Thursday Midday Links: Kindle Too Restrictive for Library Use

Amazon announced its second quarter results on July 26, 2011.  Sales were up 51% but net income was down 8%.

This is consistent with Q1 where sales were up (38%) and net income was down 33%.  Amazon predicts that there will be an even greater reduction in operating income in Q3.

Amazon hasn’t said what it is doing in regards to the tax issue.  More and more states are imposing taxes on online retailers.  According to this article, Amazon’s tax free sales give it about a 10% pricing advantage and Amazon would likely lose 2.7% of its North American sales if it started to collect taxes.

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This librarian won’t be purchasing new kindles for her library given the very restrictive policies of the Amazon Kindle.  Each Kindle must be registered to a single account which, for library purposes, makes no sense.  If one wants a library solution, the school or library has to purchase a subscription with Overdrive which is apparently not feasible in the budget for many institutions.  This is not the case with Nook Simple Touch because the DRM isn’t device specific, but rather account specific and it sounds like there is no limitation to how many Nook Simple Touches can be attached to one account.

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Unbound, a new publishing business model, isn’t drawing much attention.  The problem isn’t that no one wants new books by the authors participating in Unbound as James Bridle suggests.  Rather, I think that readers don’t want to crowdsource the publication of a novel when 50% of the proceeds (or more) go to the publisher.  The whole idea behind Kickstarter and crowdfunded projects is that the majority of the money goes to the artist.

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Publishers are releasing trade paperbacks earlier because of the increase in ebook numbers.

It used to be like clockwork in the book business: first the hardcover edition was released, then, about one year later, the paperback.

But in an industry that has been upended by the growth of e-books, publishers are moving against convention by pushing paperbacks into publication earlier than usual, sometimes less than six months after they appeared in hardcover.
This seems to be true with hardcover to mass markets and trade to mass markets as well.
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I was lamenting that it seems like grammar is sometimes perceived as the enemy of authors, much to my dismay.  I’m not talking about stylistic use of sentence fragments (although I prefer full sentences myself) but misuse of pronouns, overuse of adverbs, and missing words.  Someone pointed me to this thread on the Kindleboards where one writer admits to not knowing grammar but feels that it gets in the way of his creativity.  No, it really does not.  Even after other posters point out that one must understand the rules to effectively break them, the original poster decries this as suppression of his creativity.  I point him out so that readers can know to avoid his books.
I guess the argument is in favor of being grammatically correct. I appreciate the advice, but I won’t be changing my way of writing. For unless I were a grammer major there would be no way for me to be sure of being grammatically correct. But at least I know that I can be creative. I always have been my whole life. I’ll just have to live with whatever I would consider to be insignificant grammer errors I may create while doing it. I’d rather stay the way I am and avoid the anal. Thank you.
How does he even know what are errors when he doesn’t know what is correct? GAH!  Grammatically correct phrases and creativeness can live harmoniously.  I was reading a book that had a lot of pronoun abuse and it was a struggle to understand what the author was talking about.  I had to re-read sentences several times.  This doesn’t make the reading experience enjoyable.
The NYTimes has an opinion article on the price of typos.  There are an increased number of errors in print books because of three things:
a) authors not turning in clean manuscripts (having seen some horrors in ARC format, I can only imagine what the editors must be seeing)
b) speed to market
“Manuscript, galley proofs, revised proofs, blue lines. You marked your changes at each stage, and then the compositor incorporated them and sent you the next stage. Now there are intermediate stages; authors will e-mail in ‘one last correction,’ or we’ll produce intermediate stages of proof — the text is fluid, in motion, and this leads to typos.”
c) reduction in staff
Before digital technology unsettled both the economics and the routines of book publishing, they explained, most publishers employed battalions of full-time copy editors and proofreaders to filter out an author’s mistakes. Now, they are gone.
I’m not sure whether the majority of readers care. I do think it gives readers an easy excuse to not want to pay higher prices for these products.

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So incredible is this tale that it is only believable because it actually happened.  Seemona Sumasar dated Jerry Ramrattan but after their relationship went south, Jerry allegedly raped Seemona.  Jerry then concocted an elaborate revenge plot that set Seemona up as an armed robber of immigrants.  She was imprisoned, separated from her 12 year old daughter, and lost her fledgling restaurant business.  You’ll have to read the article to find how her life unraveled and how the truth just might be coming to light.

 

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