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REVIEW:  Never Desire a Duke by Lily Dalton

REVIEW: Never Desire a Duke by Lily Dalton

never desireDear Ms. Dalton:

I believe I’ve mentioned that this year has been rough for me, historical-romance-wise. Historicals remain my first romance love, though, so I return to the sub-genre like the swallows to San Juan Capistrano (or possibly like lemmings to a cliff). Anyway, someone somewhere mentioned that Never Desire a Duke had positive buzz prior to its release, so I thought I’d give it a try.

The story opens on a marriage breaking apart: Vane Barwick, the Duke of Claxton (is it just me or is that name a mouthful? historical romance names and titles are starting to read more and more like Madlibs to me) arrives home to find his young wife Sophia miscarrying. As if that weren’t distressing enough, he quickly discovers that she wants nothing to do with him; her miscarriage was apparently brought on by a fall she suffered fleeing the house after uncovering a salacious note from an ex-mistress of his. They are both heartbroken about the loss of the baby, Vane feels guilty and Sophia is angry.

Cut to about a year later – it’s almost Christmas time and Sophia is nestled in the bosom of her loving family. She and Vane have been estranged ever since the miscarriage, and he has in fact been traveling on diplomatic missions for the better part of that time. Sophia has somewhat gotten over her initial shock and hurt about the dirty letter – it was from an EX-mistress, after all. But now she is freshly devastated by the fact that her husband has ignored her for months and essentially run away to the continent rather than deal with their issues (note, though, that there’s no evidence Sophia made any overtures to talk, either). Also, she’s heard rumblings and rumors about the female company he’s keeping these days, and she is not happy about it.

At a party in honor of her beloved grandfather, Sophia first runs into a very presumptuous noblewoman, Lady Meltenbourne, who inquires about the duke’s whereabouts in a most impertinent manner, informing Sophia of something that she is apparently the last to know: Vane is back in London. Just like that, he shows up at the party. The two have an aborted confrontation, and Sophia flees to Camellia House, Vane’s childhood home located in a village near London. She’s had the house prepared expecting that she might go there after Christmas, to contemplate the next steps in her marriage and perhaps write Vane a letter suggesting that they reunite for the purposes of having a child and then separate.

The conceit of the isolated house felt like just that – a conceit. All the more so when a major snowstorm hits and Sophia (and of course, Vane, who has followed her to Camellia House) are stranded there alone. Or more or less alone – Vane’s scapegrace brother shows up with Lady Meltenbourne, and then Lord Meltenbourne shows up, out for Vane’s blood (a circumstance that doesn’t improve Sophia’s opinion of her husband’s fidelity).

The others are packed off to the village and the relative isolation does what it’s supposed to do – bring Vane and Sophia together so they can fight, almost have sex, and then fight some more, and Sophia can learn all about why Vane’s so tortured.

As it turns out, Vane is tortured for the usual reasons; what it pretty much boils down to is, he had a crappy father. I felt for him, I guess, but somehow maybe less than I was supposed to.

Vane and Sophia also go on a quest of sorts, a kind of scavenger hunt of the kind his mother used to devise for Vane and his brother when they were children. Vane participates reluctantly, mostly because Sophia wants to. As it turns out, this quest is a very special one designed by his mother to reveal some truths that Vane needs to hear. How his long-dead mother knew that Vane would grow up to need just these lessons and why she picked such a complicated, unlikely-to-succeed method to teach them were both mysteries to me.

If I haven’t made it clear, I didn’t like Never Desire a Duke all that much. I didn’t really dislike it, either. The plot had potential but the characters and writing were blah for me. I know I’m supposed to care about Vane and his inability to be open about his feelings and about Sophia and the pain she’s suffered, but I just wasn’t that interested. I’ve read it all before and this book didn’t really bring anything new to the table in terms of characterization.

Writing this review has crystallized for me that one of my problems with the book was Sophia: I found her pretty annoying. She’s led this charmed life, marries someone whom she thinks is a great guy, and at the first adversity she pretty much loses it. At times it felt like she just kept finding new things to be mad at Vane about. First it’s “causing” the miscarriage and then it’s the way he ran away. When they’re reunited at the party she flees from him but then blames him for not pursuing her; obviously he doesn’t care enough to do so, and he’s probably off with some other woman, she thinks. This makes Sophia appear to be fairly immature and her suffering shallow.

