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Daily Deals: Ancient queens, virgin mothers, and the search for truth

Daily Deals: Ancient queens, virgin mothers, and the search for truth

Exley by Brock ClarkeExley by Brock Clarke. $ 1.99

From the Jacket Copy:

For young Miller Le Ray, life has become a search. A search for his dad, who may or may not have joined the army and gone to Iraq. A search for a notorious (and, unfortunately, deceased) writer, Frederick Exley, author of the “fictional memoir” A Fan’s Notes, who may hold the key to bringing Miller’s father back. But most of all, his is a search for truth. As Miller says, “Sometimes you have to tell the truth about some of the stuff you’ve done so that people will believe you when you tell them the truth about other stuff you haven’t done.”

In Exley as in his previous bestselling novel, An Arsonist’s Guide to Writers’ Homes in New England, Brock Clarke takes his reader into a world that is both familiar and disorienting, thought-provoking and thoroughly entertaining. Told by Miller and Dr. Pahnee, both unreliable narrators, it becomes an exploration of the difference between what we believe to be real and what is in fact real.

Great, unpredictable characters but a narrative that loses its way. One reviewer said all the women were really shallowly and negatively represented in the story.

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Someone Else's Love Story by Joshilyn JacksonSomeone Else’s Love Story by Joshilyn Jackson. $ 1.99

From the Jacket Copy:

For single mom Shandi Pierce, life is a juggling act. She’s finishing college, raising precocious three-year-old Natty, and keeping the peace between her eternally warring, long-divorced parents.Then she gets caught in the middle of a stickup at a gas station and falls instantly in love with William Ashe, when he steps between the armed robber and her son.

Shandi doesn’t know that William’s act wasn’t about bravery. When he looked down the barrel of the robber’s gun he believed it was destiny: it’s been exactly one year since a tragic act of physics shattered his universe. But William doesn’t define destiny the way other people do—to him destiny is about choice.

Now William and Shandi are about to meet their so-called destinies head-on, making choices that will reveal unexpected truths about love, life, and the world they think they know.

The story is told in a lot of flashbacks and it isn’t clear to the reader whose love story is being told. It’s not necessarily Shandi and William, the two main narrators, but per the reviews it is about falling in love and sacrifice.

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Live For You: Boys of the South  by Marquita ValentineLive For You by Marquita Valentine. $ .99

From the Jacket Copy:

**Mature New Adult/Adult novel – suited for ages 17+**

On the surface, twenty-two year old Cole Morgan is exactly what any girl would be proud to take home to meet her parents: He’s charming, intensely handsome and goal-oriented…Only he has some secrets of his own, which include provoking bar fights and a former drug-addict of a mother slowly wasting away in a medical facility.

At barely twenty, Violet Lynn is Country Music’s hottest star, until one night of partying gets out of control. Violet ends up in jail and on TMZ. Suddenly, she’s the girl least likely to be invited anywhere. Sick of the drama and keeping secrets, she runs away from the prying eyes of the paparazzi to her grandmother’s home in Forrestville, North Carolina.

A chance meeting knocks Cole off his feet, but he doesn’t recognize Violet for who she is. In fact no one does and Violet plans to keep it that way.

Circumstances, however annoying,keep throwing Violet and Cole together. Unable to stop themselves they give into the inevitable.

But when Nashville is ready to forgive and forget, Violet is forced to choose between Cole and claiming her spot as the new and improved Princess of Country Music.

Will Violet and Cole have the courage to live for their dreams…Or their hearts?

This is the first part of a series of books I think? One of the things that the reviewers did not like was that Violet cuts her hair and then becomes completely unrecognizable to everyone despite being a super famous country music star.

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The Forever Queen: The Lost Kingdom - 1066 by Helen HollickThe Forever Queen by Helen Hollick. $ 2.99.

From the Jacket Copy:

USA Today Bestseller!

What kind of woman becomes the wife of two kings, and the mother of two more?

Saxon England, 1002. Not only is Æthelred a failure as King, but his young bride, Emma of Normandy, soon discovers he is even worse as a husband. When the Danish Vikings, led by Swein Forkbeard and his son, Cnut, cause a maelstrom of chaos, Emma, as Queen, must take control if the Kingdom-and her crown-are to be salvaged. Smarter than history remembers, and stronger than the foreign invaders who threaten England’s shores, Emma risks everything on a gamble that could either fulfill her ambitions and dreams or destroy her completely.

Emma, the Queen of Saxon England, comes to life through the exquisite writing of Helen Hollick, who shows in this epic tale how one of the most compelling and vivid heroines in English history stood tall through a turbulent fifty-year reign of proud determination, tragic despair, and triumph over treachery.

PW writes “Hollick does a remarkable job of bringing to life a little known but powerful queen, as well as the milieu and world she inhabited. The scope is vast and the cast is huge, but Hollick remains firmly in control, giving readers an absorbing plot that never lags over the course of a fat, satisfying book.”

