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Interviews

An interview with Kate Cuthbert from Escape Publishing, Harlequin Australia’s Digital First Imprint

An interview with Kate Cuthbert from Escape Publishing, Harlequin Australia’s Digital...

Escape Publishing is the digital first imprint from Harlequin Australia.  They are current touring the romance blogosphere.  Escape currently has five books available for purchase and are open for submissions. Escape Publishing offered me the opportunity to ask a few questions, which I did.  The following are Ms. Cuthbert’s answers.I asked for a few more details from Harlequin Escape including the royalty structure. I heard back yesterday that it was 50% from the website and 40% from third party sales, both off net. This is apparently the same royalty schedule available at Carina Press as well.

1) What will Escape Publishing offer readers different from Riva or the new Harlequin Kiss line?
Escape is doing two things that are a bit different: first, we’re really focusing on Australian authors, voices, settings, and stories. That’s not to say that we’re not open to international submissions – we are – but our main goal is to bring the Aussies to the world.

Second, being digital-first, we’re offering a broad scope. We publish anything from 5000 to 250 000 words, any genre, subgenre, crossgenre, or new genre, as long as it’s romance, and we’re actively seeking stories that haven’t been able to find a home in print: that is, riskier titles, niche titles, experimental titles.

Kate Cuthbert2) Will the books be available worldwide simultaneously. If not, what are the anticipated release date differences?
Absolutely – we’re available globally from all the major e-retailers, as well as most smaller e-book sellers.

3) Where will readers be able to purchase the books?
Oops! Well see above, but readers can also buy them directly from our website: www.escapepublishing.com.au (that’s also a great place to find out about more about our titles, our authors, and our publishing model)

4) Is there a similarity in tone or sexuality or time period for the Escape line?
Not at all – we run the gamut. One of my personal goals for the line is to publish what readers want – and that means variety across the board, in story, voice, tone, sexuality, and length.

5) For authors, what are the royalty rates? Why Escape versus the other digital first imprints available?
Our royalties are among the highest in the industry: 50% for sales off the website, 40% for sales from third party retailers. But that’s almost a secondary consideration. Why Escape? Well, we’ve got a small, dedicated team – which makes us flexible. We’ve got incredibly quick turnarounds – at the moment we’re averaging just over two weeks for initial response, and just over three months from acceptance to publication. And we’ve got the experience – the Harlequin team at our back, with their history, their marketing, their understanding of romance.

6) Who is your target audience?
If I say readers, I sound deliberately vague, and that’s not what I’m trying to do. But it’s the true answer. More specifically, readers who love the genre, but haven’t necessarily always been able to find what they’re looking for. Readers who want something a little different, or even just a little variety. Readers who are interested in Australia and Australian voices!

7) Will these be romances or a range of different books and stories? If so, how will the romance reader know which books will deliver the emotionally satisfying conclusion?
All our books are romances – it’s the only restriction we’re putting on submissions. So they all focus on a romantic relationship, and they all have emotionally uplifting endings. I know – I’m doing all the reading, and I refuse to accept anything else :)

8) Will there be DRM on the books?
No – all our books are published without DRM or geographic restrictions.

9) What is the release schedule for books. (I.e., what day of the month and how many).
We’re aiming for a first of the month release every month. As to the number – we’re going to keep this fluid and release the titles we have ready to go. At the moment we’re looking at around 6 a month.

10) What are the lengths of the books.
Everything from 5000 words to 250 000 words.

If readers have any other questions, let me know and I’ll pass them on.

Edited to add: I stayed up all night reading “Grease Monkey Jive” which I bought for a whole 99c.  It was a great, long romance that actually shows two people falling in love.  Might be the best 99c book I read this year. For the U.S. readers, all the Escape books are currently priced at 99c.  The Australian price if $4.99.  This is a lot of bang for the buck.

The DA3 Interview & Giveaway: Lois Lanes

The DA3 Interview & Giveaway: Lois Lanes

Maybe not exactly Lois Lane, but each book in today’s DA³ Interview features a heroine who works at a newspaper. Here, in order by chronological setting, are the books:

Seducing Mr. Knightly

FIRST LINE: Some things are simply true: the earth rotates around the sun, Monday follows Sunday, and Miss Annabelle Swift loves Mr. Derek Knightly with a passion and purity that would be breathtaking were it not for one other simple truth: Mr. Derek Knightly pays no attention to Miss Annabelle Swift.

