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JOINT REVIEW:  Unjustified Claims (Hidden Wolves, Book 3) by Kaje Harper

JOINT REVIEW: Unjustified Claims (Hidden Wolves, Book 3) by Kaje...

KH_Unjustified_Claims

 Brandt Davis loved being part of his werewolf pack, until they found his stash of gay porn. He escaped their anger, running in wolf-form into the wilderness, but he can’t live that way forever. And he can’t hide in fur like a coward when an injured man needs his help.

Ethan Sjulstad knows life is making him crazy when a solo hike into the Boundary Waters seems reasonable. Then a bad fall leaves him injured and facing death. Delirious, he hallucinates being rescued by a big grey wolf and a naked woodland godling. For a man who has always loved fantasy, it’s worth surviving just to find out what the hell is going on.

Review:

Sirius:
Dear Kaje Harper, I have been waiting for the next book in your “Hidden Wolves” series pretty much since I finished the previous book. And I wanted to review this book together with my former co-reviewer and good friend Raine for the sake of old times because we reviewed the first two books in the series together at Reviews by Jessewave. Hi Raine and welcome to DA!

For the readers who have not read these books yet, this is Book Three, and even though the main romance in this one is between completely new characters who had no previous relationships with wolves in Aaron’s pack, I do *not* recommend starting with this book. You will not miss much plot-wise, but you will miss the evolution of the werewolves’ society, which has been explained over the course of all three books.

For those who are not interested in looking at the reviews of the first two books, I want to briefly mention that in Kaje Harper’s world werewolves live in total secrecy, their society is harsh and brutal and secrecy is necessary. If you meet a human who somehow learned of werewolves’ existence, you kill him or you bring it to your Alpha’s attention and they will take care of it. Also, these awesome werewolves used to routinely kill their kids if they were found to be gay. This is despite the fact that in this world there are no female werewolves – the werewolf boy is born as a result of the mating between a male werewolf and a human mother. There are not that many births happening in the first place.

If you read the first two books you know that this intolerance is what started all the changes – some werewolves decided that they do not want to kill their gay packmates anymore. There was also a charismatic new Alpha who showed up, after which a certain pack split into two with that Alpha, named Aaron, taking charge of the second pack. That second pack is now known for being accepting of gays, as much as it is possible in this world. Aaron was also pretty sure that the secrecy was going to end soon and so all the werewolves need to at least try to prepare and work together to have some kind of the plan.

Raine:
The first book in the series was outstanding for me, with gorgeous main characters for the romance, very dramatic, believably vicious external threats and wonderfully imagined paranormal characters in a real world situation. I still ration my rereads. The next one was a bit up and down. I had problems with the next starring couple and some of the plot, but I still loved this wolf universe and the author’s easy flowing style, which has a lovely integrity of emotion behind it. However I have not reread it, which is the gold standard for me.

What do you think about the title of this book? Are the unjustified claims Ethan’s guilt over his brother and the more general pack claims against homosexuality?

Sirius:
I do agree with your interpretation of the title, but I think we can argue that what Brandt’s former pack actually wanted from him at the end can be called “unjustified” as well, same as what some town residents demanded from Ethan.

Overall I was very pleased to meet Brandt and Ethan. I ended up thinking of both men as complex and interesting characters. Brandt is running from his werewolf pack because he was outed for having gay porn on his computer and in the forest he finds Ethan, who has been injured, and eventually decides that he has to help him.

Of course nothing in this unexpected rescue operation is easy and Ethan is not always making things easier either:

“Brandt glared at him intently. Ethan returned Brandt’s stare equally hard, despite the fatigue that was making it difficult to see, and the sinking feeling that crazy was a legitimate question. “I can’t get airlifted out. Can’t”
“Why the fuck not?”
“Trust me.”
“Not unless you will come up with something really amazing for a reason.”
“Amazing?”
“Like, the airlift guy hates you and will push you out of the chopper. Or your head explodes above a hundred feet of elevation. Amazing”

But eventually Ethan is in the hospital and Brandt ends up staying with him for a while, because he needs a place to stay and a job, and Ethan as a motel owner gives him one.

