Rewritten books: Redux need warnings (Updated)

Update:Susan Grant posted at AAR in response to a query about the sameness of Mysteria and BBeB. Her response was

That’s a big change! I added character development, plot, and #####, something I couldn’t hardly do in the short, episode format for BBB which really amounted to just teasers.

Now we are paying for teasers? I take back every bad thing I said about the second epilogues of Julia Quinn. I notice that the all authors have contributions in the sequel to BBeB so you can buy the “teasers” for the Mysteria II. I’d say skip the book and send your donation directly to the Susan B Komen foundation.

A savvy reader noted to me that reading the Mysteria anthology was a strange experience. Three of the four stories were recycled/revised versions of the material in Bewitched, Bothered and BeVampyred.

The Bewitched, Bothered and BeVampyred offerings included:

  • “A Dance Through the Garden of Good & Evil” – Grant, Susan
  • “The Witches of Brokenoggin & the Dead Who Love Them” – Showalter, Gena
  • “Candy Cox and the Big Bad (Were)Wolf” – Cast, P. C.

The Mysteria offerings were:

  • “Mortal in Mysteria” – Grant, Susan
  • “Alone Wolf” – Davidson, MaryJanice
  • “The Witches of Mysteria and the Dead Who Love Them” – Showalter, Gena
  • “Candy Cox and the Big Bad (Were)Wolf” – Cast, P. C.

Mysteria Copyright PageApparently, the Grant, Showalter, and Cast stories were rewritten, in some cases only about 25% and in others up to 75%. Ironically, the story that was most rewritten (Cast’s) had no title change and the one with the least revisions (Grant) had a completely different title. There is no mention on the copyright page that these were revised stories.

I was standing in Waldens the other day, listening to a reader to reader conversation. The one woman said to her companion, “I can’t tell if this is a reprint.” The companion replied, “Isn’t it illegal to sell it without telling us its a reprint?” No, I thought. The first woman said, “It should be.”

Which brought me back to the dreaded ARC debate which arose out of the presale of Mysteria. Many people, including the authors who wrote Mysteria, questioned the ethics of selling an ARC. I wonder now at the “ethics” of selling stories in a repackaged format (In BBaB, the stories were set in a town of Brokenoggin and in Mysteria, the stories were in Mysteria) without noting that these were revised stories that had been published not a year before.

I really appreciate the “first time in print” logos (Nora Roberts and Jayne Ann Krentz are two who sport this). I would also love to see “revised/updated” so that I can check and see if I have read these books before. This is particularly true when you have epubbed authors taking their ebook works and publishing them with a NY house under a new cover, new title, new imprint.

I don’t think these authors don’t intentionally want to mislead the reader about the freshness of their content. Of the three authors who weren’t providing all new content, only Susan Grant’s website had a note on the Mysteria page that this collection included longer versions of the original BBaB contributions. Maybe some reviewers sold the Advanced Readers Copies because they felt like they had read the book already. My reader friend did think that the rewrites worked better as romances in Mysteria than they did in BBaB. Even so, maybe we need “born on” dating like the beers. With the misleading covers, false advertising, and revised editions, buying books requires a PI license at times.

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