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Dear Author Intro Interview:  Beverley Eikli, author of Lady Farquhar's Butterfly

Lady_Farquhars_ButterflyAlyson:   After reading Jayne's review of A Ruined Season, I was interested in other romances published by the same company (Hale Publishing).   Beverley's second book provided the opportunity.   The initial premise of this historical, a woman who must fight for custody of her child after being declared "unfit," seemed to have contemporary overtones, but at its heart, Lady Farquhar's Butterfly is classic melodrama, sweeping emotion, layers of secrets, and hidden treasure all included.   One of those secrets is what Lady Farquhar's butterfly is exactly, so just for fun, take a guess in the comments.   My favorite guess (not the right one, so don't go spoiling or googling) will win a copy of the book.

A six-word memoir for your protagonist, Lady Farquhar:

"Husband wanted: dashing rakes needn’t apply.' As a headstrong debutante Olivia eloped with a dashing rake. Seven years later, when I take up the story, she's paid the price.

What were the original "triggers" or inspiration points for Lady Farquhar's Butterfly?

Like most of my books I like to start with an interesting set-up or conflict and work from there. It was only after I'd finished writing Lady Farquhar's Butterfly that I realized how much I'd unconsciously based my heroine's fragile state of mind at the beginning of the book on personal experience.

A few years ago I did a three-month contract in French Guyana working as an airborne geophysical survey operator. I was the only female on a crew of 14, I was missing my husband (no email or cheap phone calls), grieving for my mother who'd died unexpectedly six months previously, and the working conditions were very difficult. Eight hours being shaken about in a Cessna 404 200 feet above the jungle in high heat and 98 per cent humidity made me constantly sick so that my weight had dropped below 36kg by the end of the contract. Physically and emotionally I was at my lowest ebb.

Like my heroine, it took a tragedy – in this case involving one of my colleagues – to jolt me out of my self absorption and depression and to take charge of my life.

Your favorite line, moment, or scene in the book:

I enjoyed writing the sensual scenes, however my favourite was the single violent scene which takes place over the sarcophagus of Olivia's late husband in the family crypt.   This is where Olivia shows what she's made of and the villain struggles to manipulate the woman he's held in his power for so long.

Who is the worse villain, Lucien or the Reverend Kirkman?

What a brilliant question. Lucien is the evil shadow who haunts Olivia from the grave. His spectre causes her to doubt herself, the validity of her feelings and to doubt Max, even though Max is utterly steadfast and dependable.   The Reverend is much more subtle than Lucien in his manipulation and ultimately more dangerous. Olivia has almost no experience of decent men in her life until she meets kind and honourable Max, which is why she’s confused by her feelings for him. I think it’s a matter of opinion as to who is the worse villain. Lucien was certainly more handsome!

Max and Olivia fall for each other such a short time after they meet.   You convinced me the risks they took for each other were well-motivated, but I wondered why you set such a challenge for yourself.

I was a skeptic of love at first sight until it happened to me! I met my husband around a camp fire in Botswana the day before I was due to fly home to Australia and marry my boyfriend of 8 years (about the same length of time Olivia had been married to Lucien). When my boyfriend met me at the airport and called the whole thing off I was shocked but relieved and immediately wrote to this handsome Norwegian bush pilot I couldn’t get out of my mind.

Fortunately the feeling was mutual and after eight months of snail mail (letters took 2 weeks to reach the Okavango Delta) Eivind had saved enough holiday leave to fly to Australia where he immediately proposed. Having spent less than 2 weeks in his company I gave up the career I’d worked so hard to achieve as a features writer on a metropolitan daily, my close-knit family and friends and the town I’d lived in for most of my 28 years to join Eivind in a remote thatched cottage in the middle of a mopane forest with no telephone or hot water in the middle of Africa. After 16 years of wonderful, adventure-packed marriage I write romances which I think are far more plausible than my own.

Every time I thought all the secrets and twists in Lady Farquhars’ Butterfly had been revealed, you had another in store.   Are you the kind of writer who works out those kinds of things ahead of time, or do they come as you’re writing?

I rewrote the ending from half way through the book three times! Finally, I did some serious brainstorming with my husband who knows how my ‘devious mind’ (his words) works. By this stage I felt I really knew Olivia and Max so that I could rework my original (failed) plot in order to make   their reactions plausible. Coincidence, unusual characters and amazing timing have been such factors in my having had such an extraordinary (and ultimately happy) life that I’d believe any plot as long as the characters behaved true to their natures.

