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REVIEW: Bayou Dreams by Lynn Lorenz

Dear Ms. Lorenz.

I don’t read werewolf books. I just don’t. If I see a m/m shifter book, I usually just move right along. But one line in the excerpt sold me on this book:

"Don't give me any back talk, son." She waved her spatula at him as she talked around a cigarette dangling from her lips. "You're getting old. You're the alpha. Time to take a mate, settle down, and give me a grandchild."

Same song, same verse, same spatula.

I just loved that extra little zing on the same old line. So I stayed up until 3am reading this book. I just couldn’t stop. And while the protracted (but necessary) ending took away a little of the Romance Novel Sigh (TM SBTB) when I shut my phone down, I still really enjoyed these two characters, even if I was aware of the flaws of the book as I was reading.

Scott is a werewolf, the alpha of his small pack in the bayou country of Louisiana, and the town sheriff. He’s 35, which is late for mating (werewolves usually mate around 30, apparently), but he’s put it off and put it off and now his need to find his One True Mate is spilling over into the rest of the pack and making them all a little nuts. His mother, a good Catholic, has cast spells for four months, trying to draw his mate to him. The problem is, she doesn’t specify the sex of the mate, so when Ted, a gay man, shows up and they both feel the instant connection, Scott–who is straight, dammit!–freaks out.

Ted is in town on a painting retreat which is really cover for his investigation of another of the painters. He’s a Private Investigator and the woman’s husband has paid Ted to figure out who she’s cheating on him with. Ted himself used to paint but he gave it up when he became a cop. But three years ago, his partner was killed when he walked in on someone robbing an convenience store. Turns out, though, that the partner was AT the convenience store to collect illegal protection money. Ted, who loved his straight partner, takes the fall to save his widow the grief of knowing her husband was actually a crooked cop, and is kicked off the force. Ted refuses to fall in love with a straight guy again, so he’s almost as freaked out as Scott.

So this story turns into a refusal of the Fated Mate Syndrome. Both men do NOT want to love each other, do NOT want to be attracted to each other. Scott thinks if his mother reverses the spells she’s set, the connection will be broken and he can go back to being straight again and Ted can go home. They fight it every step of the way, which actually gives them a little time (although not enough) to fall in love with each other. I really liked this storyline. Fated Mate stories usually make me nuts, but I loved the reversal of it here.

And the angst! OMG, the angst! “I want you, OMG why do I want you, you’re so hot, no go away, I can’t, I must, you kiss so well but leave me alone.” It was brilliantly done:

"Sheriff!" A deep voice called, and Scott’s cock stiffened.

He kept walking. He didn’t want to do this. Whatever this was going to be, Scott knew it wouldn’t be good.

Scott made the cruiser when a strong hand landed on his shoulder. A shudder ripped through him, and he nearly staggered.

The other man groaned, and the grip tightened, almost bringing Scott to his knees. But not in pain. Oh hell, what he felt couldn’t be called pain at all, but damn if he’d name it.

Scott spun around, staggering a little. "You! Leave me alone." He shrugged off the guy’s hand.

"My name is Ted Canedo."

"I don’t want to know your name." Scott shook his head.

"Sure you do. You want to say it when you’re jerking off, don’t you?" He growled, his brows laced together.

"Merde. I don’t know what you’re-‘" The guy cut Scott off by stepping forward, catching his arm by the wrist and holding on. "Let me go."

"Not until you explain this." Ted stared into his eyes. Scott lost himself there, deep in those dark pools.

"I can’t. I don’t know what the fuck is happening."

"That’s a lie. I can smell it on you." Ted leaned closer and inhaled. "Shit. I can smell you in my dreams. Smell you when I touch myself."

Despite himself, Scott inhaled. Ted. His mate. The scent overpowered him, sent him reeling. His wolf howled to break free, to claim this man.

I like that both Ted and Scott were strong men, used to going out and getting what they wanted, and this translated into their actions. But every now and then they turned into guys with vaginas: “Do you know how that makes me feel?” Ted asks Scott at one point and then provides a detailed list of his emotions. And that’s fine if that’s how they’re constructed otherwise, but it’s not, so it was very jarring.

Other problems with the book:

There were a lot of extraneous characters: a homophobic cop in New Orleans at the beginning of the book who is there apparently just to show us how must NOPD hate Ted for being dirty, but that could have been done more smoothly. The painter running the workshop — Darcy Wentworth (and REALLY?! on that name? REALLY?!) is a slightly sleazy gay guy who wants to bareback another one of the painters, Peter, taking the workshop. And really, three guys at the workshop and they’re all gay? But the Darcy/Peter storyline took up WAY too much space without actually serving any purpose. There’s a random beating at the end of the novel after which everyone makes friends, which seemed odd. Ted taking the fall for his partner seemed implausible –not THAT he would do it, but HOW it would happen — especially since he didn’t KNOW his partner was crooked. Scott’s insistence he wasn’t gay bordered on the edge of homophobic. It never stepped over, because yeah, what straight dude wants to discover at 35 that his inner werewolf is actually gay, but it made me a little uncomfortable. Scott’s mother reversed the spell she did…that month. But she’d done it for four months. Why did no one mention that maybe she needed to undo all of them? And while they have time to fall in love because of their resistance, you never *quite* show it happening. There’s never something that either character does that the other one says, “I like that he does that. I like the person who would do that,” that would show them falling in love. (But I still loved that they resisted the Fated Mate Syndrome!) And the hot sex after being beaten up without even mentioning aches and pains? Sigh.