I really liked the building romance between these two guys for many reasons. I liked the characters, I liked that it had such a delicious slow burn feel and I thought the balance of external and internal issues that kept popping up and then getting resolved was done really well.

Their insecurities made complete sense to me. Brandt identifies as bisexual and of course when he had to hide his sexuality or to be killed for it for a long time, he would be insecure when he met a guy he liked. At first he would not even tell Ethan that he was bisexual. I really liked that in this story we do not have a very prolonged angsting by Ethan – is he straight, is he gay? Is he bisexual? Oh he *must* be straight. No, Ethan calls Brandt on his denials and omissions pretty soon and we do not have the real issue become an artificial conflict, or mini conflict.

Brandt also likes a little kink (He likes to wear lingerie) and he is even more insecure about that and constant reassurance from Ethan was very sweet and made sense to me. Ethan was not repeating it gazillion times, but he did repeat it and I thought it was done just the right amount.

Ethan’s issues were connected to his past and I thought it was extremely well done, because I could understand why Ethan would blame himself for something like that even though I knew it was not his fault at all.

Raine:
I found Ethan slightly less successful overall as a character. Just to contradict myself, while I disliked his passivity in accepting guilt for his brother’s actions, I really hated the method he used in his proactive stance on finding out about his guest’s mysteries. It left me feeling so anxious. However, I liked the real life scale of his acceptance of the limitations of his composing ambitions. The quirkiness of his fantasy daydreams added another piece to the puzzle. I thought his competence with tech and computers reinforced the inevitability of the change coming to the hidden wolves. The possible strategy the author lays out is similar to the one used in Patricia Briggs’ wolf books and always struck me as being particularly inspired.

There were a couple of little things about Ethan and Brandt as they start to interact sexually which felt a bit off to me, mainly why Brandt needed to be told that having dried come stuck to his pubes would be uncomfortable…… I also found Brandt’s coitus interruptus nocturnal woodland running trips made me sigh a lot.

However, in the main, Brandt is another success for the author in nicely drawn werewolves. His inner voice was very appealing, a mix of self-doubt and awareness combined with an interesting physicality expressed both as a wolf and with his sexual kinks. By the way, when he is outed by his porn, not just gay porn but gay porn with a lingerie kink, this was an interesting side issue because it gave us a chance to look at how Brandt’s traditional pack reacted to shades of grey in their black and white rules of sexuality. I got a nice warm glow from Brandt’s very protective stance over Ethan and his property. The scene with Mara, full of forthright home truths, was also satisfying,

“You can’t just walk into town and tell people who’ve live here all their lives what the hell they should do.”
“Well if you all haven’t figured out yet how to be decent human beings, maybe you need some telling.”

The slow build to their relationship ended up balancing on the edge of irritation for me, but this might have been because I was anxiously waiting for Aaron’s pack to come into the story somehow. I loved catching up with these guys, especially Paul and Simon, and how their pack is developing. Aaron felt much more at ease with being top wolf and there were no more exhausting vacillations about his role. He had all the strength I am unashamedly addicted to in Alpha werewolves.

Sirius:
Until the book hits about the halfway mark we do not even meet Aaron and his pack – Brandt and Ethan’s story unfolds without their appearance. Did I think the connection was a little artificial? Yes, I did, but because they do live in the same werewolf society and because that society is not that big I could buy the reason for their appearance at Ethan’s motel well enough. At least I did not have to work hard to suspend disbelief that much.

I loved meeting Aaron and Zach, Simon and Paul and other guys again. Especially Simon and Paul; I loved their banter and it provided some rare humorous moments for the book.