Having said that, I’m much better at seeing where the story takes me until the half way point before stopping and carefully working out the rest of the plot from there. It’s a much more efficient method of writing.

Number of books you wrote before your first sale:

Seven. I was seventeen when I finished my first 550-page epic and it took me a while to realize that drowning the heroine on the last page or fashioning her after Thackeray's viperish Becky Sharp in Vanity Fair were not winning formulas.

The moment you felt like a "real author":

When I did my first author chat at the local library and question time went for over an hour.

Three sources of inspiration for you:

1. Past experience and stories I've been told. Cocooned for eight hours in a small plane surveying the jungle of French Guyana or the Greenland Icecap with a lonely pilot is a good apprenticeship for a romance author.

2. Reading social histories of English life between 1750 and 1850. So many wonderful story possibilities jump out, usually involving the oppression of, or lack of opportunity for, women – a challenge for me to construct a scenario for them to break out of the mould in a historically believable fashion.

3. Walking our Rhodesian Ridgeback, Homer, around Dixon Field after the kindy drop-off. This is my most productive half hour of brainstorming or potboiling.

Your oddest or most reliable writing ritual/habit:

Early mornings are my most productive time so I try to wake at least an hour before the rest of the household. With two kids I just love silence.

Writing advice you're glad you followed or ignored:

Persistence is the key element to success. This quote from James Baldwin, who thought will was the crucial element to a writer, strikes a chord: "Do this book or die. You have to go through that. Talent is insignificant. I know a lot of talented ruins. Beyond talent lie all the usual words: discipline, love, luck, but most of all endurance."

Your paying job(s) pre- and post-publication:

So many! I started my writing life as a cadet on a country newspaper, went to a metropolitan, was a safari lodge manager in Botswana where I met my lovely Norwegian pilot husband, got into aerial survey flying for a few years, returned to Australia and worked on a number of magazines. Post publication (in full length fiction), I've taught English to foreign students and I currently teach creative writing at the local Further Education Dept.

Your favorite book at age 10:

The Secret Garden by Frances Hodgson Burnett.

An author or book you recommend again and again:

Karleen Koen's Through A Glass Darkly set during the South Sea Bubble financial crisis in England during the early 18th century. I loved the multi-layered plot with its surprising twists that overlaid a rich and vivid backdrop and its characters that continue to resonate twenty years after I read the book.

The U.S. release of Lady Farquhar's Butterfly has been delayed, but The Book Depository ships free internationally (and don't forget to leave your guess for a chance to win a free copy).   Beverley's website its   Alyson does the Intro Interviews, and you can contact her at daintrointerview AT gmail DOT com.

Alison Atlee (also known as "Alyson" here at Dear Author) is fascinated by creative people and how they work, which is why she enjoys contributing author interviews to Dear Author. She likes her romance novels light on the internal monologues, twisty with the conventions, and brimming with voice. Her favorite book at age ten? "An Old-Fashioned Girl" by Louisa May Alcott.


  1. Tweets that mention Dear Author Intro Interview: Beverley Eikli, author of Lady Farquhar’s Butterfly | Dear Author --
    Jul 07, 2010 @ 05:56:20

    […] This post was mentioned on Twitter by Jess Dee. Jess Dee said: RT @dearauthor: New post: Dear Author Intro Interview:  Beverley Eikli, author of <em>Lady Farquhar's Butterfly […]

  2. Mary Beth
    Jul 07, 2010 @ 07:03:26

    My guess about what the butterfly is: hope.

  3. DS
    Jul 07, 2010 @ 07:12:51

    I’m ordering this book. It sounds like something that I would really enjoy– actually Beverley Eikli sounds like an author I would enjoy. So it will have to be The Book Depository.

    I’m not even going to take a guess about the butterfly because I’m already sold on the book.

    And thank you, Jane, for the interview.

    By the way, I’ve picked up a couple of used books published by Robert Hale Publishing that I have liked. The Gamester (1994) by G. K. Collier is oop but easily available in the US where it was published by St Martin. It evidently did not find it audience in the US but I really enjoyed the story of Count Fabricati as he wrangled his way from an Italian prison to the ballrooms of Regency London.

  4. Kalen Hughes
    Jul 07, 2010 @ 07:53:58

    Once again, real life proves far more romantic than anything we make up! If one of us wrote your real life as a novel we’d get dinged for being unrealistic, LOL! I love those kinds of stories.