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REVIEW:  The Governess Club: Sara by Ellie Macdonald

REVIEW: The Governess Club: Sara by Ellie Macdonald

The Governess Club: Sara

Dear Ms. Macdonald,

To be honest, I found your story by happenstance on Amazon and investigated further because I really like yellow dresses. Great cover you have there. Still, many gorgeous covers have masked terrible insides, so I never buy a book on Amazon without reading an excerpt. I clicked the ‘Look inside!’ option to perform my due diligence. Just like that, you stole my free time.

Within paragraphs, I was voicing the words out loud, as I often do when no one else is home, unless I’m possessed with a particularly low level of shame (which is usually) and people are in my home and I do it anyway, because I love me and they love me and they have to put up with me.

In any case, I’m one of those who enjoys acting out the characters as she reads them. It’s more fun. But it doesn’t always work, because the dialogue has to be right and the physical and emotional descriptions have to be on target for me to be satisfied. I don’t want to act out bad dialogue (unless it’s very bad, in which case, sign me right up).

It was a pleasure to see such efficient syntax. That might sound like a boring compliment to most, but I’m an editor and I think you’ll understand. Most people don’t even realize it’s happening: the absence of clutter. Without the clutter, every word can strike the reader. Again, I’m not just talking about the mind. I mean everything. A story is not just a story. In the right hands, it’s a full-body experience. I think you have the right hands.

You gave me a complete character with baggage and virtues, all in the length of an Amazon excerpt. I promptly hit the ‘Buy now with 1-Click’ option, and here we are. Only 99 cents? Pfffft.

It was my first time reading a book of yours, and this was apparently the third in the series, so I didn’t actually know what the Governess Club was. I caught on okay, but at times it referenced too much to other plots or characters of which/whom I had zero knowledge. Still, the main characters made up for the mild confusion.

Sara was so gentle and selfless; so reluctant to treat herself or stand up for herself. She was vulnerable—enormously so—but not in an annoying way, which is a tricky balance. I wanted to take her hand and encourage her. I wanted her to know she could be happy and live a better life. I was pleased that Sara came to the same conclusion without much delay.

And then we have Nathan Grant. So unfit for company. So furious at the world and filled with misanthropy. It’s a problematic trope, because in the wrong hands, this is an instant cliche. But I found myself waiting for every word he said, every sneer, every caustic laugh he made through his hatred of people and of himself.

I understood why he left London and politics, and enjoyed that you didn’t rely solely on external means. It wasn’t any failure of his in the political arena that prompted his escape just before the novel’s start. No, it was instead highly internal: a personal disgust of how the people around him acted and manipulated. That disgust turned to self-doubt for his own identity, since he felt like one of them. You took the actions of someone else and brought it all inward, making the hero question the way he lived his life and the sort of man he thought he was. He didn’t know what kind of man he wanted to be; he just knew the kind he couldn’t be anymore.

It was the same dilemma our heroine experienced, except they had wildly different personalities and goals. But they were both trying to figure out what their actions said about themselves as people. They both found themselves lacking and they both wanted to change that. It was harder to figure out how to accomplish that.

I could see, absolutely see the cogs whirling in Sara’s brain as she realized the way she lived her life wasn’t right. It wasn’t what she deserved. The Sara she knew as herself was in conflict with the Sara everyone else saw. Even her dearest friends thought of her as some other, milder, simpler creature. That realization was painful. It was a breakthrough that necessitated change through action, and there we have our plot.

He turned and looked at her, his face unreadable. “You haven’t thought this through.”
“That is likely.”
“You will be ruined.”
“Only if people find out. As you just admitted to a distaste for marriage, I assume you will wish for discretion as well.”
“What about your vicar?”
She swallowed. “We will not speak of him.”
“This will change your life.”
“Isn’t that the point of adventure?”

In Nathan, she found a supporter like she’d never had before. Everyone else tried to help her gain confidence, but they went about it the wrong way, because they didn’t understand her enough. He succeeded in aiding her transformation. He insisted she be the strongest version of herself. To be the Sara he saw; a different woman than everyone else saw, including herself.

“As soon as I offered you some sort of challenge, you backed down. This is your adventure. You came to my house and stood up to me then; if you had not, we would not be here. If this is going to work, you must be able to stand up to me. If you do not, it is no longer your adventure.”

One of the most pleasurable things in a romance novel is watching and expecting the interactions. The first time, the second time, the third, and how everything is tweaked from encounter to encounter. Seeing their perceptions of each other change. Thinking, “Oh, he is going to fall for her so damned hard; I can already see it.” “She’s talking differently. She’s making different choices. He is her personal witness to this transformation.” “They are so right for each other.”

My one major hangup is that they fell in love too fast for my taste. It was way too convenient and pressed for time. I don’t think they experienced enough together to make the claim of love credible. I so nearly believed it. I really wanted to.

Another issue I had was a misunderstanding involved in the last act, where the vicar was just ridiculous and no one spoke up and everyone just denied, denied, denied. No, thank you. The tension was too manufactured and dissipated all too quickly once actual communication happened.

Still, I will be sure to search out your other stories and read them. I had an great time and I look forward to more.

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