Also, early on, Sophia nags Vane into writing a list of all the women he’s slept with that she might know or encounter in society. Now, clearly this is a terrible idea, but she insists on it and Vane capitulates. She then spends most of the rest of the book carrying around the list against her heart, seemingly believing that this will protect her from getting hurt again. It’s like she wants to have a reason to be angry at him.

It didn’t help that I felt like Sophia’s “goodness” was oversold at times. We get it: she helps widows and orphans and she just loves everyone and is the nicest nice who ever niced. Even when being told about Vane’s horrible father and how horrible he was, she is just aghast to find that he was sent to sea as a child, even though she acknowledges that it was fairly common at the time.

I didn’t love Vane but at least I felt he was trying; there were times when I thought he could bend a little more but he did have a background that explained his limitations.

The prose was serviceable but there were a few rough patches; I sometimes had POV confusion because it would switch in the middle of the scene with no break or other indication that we were now getting, say, Vane’s POV as opposed to Sophia’s. I noted a few anachronisms, as when Vane replies testily to something Sophia says with a careless “Whatever.” Also, Sophia’s reaction to orgasm surely belongs in the Pantheon of Purple Prose:

Her heart stopped beating – certainly it did – and she glimpsed a paradise created of violet and velvet and stars.

I don’t know if they had neurologists in 19th century England, but if I was her, I’d get that checked out. I think she may have had a minor stroke.

Sophia has a real TSTL moment near the end when she decides that Vane can’t forgive her for something and she runs away. I was out of patience with her at that point. To quote Vane, “Whatever.” My grade for Never Desire a Duke is a C.

Best regards,

Jennie

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REVIEW:  Yours to Keep by Serena Bell

REVIEW: Yours to Keep by Serena Bell

Dear Serena Bell:

Despite the fact that the United States is experiencing its highest levels of immigration since the turn of the 19th/20th century, I rarely come across contemporary romance novels that feature immigrant protagonists. And given the controversial nature of immigration policy today, especially with respect to undocumented immigrants, I didn’t ever expect to see a main character from this particular group. So kudos to you for taking on this subject, in your debut novel no less. As someone who was for all intents and purposes an immigrant, is the daughter of an immigrant, and teaches immigration history and politics, there was no way I was going to pass on the chance to read this book. It wound up being a mixed bag for me, with some good parts and some pretty problematic parts.

[Note to readers: This is a long review, much longer than I usually write. There is a lot of stuff going on in this novel and I wanted to do justice to the different issues.]

Yours to Keep by Serena BellAna Travares is a smart, beautiful woman in her late twenties whose life is completely shaped by her residency status. She came to the United States when she was seven with her mother and older siblings. After her mother died of cancer less than two years after their arrival the children somehow managed to stay together, but with lapsed visas and no way to regularize their status, they spent the next 20 years living with the consequences of that situation. They continue to live together in a small apartment along with Ana’s niece and two nephews, and all the adults have jobs. Ana, although unable to go to college, has established a business of sorts, tutoring high school students in a wealthy suburb nearby and teaching ESL classes before and after work hours for other immigrants.

When the story begins, Ana’s tutoring job is in jeopardy because the sleazy new administrator at the high school is demanding that she show documentation of work status, including her social security number. Unlike many undocumented residents, Ana hasn’t taken the usual not-so-legal measures to acquire one, and she’s in the process of staving off the sleazebag’s harassing advances when they’re interrupted by our hero, Ethan Hansen. Ethan is a widower with a teenage son who desperately needs a Spanish tutor, and before you know it, Ana has a new client and she and Ethan are falling in lust.

I liked Ana’s character quite a bit. She’s carved out a life for herself despite the structural career limitations she faces, and she has a good relationship with her sister, Cara. She’s paranoid about having her status discovered (which is understandable), but she’s not apologizing for it all the time or completely cowed down by it. Although the book makes Ana’s residency status the central focus of her life, that choice doesn’t make her as one dimensional a character as she could have been. Her interactions with Theo are warm and realistic, and I enjoyed the glimpses into her home and work life.