    Hale is fantastic publisher, esp if you’re looking for stories with a bit of a Trad feel to them (or if you’re looking to publish same).

  5. Estara
    Jul 07, 2010 @ 08:56:42

    Thanks for introducing another really interesting author with loads of interesting questions, Alyson!

  6. evie byrne
    Jul 07, 2010 @ 09:29:47

    What a lovely interview–and a fascinating author! Thank you, Jayne and Ms. Eikli.

    My first thought was that the butterfly must be a merkin, I guess because I secretly long to read a merkin-based plot ;) But I realized that was extremely unlikely in this book. Okay, okay–in any book. So I’m going to take a guess based on the mention of treasure and say that the butterfly is a navigation instrument.

  7. Liz
    Jul 07, 2010 @ 10:50:23

    I would love to read this book! But I’m afraid I’m not willing to pay $24 for a hardback (sorry, Beverley!), and it doesn’t seem likely that it will be available in US libraries.

    I think of a butterfly as a beautiful creature that emerges from its cocoon after a period of metamorphosis, then stretches its wings and learns to fly, bringing joy to others. This would seem to represent the heroine’s spirit as she descends into a period of depression and helplessness after losing her child, but then ultimately is able to break free and live and be happy again.

  8. Barbara Elness
    Jul 07, 2010 @ 11:48:39

    Wow, what a great interview. I loved learning about Beverly’s life and writing. My guess is the butterfly is Lady Farquhar's sense of freedom.

  9. Susan Reader
    Jul 07, 2010 @ 15:04:48

    Interesting author. I’ll have to look for her books…

    I’ll guess that the butterfly is…a butterfly! Lady Farquhar sees it one morning in spring and realizes winter is over, she doesn’t have to be obsessed by the past and can get on with life.

  10. Susan Reader
    Jul 07, 2010 @ 15:07:15

    Drat! I wanted to add something to my earlier comment, but I couldn’t. So, the alternate explanation for why the butterfly is a butterfly: Lady Farquhar sees it as it frantically but futiley beats its wings trying to escape, and realizes SHE’s not a butterfly; she can take charge of her life.

  11. Karen
    Jul 07, 2010 @ 15:54:34

    I think the butterfly represents change or the possibility of change.

  12. Beverley Eikli
    Jul 07, 2010 @ 16:02:29

    I *love* everyone’s inspired suggestions regarding the butterfly. Although none of them are quite right it makes me wonder why I didn’t think of them when I was writing the book! – Beverley

  13. Janet Woods
    Jul 07, 2010 @ 16:39:14

    Hi Beverly, great interview…and a great book.

    All the best,

  14. Devon
    Jul 07, 2010 @ 19:55:35

    I’m going to guess that Lady Farquhar’s butterfly is her child. I would love to have this book. It sounds absolutely wonderful. Too bad it isn’t available at the usual places.

  15. Beverley Eikli
    Jul 07, 2010 @ 22:10:49

    I love Liz’s metaphor. It certainly represents Olivia’s spiritual transition although the butterfly has a more earthly translation.

  16. Castiron
    Jul 08, 2010 @ 12:05:20

    @Devon: I like that one, especially given how many times I’ve seen “butterfly flutters” used as a description of quickening.

    For my own suggestion — an embroidered handkerchief being blown across the property. From a distance it looks like a butterfly, but up close she sees what (and whose) it is.

  17. Joder
    Jul 08, 2010 @ 17:04:23

    This sounds like a great story! It’s an empowering storyline, which is what I think the butterfly represents….evolving into a stronger person after having illusions shattered.

  18. Mariska
    Jul 08, 2010 @ 19:33:08

    my guess, will be her house where she’s been raised when she’s a child, and she wants to raise her child in the house too :)

    Well, that’s one of my wild guess, i guess.
    ( i only saw a path to a big house on the cover though !)

  19. Kanch
    Jul 09, 2010 @ 14:48:33

    I think the butterfly is a deux ex machina character, much like the chicken feathers’ were in Eva Ibbotson’s A Company of Swans

  20. WINNERS of Virginia Kantra & DA Intro Interview Giveaways | Dear Author
    Sep 12, 2010 @ 19:16:30

    […] way back to June’s interview with Beverley Eikli, commenters offered guesses about the meaning of the book’s title.  Beverley enjoyed […]

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