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REVIEW: The Plumed Bonnet by Mary Balogh

Dear Ms. Balogh,

Recently The Famous Heroine and The Plumed Bonnet were rereleased together in a 2-in-1 edition after many years out of print, and I reviewed and recommended The Famous Heroine. That book left me wanting to know more about Alistair, Duke of Bridgewater, one of the hero’s friends.

Famous Heroine Plumed Bonnet	Mary BaloghIn The Famous Heroine Alistair, having seen three of his friends trapped into marriage or married under false pretenses, determines to avoid the parson’s mousetrap. The Plumed Bonnet begins several years later, and Alistair is on his way to London for the season.

Along the road Alistair spies a “bird of paradise” in a fuchsia cloak and a plumed pink bonnet. The lady, who is surely no lady, begs for a ride atop the carriage with the groom and coachman. She is trying to reach Hampshire on foot. Alistair, bored with his mistresses and with his loveless life, decides that she might as well ride inside the carriage and entertain him.

And indeed the tall tale she feeds him is immensely amusing. According to the brightly plumed bird, her name is Stephanie Gray and she is a governess who recently came into a considerable fortune. Sindon Park, the estate that belonged to her grandfather, was left to Stephanie though she and her parents were estranged from the rest of the family. The will stipulates that Stephanie must marry within four months to a man of whom the solicitor and her grandfather’s nephew approve, or lose Sindon Park.

Since her employers were unkind and she could not have borne for them to turn obsequious, Stephanie left her workplace early one morning without giving notice in order to make her way to Hampshire and claim her inheritance. On Stephanie’s way there her valise was stolen, and unfortunately most of her money was in it. Now Stephanie is penniless and at Alistair’s mercy, as well as grateful for his kindness. If only she could repay him!

Alistair, who introduces himself only as Alistair Munro and allows Stephanie to assume he is a mere mister, is thoroughly entertained and strangely attracted to the woman whose tale he cannot swallow. He can think of a way that she can repay him, and resolves to take her all the way to Hampshire, providing her with food and shelter along the way, in order to see her squirm when her lies are disproved. Afterward, he will take her to London and set her up as his mistress.

But Stephanie’s outlandish tale happens to be true. She came by the cloak and bonnet from a troupe of actors traveling in the opposite direction, and took them because she had no other bonnet and cloak – hers had been stolen along with her valise and money. Stephanie has just one coin left and Hampshire is distant. She is hungry, cold, and after spending the night out of doors she knows she will not survive without a ride.

Stephanie is beyond grateful to Alistair, the only person who has treated her with kindness and respect, rather than leering or revulsion. When they reach Hampshire, she tells him that if it comes out that she spent days in his company unchaperoned, she will surely be considered compromised. She asks him to set her down to walk to Sindon Park, so that he will not be trapped into marrying her, but Alistair insists that for her own safety, he must see her to the door.

Of course, once there, Alistair realizes that Stephanie is exactly what she said she was and he has sprung the parson’s mousetrap on himself. He is not required to marry her, but she will likely be ruined unless he does. Honor dictates he offer himself, and reveal that he is really a duke….

The Plumed Bonnet is a story of misleading appearances, personal insecurities, and misunderstandings. Even after the initial misapprehension caused by the plumed bonnet is cleared up, there are others to sort out. Stephanie and Alistair are at first unsure that their betrothal isn’t a mistake, that Stephanie is cut out for the role of duchess, and most importantly, what it is they want from a spouse.

Part of the problem is that Stephanie, who would have died on the road to Hampshire if Alistair hadn’t stopped to pick her up, feels so indebted to Alistair for his generosity and kindness, and for treating her with respect when no one else would. Her indebtedness makes the relationship between them unequal, so it’s not until the truth of Alistair’s motivations comes out that they can begin to forge a partnership.

The book also explores a theme that was prominent in one of your most beloved books, Slightly Dangerous, that of a conflict between propriety and free spirits. In fact, once Alistair’s past was revealed, I saw some similarities between him and Wulfric, Duke of Bewcastle, the hero of Slightly Dangerous.

I was impressed that Alistair was in no way diminished by this comparison, and in fact, he is one of your best heroes IMO. Even when he mistook Stephanie for an actress or a kept woman, he still treated her better than anyone else did, and although he initially told himself he was marrying her for honor’s sake, the truth was more complex. In the last quarter of the book, Alistair makes a couple of very romantic gestures that made me sigh with satisfaction.

As for Stephanie, while I was totally on her side at the beginning of the book, in the middle section I felt she was a bit too prickly. While Alistair made one or two blunders, they didn’t seem like enough to merit Stephanie’s coldness. But I also understood why Stephanie’s feelings of indebtedness and the attempts on Alistair’s mother’s behalf to mold her into a duchess made her feel resentful.

The exploration of the way gratitude can actually create a negative dynamic was unusual and interesting, and I appreciated that there were no true villains in the story, just human beings who made mistakes and came to regret them.

A significant flaw in the book was that while the beginning and ending were riveting, the middle didn’t create the same level of suspense in me. Still, the last quarter (but for a jarring note in the final scene) was so romantic that I closed the book feeling happy and contented. B+.

~Janine

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Janine Ballard loves well-paced, character driven novels in historical romance, fantasy, YA, and the occasional outlier genre. Recent examples include novels by Katherine Addison, Meljean Brook, Kristin Cashore, Cecilia Grant, Rachel Hartman, Ann Leckie, Jeannie Lin, Rose Lerner, Courtney Milan, Miranda Neville, and Nalini Singh. Janine also writes fiction. Her critique partners are Sherry Thomas, Meredith Duran and Bettie Sharpe. Her erotic short story, “Kiss of Life,” appears in the Berkley anthology AGONY/ECSTASY under the pen name Lily Daniels. You can email Janine at janineballard at gmail dot com or find her on Twitter @janine_ballard.