Ethan, on the other hand, was much less appealing to me. He’s trying to be a good father to Theo and mostly succeeding, and we are shown that he is a conscientious pediatrician. But he doesn’t have much of a personality; he watches football and hangs out with his brother. There just wasn’t much there as far as he was concerned. I could see how someone in his position could seem appealing to Ana, but I didn’t see what made him individually so appealing that she overrode her own caution in his case. He felt very reactive and conventional to me, and while I can see how conventionality can be appealing to someone in a precarious position, it’s not a great characteristic for a leading man.

In addition, I found Ethan’s backstory hard to believe from his first appearance. A prosperous pediatrician and a single parent who is clearly devoted to his son, Ethan is somehow still unmarried after seven years. He has no visible support system to help him take care of Theo, and his very nice parents don’t make an appearance until the last quarter of the book. He’s that rare pediatrician who never seems to be on call. Generally, women either ignore him or are married and frustrated and therefore hit on him. Really? A nice doctor who teaches his son to put the toilet seat down isn’t appealing to non-predatory, non-frustrated women?

The lack of a support network is glaring in Ana’s case. Ana and her family have in their lives no other extended family members, no one from their home town in the Dominican Republic, no immigrant friends who are in a better legal and financial position than they are. This is despite the fact that Massachusetts, where the story is set, has the fourth largest Dominican population in the US. I understand that this setup is designed to throw the hero and heroine together, and it happens in a lot of romance novels, but in the case of these particular backstories it seems even more unrealistic than usual. Neither Ana nor Cara seem to have Dominican friends. Ana’s brother Ricky has one friend who may or may not deal drugs, and who may or may not be interested in Cara, but who is definitely somewhat thuggish. There is some thoughtful acknowledgment of intra-cultural race issues within the Dominican community, but that and a few recipes are about all we learn of Ana’s native culture.

Although the book is set in a major metropolitan area, there are very few immigrants woven into the story. The wealthy suburb where Ethan lives and Ana tutors apparently has no immigrants (undocumented or otherwise): no nannies, no cleaners, no yard help. This absence is especially surprised given the unflattering depictions of most of the wives and mothers Ethan interacts with; if they’re so bored, fashion-obsessed, and predatory, who’s doing the work of keeping their homes? The transnational nature of immigrant lives is completely absent from this narrative, too; no one calls family and friends in their home country, or sends money, or communicates in any other ways, despite the fact that Ana’s family must be relatively well off on her father’s side.

The more I thought about it, the more I realized that no one apart from Ana is drawn with much depth or sympathy. The “villain” who sets Ana’s problems in motion is introduced briefly and he’s one-dimensional. The native-born supporting characters, even the ones who want to help Ana and her family, are portrayed as well-meaning but clueless. This would be OK if they didn’t turn out to be the people who provide Ana with the solutions to her problems. Ana’s character projects agency, but in the end she is bailed out by other people. The other undocumented people don’t have agency, and the characters who do have agency come across as not very competent, or oblivious to the problems of undocumented residents, or self-absorbed. This creates a disconnect between how the characters appear on page and what their roles in the plot are.

Back to the story: Ana and Ethan stave off their mutual attraction for a short time but then give in to it. The sex scenes are well written and advance the plot. Ethan is willing to have Ana stay over and get close to Theo awfully fast for someone who has steadfastly refused to do so for the previous seven years, but I went with it. But while their scenes together are engaging, I didn’t get a sense of what made them shift from lust to love. Their journey is complicated by Ana’s status and Ricky’s opposition to Ethan, which sets up the major conflict they have to overcome to get to their HEA. I haven’t run across any cases where an undocumented person’s family has been opposed to marriage to an eligible, professional citizen, but I suppose it’s possible. Equally implausibly, no one thinks that Ana might be taking advantage of Ethan for longer than about five minutes, even though the two have known each other for less than a month.

