There is a case to be made for the aggressive protection of an author’s intellectual property rights by their estate. However, it must also be remembered the the US Constitution guaranteed those rights for only a “limited time,” and that the whole of the copyright clause is related to the “Progress of Science and useful Arts.” And this progress necessitates the public’s interest in copyright, in the sense that works in the public domain provide inspiration and fodder for other works. That the Conan Doyle estate seems content to collect licensing fees raises my cynical left eyebrow (that one gets a lot more upward movement than the right one these days), and I doubt this is their final move.
Doyle has been dead for eighty-four years, but because of extensions of copyright terms, ten of his fifty-six short stories continue to be protected from copying. All of the short stories and four novels were published between 1887 and 1927, but all of the collection except ten short stories have entered into the public domain as copyrights expired.
The Doyle estate, though, is pressing a quite unusual copyright theory. It contends that, since Doyle continued to develop the characters of Holmes and Watson throughout all of the stories, the characters themselves cannot be copied even for what Doyle wrote about them in the works that are now part of the public domain and thus ordinarily would be fair game for use by others. –Scotus Blog
Combine their international cable footprints and its uber-huge with Fox revenue 44% of total and strong in Europe while TW 36% and well penetrated in Latin America. Murdoch’s resultant international cable scale would create synergies on ad sales, affiliate fees, and pay-TV penetration, according to the analysts. That’s good for the companies.
What this also means is that, just as a time when a wealth of new buyers like Goggle, Hulu, Amazon, YouTube, Yahoo and Netflix for scripted professional TV programming have appeared, it’s entirely possibly that 2 of the biggest traditional buyers will become one combined entity to better control over how content is sold to these new online players. That’s bad for you. A merged Fox/Time Warner company would negotiate digital rights more effectively and create an even more formidable rival to these still fledgling programmers and distributors. That’s good for the companies. –Nikke Finke
Why did a series that for so long revolved around malt shops and the virtues of blondes versus brunettes take such a dark and political turn? Jon Goldwater, Archie Comics publisher and co-CEO, told the Associated Press they “wanted to do something that was impactful” and that would “resonate with the world.”
“That’s how we came up with the storyline of saving Kevin,” Goldwater said. “He could have saved Betty. He could have saved Veronica. We get that, but metaphorically, by saving Kevin, a new Riverdale is born.” –MSNBC
I did not finish this book because I did not like the direction that the relationship between the Coach and Shea was going. I wrote on Emily Giffin’s Facebook page that I loved all of her previous books, but I wasn’t comfortable with the direction this book was going in, my comments were deleted by her staff. I then wrote to her organization only to have her husband, Buddy Blaha wrote back to me with some “poor Emily” type stuff. –Amazon, Goodreads