Words Spoken True by Ann Gabhart

FIRST LINE: Adriane Darcy’s heart pounded as the darkness settled down around her like a heavy blanket.

The Last Woman He'd Ever Date by Liz Fielding

FIRST LINE: Sir Robert Cranbook glared across the table. Even from his wheelchair and ravaged by a stroke he was an impressive man, but his hand shook as he snatched the pen his lawyer offered and signed away centuries of power and privilege.

 

 

 

 

 

 

 

 

 

 

 

 

 

In Seducing Mr. Knightly, Maya Rodale concludes the Regency-set Writing Girls series with Annabelle, the shy advice columnist who asks her readers’ help in attracting the attention of the man she loves from not-so-afar—he’s the paper’s owner.

Editorial wars fan the flames of the social and political unrest of 1850’s Louisville in Ann Gabhart’s Words Spoken True. Adriane writes for her father’s newspaper, but the arrival of a Northern editor challenges her beliefs.

Finally, back to Britain and the present day for Liz Fielding’s The Last Woman He’d Ever Date. Claire is the gossip columnist for a village paper, which is far from the prestigious journalistic career she had in mind for herself pre-unplanned pregnancy. One great story on the self-made millionaire in town could turn things around, though.

The interview:

Instead of the usual six-word memoir, let’s stick with the newspaper theme: A headline for your protagonist:

Maya Rodale: Lovelorn Writing Girl Attempts Audacious Schemes To Seduce Rogue

Ann Gabhart: Editor’s Daughter Defies Conventions by Writing News Stories

Liz Fielding: Single Mother Struggling To Keep Job

How your heroine came to journalism:

Maya Rodale: Annabelle entered a contest in The London Weekly, never imagining that she’d win the position of advice columnist (“Dear Annabelle”) and become one of the four scandalous and celebrated Writing Girls.

Ann Gabhart: Adriane was born to it, a newspaperman’s daughter. She grew up in the newspaper offices of her father and learned about getting out the news.

Liz Fielding: Claire Thackeray should have been a high-flying journalist. Instead she fell in love with the wrong guy, had a baby and is now writing up the women’s interest and gossip on a small town newspaper.

What readers will love about your hero:

Maya Rodale: Besides being devastatingly handsome, wealthy, and powerful… He’s a man that gives women a chance to be something more that what society allows. While he is fiercely focused on his work at the newspaper, Annabelle recognizes “the intensity with which he might love and make love to a woman—her—if only he would.”  She’s right. Oh, so right.

Ann Gabhart: Blake Garrett reports the news as it happens. He fights for what he believes and refuses to be intimidated. He works and loves with his whole being.

Liz Fielding: He’s a man hell-bent on revenge, but right from the start we see his vulnerability, and a well-developed conscience when he bathes Claire’s wounded foot.

The setting for the first kiss: 

Maya Rodale: In the drawing room…

Ann Gabhart: In a carriage…

Liz Fielding:  In a muddy ditch…

A scene you vividly remember writing:

Maya Rodale: I had spent years writing the first chapter in my head and I knew exactly what I wanted it to be. Finally sitting down to write it—in bed, on a crisp autumn day—was such a pleasure. (Take a look at chapter one!).

Ann Gabhart: The election riot scene where Blake and Adriane see the mob burning the Irish tenement houses. The history is intense and so are the characters’ reactions to what is happening and to each other.

Liz Fielding: Hal invites Claire to be his date at a charity auction. Until now, although he hasn’t been able to stay away from her, he has been planning to make her pay for what her father did to him as a boy and every scene between them is underpinned with threat. At the auction, he realises that he’s been fooling himself, that what he wants is Claire Thackeray, in his bed, in his life. On the surface the scene is all about sex, but the subtext is all about letting go of the past.

For me, the heart of a good tale of journalism lies in the ethical dilemmas. Tell us about one your heroine faces.

Maya Rodale: Annabelle receives a letter requesting advice from her rival for the hero’s affections. She’s torn between doing her job well—and thus giving advice that would thwart her own goals—or putting herself first for once. Of course, the first thing she does is stuffs the letter in a book on a high shelf and tries to forget about it.  It’s true: even romance heroines are prone to procrastination.

