow-moving for me. We learn about the Pinkang li, the quarter where the courtesans live, and we get to know the inhabitants and customers of the Lotus Palace. What I like about this approach is that by the time the romance really gets going, we know Yue-ying and Bai Huang as individuals, so we’re rooting for a happy ending because they really fit together, not because they are each the other’s designated Beloved Object.

Jayne:The Historical Undone novella “Capturing the Silken Thief” introduced me to the world of Tang Dynasty courtesans and the people who worked with them. “The Lotus Palace” takes this many steps further and is a full-on immersion into this environment. Yue-ying lives in the background of this pleasure palace. She and her mistress Mingyu were sold into this life and share a bond no outsider understands. Yue-ying knows how lucky she is to have been redeemed from being a common prostitute in a brothel even if her marked face disqualifies her from the heights that Mingyu has reached.

I enjoyed reading about Yue-ying. She’s practical, hardworking and doesn’t stand for any nonsense from Bai Huang. She serves as his introduction to the world of these servant girls and teaches him some respect for those who aren’t rich and privileged. This is actually my favorite aspect of the book. An experience in Bai Huang’s past has already stripped away the veneer of the beautiful illusion the courtesans project but meeting Yue-ying makes him truly see the harsh reality behind the glitter.

Sunita: Yue-ying is a terrific character. She’s been dealt a very tough hand, but she’s neither downtrodden nor feisty. She accepts the world as it has been made for her and she appreciates the good things in her life. Her relationship with Mingyu (who is another nuanced, interesting character) is clearly more than just courtesan-servant, but we don’t find out precisely what it is until the second half of the book. Yue-ying is understandably unromantic, but she’s also loving and interested in the world around her.

Jayne: One thing I loved was Yue-ying’s visits to the local temple including stopping to see an ancient (I assume) sea turtle who lives there.

Sunita: I did too, and it’s typical of Lin’s approach that was seems like a trivial interlude featuring the turtle turns out to be important, both in showing us a side of Yue-ying and to the plot. As for our hero, Bai Huang is clearly more than he at first appears, but I wasn’t sure exactly how he would turn out. In the second half of the book I realized that he fit a common historical romance archetype: the under-achieving aristocratic eldest son who has failed to live up to expectations but wants to do better. But he wasn’t predictable in this story because his background and context meant that his family interactions, his parents’ expectations, and his own choices were identifiably Chinese, not British or even generically Western. It’s a great example of how a little-used cultural context provides a palette of character motivations and actions that is the same in some ways and very different in others.

Jayne: Still, he’s a bit of the romantic in their growing relationship. She has to bring him back down to earth. It felt realistic that to her, sex would be devoid of emotion while he would get wrapped up the hearts and rainbows. And while her feelings changed more quickly than might be reasonable, I appreciate that Lin didn’t have one good sexual experience “cure” her. It took two. Oh, well.

Sunita: Those are really great points. The “bad sex” scene has the shape of other bad sex scenes in romance novels, but the particulars are all about these two characters. I admit I was also surprised at the relatively rapid transition, but by genre standards I suppose it’s not that fast.

Jayne: The roadblocks on the way to their HEA are formidable. He is of a renowned family of wealth and means. She is the daughter of a poor farmer who sold her. His family has already arranged a marriage for him and she resists becoming his concubine because she’s already been owned in the past and, now that she’s free, she’ll never submit to that again. As it got closer to the end of the book, I was biting my nails as I wondered how Lin would get them past this impossible impasse. A clever woman – yah! – saves the day. I hope she will get her own wonderful hero at some point.

Sunita: I honestly did not know how Lin was going to get this couple to an HEA. She laid the groundwork for why Yue-ying didn’t want to be a concubine so well that I launch into my usual “Oh, just go ahead, you’ll be set for life” lecture. Yes, there was a way to be a content woman as a concubine, but Yue-ying wasn’t going to be able to manage it, and neither would Bai Huang be able to play his part. And given that both she and Bai Huang knew that he wouldn’t be happy if he didn’t fulfill his family obligations, I didn’t see a way out. But there was, it was completely believable and, in retrospect, it was obvious.

Jayne: Yes, very obvious but very realistic and nothing that made me roll my eyes and think,”Oh, just go with it, Jayne!” As much as I enjoyed the romance though, the mystery didn’t work so well for me. It just didn’t make sense to me that Mingyu and Huilan, who had both been in this world of owned women for years, would have banded together over this one incident out of what surely must have been a similar background shared by many of these courtesans and prostitutes. The nitty gritty of solving the case didn’t differ from many mysteries I’ve already read and wasn’t as interesting to me as learning more about the Tang Dynasty.

Sunita: I don’t disagree with you at all on this, but I nevertheless went along with it. I didn’t have much of a sense of Huilan, but I felt that Mingyu had more intense emotions than she expressed, so her sudden decision seemed somewhat plausible. And while the procedural aspect was pretty standard, I liked the character of Constable Wu a great deal, especially his interactions with Yue-ying.

Jayne: The romance between a down-to-earth heroine and a more starry eyed hero “made” this book for me. The “how would she manage to get them together and solve the realistic conflict she’s set up” dilemma kept me glued to the story. The murder mystery – eh, not so much. I hope Wei-Wei will show up again in a future book and that we’ll see more of Yue-ying managing to keep Huang anchored and steady. B-

Sunita: I think that there are definitely readers who have similar reactions to yours, and I think you make a good argument for them. Nevertheless, when the romance started to really take off, and Yue-ying and Bai Huang had to balance their happiness at being together with the uncertainty of how they could have a future, I fell completely in love with this book. I think it’s in part because I deeply appreciated the way the context and the language reflected a more formal, hierarchical society while still showing the way romantic and familial love shaped people’s motivations and actions. It felt utterly authentic to me, and I don’t have that reaction very often. The way Lin took traditional romance archetypes and storylines and embedded them in an unfamiliar (for romance) context impressed me a lot. That’s probably why I find this to be her best book yet, and I expect that she will get even better. A-

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