“There’s good running here. Lots of fat rabbits.”
Simon grinned and put his hands over Paul’s ears. “You didn’t hear that, babe”.
Paul pulled his hands down, but held his wrists. “I thought it was one of your goals to teach me that wolves aren’t Rin Tin Tin, or Lassie. Nature, red in tooth and claw, and all that.”
Simon’s smile became soft, looking at the human who was his mate. “You’d have to be pretty dumb if you were still figuring that out. But you like rabbits.”
“Also rabbit stew.”
“What! A traitor to pet bunnies in your care.”
“Watch out. I’ll actually become a vegan and there’ll be no more bacon in your house.”
“No, no. I take it back. Eat all the pet bunnies you like.”

Now when Aaron’s pack and Aaron himself learned Brandt’s story of course it made sense that they would not shy away from Brandt and would try to help him with his troubles in one way or another. Also, in the second half of the book the theme of “when will the werewolves come out to the humans” picks up the pace a little bit and there are some interesting developments at the end of the story.

I keep thinking about whether the mix of the two storylines was done well – Bran and Ethan and Aaron and his pack – and I would have to say that I think it was done well enough. Granted, there was no urgent need for them to meet initially, but if the writer needed that meeting, I do not see how it could have been done any better. I was a bit disappointed though because I thought Aaron escaped too easily out of possibly taking a stand on a certain moral issue. I was *extremely* disappointed how he handled a similar issue in the second book, but at least one could make strong arguments for him not having much of a choice. And in this book the issue came up again, and we are having a “saved by the bell” moment? I wanted him to put his money where his mouth was and shield an innocent human, instead of a convenient plot event doing it for him.

I loved that Mark’s wife Megan was shown to be such a strong mate and someone who did not hesitate to ask inconvenient questions and insist on something when she thought it was right. One of the issues I had with this society from the book one is how horribly misogynistic it was. It all fit with the violence, killing gay kids and humans who learned about them, and I understand that the idea was that even such a society could slowly change. I do not hold it against the book, but because the writing is so good, I was so furious every time I thought about the world where these wolves could kill the kids and not even tell their unbonded wives why they killed their sons. That is why I really like that Megan does not back down if she feels she is right, even if Aaron keeps telling her that “pack is not a democracy” and I really liked other female characters in this book. Mara was not always likeable, but she was complex and interesting and she seemed able to learn at least somewhat from her mistakes.
My grade is B.

Raine:
Overall I liked this third book, lots of good storytelling detail and character development, and if the juxtaposition of new guys and old guys was a bit wobbly in the plot department it was no big deal for me either. My biggest problem was the use of the deus ex machina to get Aaron & Co. out of a very deep hole. I don’t think it is cute to acknowledge a cliché and then still use it. So I was disappointed with the anticlimactic finish to this part of the long-term plot arc. The romantic conclusions for the new couples and the old, in contrast, were well up to scratch and finished things off for this book very neatly.
Grade: B-

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REVIEW:  The Governess Club: Sara by Ellie Macdonald

REVIEW: The Governess Club: Sara by Ellie Macdonald

The Governess Club: Sara

Dear Ms. Macdonald,

To be honest, I found your story by happenstance on Amazon and investigated further because I really like yellow dresses. Great cover you have there. Still, many gorgeous covers have masked terrible insides, so I never buy a book on Amazon without reading an excerpt. I clicked the ‘Look inside!’ option to perform my due diligence. Just like that, you stole my free time.

Within paragraphs, I was voicing the words out loud, as I often do when no one else is home, unless I’m possessed with a particularly low level of shame (which is usually) and people are in my home and I do it anyway, because I love me and they love me and they have to put up with me.

In any case, I’m one of those who enjoys acting out the characters as she reads them. It’s more fun. But it doesn’t always work, because the dialogue has to be right and the physical and emotional descriptions have to be on target for me to be satisfied. I don’t want to act out bad dialogue (unless it’s very bad, in which case, sign me right up).

It was a pleasure to see such efficient syntax. That might sound like a boring compliment to most, but I’m an editor and I think you’ll understand. Most people don’t even realize it’s happening: the absence of clutter. Without the clutter, every word can strike the reader. Again, I’m not just talking about the mind. I mean everything. A story is not just a story. In the right hands, it’s a full-body experience. I think you have the right hands.

