Not that Old Publishing will disappear–for now, at least, it's certainly the best way for authors to get the money and status they need to survive–but it will live on in a radically altered, symbiotic form as the small, pointy peak of a mighty pyramid. If readers want to pay for the old-school premium package, they can get their literature the old-fashioned way: carefully selected and edited, and presented in a bespoke, art-directed paper package. But below that there will be a vast continuum of other options: quickie print-on-demand editions and electronic editions for digital devices, with a corresponding hierarchy of professional and amateur editorial selectiveness. (Unpaid amateur editors have already hit the world of fan fiction, where they're called beta readers.) The wide bottom of the pyramid will consist of a vast loamy layer of free, unedited, Web-only fiction, rated and ranked YouTube-style by the anonymous reading masses.
REVIEW: Before She Dies by Mary Burton
REVIEW: The Garden Intrigue by Lauren Willig
REVIEW: I've Got Your Number by Sophie Kinsella
REVIEW: Pure by Julianna Baggott
REVIEW: The Principal's Office by Jasmine Haynes
REVIEW: Heat by R. Lee Smith
REVIEWS: Master Class and SUBlime by Rachel Haimowitz
REVIEW: Still Hot For You by Diane Escalera
REVIEW: The Gathering Storm by Robin Bridges
GUEST REVIEW: Surprises According to Humphrey by Betty G. Birney
REVIEW: Eternal Captive by Laura Wright
REVIEW: Alpha Instinct by Katie Reus
REVIEW: Sleepwalker by Karen Robards
REVIEW: Fifty Shades of Grey by E L James
REVIEW: Not Wicked Enough by Carolyn Jewel
REVIEW: Breakaway by Deirdre Martin
REVIEW: Under His Influence by Justine Elyot
REVIEW: Her Husband's Harlot by Grace Callaway
REVIEW: Last Man Standing by Cindy Gerard
REVIEW: The Husband Recipe by Linda Winstead Jones
REVIEW: The Whip by Karen Kondazian
REVIEW: Shadow's Stand By Sarah McCarty
REVIEW: Firelight by Kristin Callihan
REVIEW: The Flight of Gemma Hardy by Margot Livesey
As articles go, it demonstrated an apparently very shallow understanding of publishing. For example saying reading is not down based in the internet-inclusive survey results. Whatever is happening to reading per se, book sales are down.
Also the logical inconsistency of saying old publishing is dying, but measuring self-published books as successful becayse they get picled up by those same “old” publishers.
All fluff, IMHO.