Mar 16 2010
Dear Ms. McKinley.
This book has a very similar storyline to Zero at the Bone: two men navigate protective custody because one has witnessed something that could put away a very bad man for a very long time. As they spend time together, they fall in love. Despite the surface similarities, however, the stories are very different. In Shades of Gray, Danny Butler is a drug runner, working for a drug kingpin. He’s finally been caught by the cops on a weapons charge and Miller Sutton, FBI agent, manipulates Danny into witnessing against his boss. While in protective custody with Miller acting as Danny’s babysitter, they fall in love.
Unlike Zero at the Bone, this book isn’t a suspense book. There’s a couple of twists at the end that are brilliantly done, but almost all of the page space is given over to the relationship between the two men. The plot is there, it’s important, it’s beautifully written and pretty-much hole-less, as far as I can tell, but it’s secondary to the relationship. But the problem with this review is that I really can’t talk about that relationship without giving away unacceptable amounts of the plot. That said, however, you don’t hold back on how much these two men each have to compromise their own deeply held beliefs in order to save each other and be together. Miller has to overcome 30 years of denial over being gay and has to either lose or overcome (depending on how you look at it) his FBI “everything is black or white” mindset:
As a novice, Miller had assumed criminals were different in all ways from the average law-abiding citizen. But over time he had come to realize that drug dealers, murderers, and gang leaders all had people they loved, people they would do almost anything to protect, the same way the successful business man or suburban mom next door looked after their own. Involvement in the criminal world didn't necessarily erase those basic emotions of loyalty and love. It sometimes made Miller uneasy, the knowledge that in fundamental ways men like Danny were more similar to him than they were different. For Miller,
life worked better when the lines didn't blur.
Danny has to cut himself some slack, and see the good in himself. These are equally hard things for these men to do.
I also love how the narrative itself is all about the “shades of gray” that Miller has to embrace. Danny is terrified of his boss, but loves him, fears him, but is always looking for his approval, recognizes that he’s a Bad Man but doesn’t want to testify against him because of his deeply-felt loyalty to him. The justice system Miller believes in fails him at the end, as he himself does, too, and he has to figure out how to live with himself after that.
Not only are these characters perfectly consistent in their characterization throughout the novel, their changes are also consistent. That is, the narrative consistency of their characters is upheld even through the character growth and maturation they undergo, something that can be extremely difficult to pull off. And as this book was mostly about the characters figuring out how to be better people, both together and apart, in order to deserve each other, this consistency of characterization was vital to the quality of the book.
I think I’m failing miserably to say how damn GOOD this book was. I love romances that are primarily character driven and this one is so — I’m sorry, but I have to swear — abso-fucking-lutely perfect. These men have been through hell before their story starts, they go through hell during the book, they put *each other* through hell emotionally, and find themselves irrevocably different at the end of the book, wiser, all illusions shattered, all emotional disguises stripped, unable to be other than perfectly honest with themselves and with each other. I also like a lot of angst in my romance and you deliver perfectly. I like some grovel to my ending as well, and the Affair to Remember quality to the ending is perfect for drawn-out grovel from both characters.
Your writing never once tripped me up. The sex scenes are perfect. I liked the flashbacks, although occasionally they were slightly repetitious. I really can’t find anything wrong with this book at all. Angsty, romantic, hot, brilliant, and just plain GOOD. Thank you.
P.S. You really need a webpage. Like, really. How can an author today not have any sort of webpage at all?