Ann Gabhart: In the 1850s, newspapers were how people got their news. Editors wrote fiery editorials intended to incite readers. Adriane knows her father’s editorial rants are escalating the political unrest in the city, but there’s little she can do to influence his opinions. Then she finds out her father owes one of the politicians money and she wonders if her father is reporting what he believes or what he thinks the politician wants him to believe. She wants their news stories to be truth, but at the end of the story, she is confronted with the dilemma of reporting the truth of what has happened and facing social and economic ruin or not reporting the whole story and being in a position to write the news on another day.

Liz Fielding: In order to get back onto the career path she originally envisaged, Claire needs a big story. The arrival of Hal North, the bad-boy made good, is her opportunity. He’s a person of interest but he guards is privacy well. He’s a scalp every editor would pay highly for and she knows where he comes from and all his youthful misdeeds. Then she discovers the truth about his birth and can name her price.

What’s distinctive about the role of the press in the time period of your novel?

Maya Rodale: The Writing Girl novels center around The London Weekly, a fictional but “typical” newspaper from the Regency era that is based largely on actual newspapers from that time period that I read while doing research. Those papers and the society were gossip-tastic–just like our society today. Whether The London Weekly or People Magazine, or calling hours, Twitter, salons, and Facebook, it just seems human to want to know what other people are doing and to connect with them.

Ann Gabhart: The 1850s were a decade of political unrest in America. Not only was the Civil War lurking on the horizon, but also an influx of Irish and German immigrants was settling in cities like Louisville, the setting of Words Spoken True. Some of the established citizens of these cities feared the immigrants would take over the country if they began getting elected to office. That led to election riots like “Bloody Monday” in Louisville where dozens were killed. Some people put part of the blame for the riots on newspaper editors because of how their fiery editorials incited the public.

Newspapers were how people at that time got the news. People also looked to newspapers as a means of entertainment and enjoyed reading about their own social functions and activities. These stories were generally reported in the flowery language of the Victorian age.

Liz Fielding: The present-day obsession with celebrity has led to phone hacking, bin diving journalism. Personal privacy has been lost in the rush to salivate over the latest scandal or ogle Prince Harry’s bum, all in the name of “public interest”. We have become voyeurs of other people’s intimate moments.

How was your heroine’s characterization affected by putting her to work in this particular profession?

Maya Rodale: It was a tricky balance because Annabelle is decidedly not the sort of daring girl who would do something scandalous, like write for a newspaper. And yet one of her defining characteristics is that she extremely generous, kind and helpful to others, even at her own expense. So while she would never author, say, a gossip column, she’s a natural to offer advice to anyone who asks.

Ann Gabhart: Adriane’s character was greatly influenced by her work on the newspaper. She had “ink in her blood,” which meant she could never be truly happy unless she was involved in the business of getting out the news. At this particular time period, the middle of the nineteenth century, such work was not something a lady would do or even be thought capable of doing. So Adriane had to be independent and not concerned with the rules of society.

 Liz Fielding: Claire gave up her place at a premier university to have her baby, defying her mother and her teachers who tried to persuade her to have an abortion. She’s probably the smartest reporter on her local paper, but is confined to women’s interest, reviews of the local pantomime, small stuff. Hal’s story gives her a chance to break out, but instead of excitement at the challenge, the reality of exposing someone to the public gaze makes her uncomfortable. Even when she discovers what he is planning, she hesitates to send her story to one of the big tabloid newspapers. And yes, like everyone, I read the gossip columns!

What’s coming up next? 

Maya Rodale: In addition to Seducing Mr. Knightly I’ve also published a light-hearted and humerous novella, Three Schemes and a Scandal. I’m also at work on a new series which features a contemporary heroine writing a series of historical romance novels based on her own romantic misadventures.

Ann Gabhart: My inspirational novel, Scent of Lilacs, will be re-issued in March 2013 with a new cover. Then in July, my second Rosey Corner book, Small Town Girl, will be released.

Liz Fielding: I have just finished the first draft of my second “ice cream” book. The first, Tempted By Trouble, was published a couple of years ago and I’ve now written Sorrel’s story. No title as yet.

Your favorite book at age 10:

Maya Rodale: Anne of Green Gables—which is still one of my favorite books.

Ann Gabhart: Black Beauty by Anna Sewell.

Liz Fielding: I read so much as a child and I’m trying to remember what I was reading about that age. What Katy Did Next, maybe. It’s a book I loved. Anne of Green Gables, Pamela Brown’s The Blue Door Theatre, or Noel Streatfield’s Ballet Shoes. They are all still bright in my memory.

Many thanks to Maya, Ann, and Liz. Readers, leave a comment or question for a chance to win one of the featured books.