In the last third of the book the action ramps up and lands firmly in melodrama territory, then ends in a sugar-coma-inducing ending and epilogue. Neither was particularly believable, and the most melodramatic moment was telegraphed several times during the course of the plot. I could have lived with that, but what really bothered me was that all of the Dominican characters are saved by the white, native-born characters. Ethan saves Ana not once but twice, and for good measure he saves a couple of other members of her family (literally or financially). Everything that non-citizens in this story gain is through the largesse of the more fortunate US-born citizens around them. This portrayal does a disservice to the extent to which immigrants, legal or not, help themselves and each other.

There is also a recurring emphasis on how Ana and her family became undocumented that made me uncomfortable, and I’m pretty sure it’s incorrect to boot. I’ll put it under a spoiler cut because the information dribbles out over the course of the book and the final portrait that emerges comes quite late. And I probably go on about immigration issues for much longer than most readers are interested in, so click at your own peril.

[spoiler] Ana and other characters repeatedly stress that the family arrived with valid visas but then overstayed those visas, failed to renew them, and lost their status. The failure to renew is attributed to Ana’s mother’s illness and death. There are a number of problems with this explanation. First, it implies that coming on a legal visa and overstaying is somehow more legitimate than arriving without valid visas. But it doesn’t matter how children acquire their undocumented status; they’re children at the mercy of adult decisions, and they shouldn’t be treated as culpable whether they overstay or walk across the border, whether they lose legal status or never had it in the first place. That’s one of the key points of the DREAM Act, that children shouldn’t be punished for adult behavior (despite being set around 2010, the book never refers to any of the current immigration controversies or legislative efforts).

As for overstaying v. arriving without documentation, I’m very glad to see overstaying highlighted here, because many people assume all undocumented residents crossed a border without proper visas, but overstaying isn’t ethically superior to crossing. They’re both the same kind of legal violation, and they’re treated much the same way.

Second, the explanation for lapse of status doesn’t work. Ana tells Ethan that they came on derivative visas because her father was coming to the US to take a position as a college professor. They came first and waited, but their father never came, changing his mind and abandoning the family. But if he never showed up, his visa (most likely an H1-B), would have been revoked and his family would have had to return to the Dominican Republic. Their visas would only have been valid on the condition that he took the job, a condition that was never fulfilled. Therefore, they didn’t have a legal right to stay in the US without Ana’s father. If they intended to conform to the law (and the book is implicitly praising them for this), they should have returned in the first few months, well before Ana’s mother’s illness.

Finally, spouses on derivative visas cannot legally work in the US (except under very specific conditions that don’t appear to have been met in this case). So how did they support themselves for the year or so that they were in the US before Ana’s mother became ill? And why did no one come and take them home when they were all alone, especially since Ricky, the eldest and the de facto head of the family, was unhappy and having trouble adjusting? They couldn’t get in touch with their father, but they had other relatives and given their father’s profession, other relatives were unlikely to be so poor as to be unable to help.

[/spoiler]

There are also some throwaway lines that made me flinch. More than once Ethan comments on Ana’s excellent English, in terms of both her facility with the language and her accent.

With her voice, creamy calm and cool, containing only the slightest trace of her native island, the slightest hint that English was not the only language she’d ever known.

Hello, she’s been in the US since she was seven. It’s not a huge accomplishment to be fluent in a language you’re educated in and surrounded by. This is the kind of thing well-meaning but oblivious people say to immigrants all the time. At one point Ethan realizes how prejudiced he sounds:

What was wrong with him that he hadn’t put the pieces together? It was the power of denial, that’s what it was. And, he admitted, the skill with which she spoke English. People like her—God, had he thought those words?—were supposed to be barely bilingual. Barely literate. Not articulate, not skilled teachers, not well read. His prejudices had snared him.

At least he realizes those are prejudices, and presumably he realizes he is wrong about what “people like her” are like. But at the end of the book he’s doing it again:

“You’re beautiful and funny and sexy, and you have a better grasp of English than people I’ve known who’ve been speaking it their whole lives.”

Enough already.

I should add that there is quite a bit of Spanish sprinkled throughout the book, but since I don’t speak Spanish I can’t evaluate whether it was accurate or not.

I might have been able to recommend the book if the romance had been stronger. But while Ana was appealing, Ethan didn’t have much going for him, and hot sex scenes can’t make up for a drip of a hero. Grade: C-/D+

~ Sunita

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