11 Comments

  1. Lil
    Dec 07, 2011 @ 15:00:47

    I recently read both of these, and I was simply entranced. I’m not sure what the great appeal was — the writing, the likable (even admirable) characters, the plots that were truly character driven, or perhaps the absence of my personal irritations like interminable mental lusting, stupidity and temper tantrums.

    Mary Balogh really holds up, doesn’t she?

  2. Kate Pearce
    Dec 07, 2011 @ 16:44:08

    I enjoyed this one as well. What I love about Mary Balogh in these early books is the element of reality and grittiness she brings to the romances, -the sense that characters can do stupid, hurtful things to each other but still find redemption and love.

  3. Janet W
    Dec 07, 2011 @ 17:15:26

    Thank you so much for hitting all the high notes of this book, one of my most frequently re-read Baloghs. Gratitude certainly can be a burden and you described that so clearly. I loved the day of the gathering on the ducal estate: one of those days that is simply suspended in time.

  4. erinf1
    Dec 07, 2011 @ 22:41:43

    ooh. Thanks for the review! I just download this twofer for my kindle and I’m excited to read it now :)

  5. Jennie
    Dec 07, 2011 @ 23:34:51

    Darn – I should be able to remember whether I read this or not, right?

  6. Janine
    Dec 07, 2011 @ 23:50:48

    @Lil: I love a lot of her trad regencies. I wish I could find similar books published these days. Have you read Dark Angel/Lord Carew’s Bride? That’s where the series starts.

    @Kate Pearce: Yes! I love that aspect of her early books. I also love that she doesn’t flinch from showing her characters at awkward or embarrassing moments. It gives her writing a lot of emotional wallop.

    @Janet W: Glad you enjoyed the review. The idea of gratitude as a burden is an unusual one to see explored in a romance, so I loved that Balogh took it on. It was so interesting that Stephanie’s feelings of indebtedness and her view of Alistair as a paragon made her resentful of him, because I think many books would take a more conventional route and have the heroine’s feelings for the hero in such circumstances be purely positive. I loved that Balogh did something different.

    @erinf1: Hope you enjoy these!

    @Jennie: It’s the fourth book in the series that begins with Dark Angel if that helps.

  7. Amy111
    Dec 08, 2011 @ 08:52:12

    Thanks for this review! I love those “road trip” historicals and also the whole trope of “oops I compromised her, now I have to marry her but darn I don’t love her but oh…she looks so fresh and sweet and…oh wow, maybe I do feel something for her and…”

    And ah, a duke. Downloading now…

  8. Sunita
    Dec 08, 2011 @ 11:27:04

    Janine, I’m so glad you reviewed this. Now I remember why it didn’t work as well for me. I became so fed up with Stephanie; I had the same reaction to the middle of the book that you did, but more strongly. So when she came around in the end, I was still pretty fed up with her.

    But I agree completely that Balogh does an interesting job exploring the way gratitude and love can work together or against each other. Objectively I can appreciate the book, but emotionally I don’t want to read it again. :-)

  9. Janine
    Dec 08, 2011 @ 13:17:49

    @Amy111: Lovely description of some popular tropes! I hope the book lives up to your expectations.

    @Sunita: I can totally understand that response. I was reminded a little bit of The Wood Nymph, another book in which the heroine is too hard on the hero in the middle section, although to a greater degree. But The Wood Nymph was more uneven for me — it had a wonderful beginning and a very frustrating middle. The opening of The Plumed Bonnet was close to, but not quite as mesmerizing as the opening of The Wood Nymph for me, but its middle wasn’t nearly as frustrating. There were some very nice scenes even in the middle section, like the cricket game and the unexpected meeting with Stephanie’s old friends.

    It sounds like for you, that wasn’t the case, since you don’t want to repeat the experience of rereading the book. I can see myself rereading this one, although I don’t think the middle will ever be my favorite part.

  10. Tinabelle
    Dec 10, 2011 @ 11:42:32

    Thank you for this thoughtful review of The Plumed Bonnet. After reading the book based on your review, I agree with so much of what you said. There were a lot of complex themes explored in this book and it is one of the things I enjoy about Balogh’s work. She explores real human emotions and flaws and life’s complexities within the framework of an often fantasized/fairytale setting. I really liked Alistair and Stephanie and could easily understand where they were both coming from. The last chapters at the country estate when A. really opened up were very touching. My grade was an “A” despite a slightly sagging middle.

    Janine – I am curious what you found jarring in the final scene.

  11. Janine
    Dec 10, 2011 @ 12:12:35

    @Tinabelle: I’m so glad you enjoyed the book — even more so since you purchased it based on the review.

    There were a lot of complex themes explored in this book and it is one of the things I enjoy about Balogh’s work. She explores real human emotions and flaws and life’s complexities within the framework of an often fantasized/fairytale setting.

    I love that too, especially in her trads and some of the 1990s single titles.

    Janine – I am curious what you found jarring in the final scene.

    Minor SPOILER

    Oh, just that Alistair took Stephanie to the barn where he lost his virginity and that he almost told her that. Perhaps if they weren’t consummating their decision to stay together it would not have seemed odd, but right at that moment it jarred me.

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