You gave me a complete character with baggage and virtues, all in the length of an Amazon excerpt. I promptly hit the ‘Buy now with 1-Click’ option, and here we are. Only 99 cents? Pfffft.

It was my first time reading a book of yours, and this was apparently the third in the series, so I didn’t actually know what the Governess Club was. I caught on okay, but at times it referenced too much to other plots or characters of which/whom I had zero knowledge. Still, the main characters made up for the mild confusion.

Sara was so gentle and selfless; so reluctant to treat herself or stand up for herself. She was vulnerable—enormously so—but not in an annoying way, which is a tricky balance. I wanted to take her hand and encourage her. I wanted her to know she could be happy and live a better life. I was pleased that Sara came to the same conclusion without much delay.

And then we have Nathan Grant. So unfit for company. So furious at the world and filled with misanthropy. It’s a problematic trope, because in the wrong hands, this is an instant cliche. But I found myself waiting for every word he said, every sneer, every caustic laugh he made through his hatred of people and of himself.

I understood why he left London and politics, and enjoyed that you didn’t rely solely on external means. It wasn’t any failure of his in the political arena that prompted his escape just before the novel’s start. No, it was instead highly internal: a personal disgust of how the people around him acted and manipulated. That disgust turned to self-doubt for his own identity, since he felt like one of them. You took the actions of someone else and brought it all inward, making the hero question the way he lived his life and the sort of man he thought he was. He didn’t know what kind of man he wanted to be; he just knew the kind he couldn’t be anymore.

It was the same dilemma our heroine experienced, except they had wildly different personalities and goals. But they were both trying to figure out what their actions said about themselves as people. They both found themselves lacking and they both wanted to change that. It was harder to figure out how to accomplish that.

I could see, absolutely see the cogs whirling in Sara’s brain as she realized the way she lived her life wasn’t right. It wasn’t what she deserved. The Sara she knew as herself was in conflict with the Sara everyone else saw. Even her dearest friends thought of her as some other, milder, simpler creature. That realization was painful. It was a breakthrough that necessitated change through action, and there we have our plot.

He turned and looked at her, his face unreadable. “You haven’t thought this through.”
“That is likely.”
“You will be ruined.”
“Only if people find out. As you just admitted to a distaste for marriage, I assume you will wish for discretion as well.”
“What about your vicar?”
She swallowed. “We will not speak of him.”
“This will change your life.”
“Isn’t that the point of adventure?”

In Nathan, she found a supporter like she’d never had before. Everyone else tried to help her gain confidence, but they went about it the wrong way, because they didn’t understand her enough. He succeeded in aiding her transformation. He insisted she be the strongest version of herself. To be the Sara he saw; a different woman than everyone else saw, including herself.

“As soon as I offered you some sort of challenge, you backed down. This is your adventure. You came to my house and stood up to me then; if you had not, we would not be here. If this is going to work, you must be able to stand up to me. If you do not, it is no longer your adventure.”

One of the most pleasurable things in a romance novel is watching and expecting the interactions. The first time, the second time, the third, and how everything is tweaked from encounter to encounter. Seeing their perceptions of each other change. Thinking, “Oh, he is going to fall for her so damned hard; I can already see it.” “She’s talking differently. She’s making different choices. He is her personal witness to this transformation.” “They are so right for each other.”

My one major hangup is that they fell in love too fast for my taste. It was way too convenient and pressed for time. I don’t think they experienced enough together to make the claim of love credible. I so nearly believed it. I really wanted to.

Another issue I had was a misunderstanding involved in the last act, where the vicar was just ridiculous and no one spoke up and everyone just denied, denied, denied. No, thank you. The tension was too manufactured and dissipated all too quickly once actual communication happened.

Still, I will be sure to search out your other stories and read them. I had an great time and I look forward to more.

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