More importantly, the tone of the book was uneven. It was Angst-O-Rama, then…not, then back again. Your voice moved around a bit, and it was disconcerting at time. And finally, after Scott and Ted accept their feelings for each other, Scott has to present Ted to the pack and then subdue any challenges. And while that was very well set-up and had to happen for closure in the book, because all the tension had gone out of the relationship between Ted and Scott, it was a long let-down to the book. The emotion quit about 30 pages before the book did and while it was necessary, it’s a shame.

World building notes: Only men can be werewolves, apparently. Their mates (all women up until now) become part of the pack, but they’re all still human. And when the werewolves turn, they’re real wolves, not a wolf-man hybrid. And…when they shift, clothes are never mentioned. They don’t lose their clothes when they shift, it’s not mentioned that they’re naked when they shift back to human. It just seemed an odd thing to leave out. Finally, this is obviously the first of a series, but there wasn’t any obvious serial-bait except for one potential gay guy as a future hero, which I appreciated. Makes me thinks the books will stand on their own.

Overall, there’s too many problems with the plot, world-building, and voice for me to grade this too high, especially since I was aware of them AS I was reading, rather than in retrospect. But I LOVED the characters and loved the Angst-fest of it. The tension between “I want him but I can’t have him” on both sides was brilliantly constructed and displayed. Well done! I’m looking forward to more in the series. If readers can overlook a few gaping holes and can just read for the emotion and the hot sex, I totally recommend it.

Grade: B-

Best regards,
-Joan/Sarah F.

Book Link | Loose Id

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Sarah F. is a literary critic, a college professor, and an avid reader of romance -- and is thrilled that these are no longer mutually exclusive. Her academic specialization is Romantic-era British women novelists, especially Jane Austen, but she is contributing to the exciting re-visioning of academic criticism of popular romance fiction. Sarah is a contributor to the academic blog about romance, Teach Me Tonight, the winner of the 2008-2009 RWA Academic Research Grant, and the founder and President of the International Association of the Study of Popular Romance (IASPR). Sarah mainly reviews BDSM romance and gay male romance and hopes to be able to beat her TBR pile into submission when she has time to think. Sarah teaches at Fayetteville State University, NC.

12 Comments

  1. jennifer armintrout
    Mar 10, 2011 @ 13:53:19

    I haven’t read the book, but I take issue with the idea that it would be unbelievable for three men to be gay and working together. Come on, it’s a book about werewolves, but you can’t suspend disbelief over three gay guys working at the same workshop?

  2. Ell
    Mar 10, 2011 @ 14:09:19

    I think SarahF was saying that there were only three guys at the workshop, and all of them were gay–statistically unlikely.

  3. Sarah Frantz
    Mar 10, 2011 @ 15:27:37

    @jennifer armintrout: Yeah, more a statistical thing, not that they couldn’t work together.

  4. Teddypig
    Mar 10, 2011 @ 16:13:26

    I got to back SarahF on the suspension part of this whole book.

    I also liked it but she did give it the better grade.

    The problem was in my opinion you had to do a whole lot of bending over backwards to keep up with the amount of WTF? getting in your way.

    It was an “obstacle course” of WTF? to keep enjoying the core elements.

  5. Sarah
    Mar 10, 2011 @ 17:18:55

    I realize this is not really related to the review but what file format should I purchase from Loose ID to then convert to a Kindle format? I don’t want to wait a month. I wish they would release simultaneously. I’m in the midst of looking at all the calibre related posts DearAuthor offers but if you have a quick and dirty answer hit me with it please.

  6. Sarah
    Mar 10, 2011 @ 17:23:12

    Never mind! I found the answer to my question. Thanks for all these great tutorials.

  7. De
    Mar 10, 2011 @ 20:13:49

    I’ve got the promo email on this in my Books To Buy email folder.

    I’ve read this author before and the problems you mention, I’ve noticed them before. But the good stuff you mention, I’ve noticed that too. And the good stuff is what keeps drawing me back for another try.

  8. emmytie
    Mar 10, 2011 @ 20:50:10

    I’d had a hard time pinning down what wasn’t working for me with this book, but I think Sarah hit it when she said that the tone was uneven. By the end of the book, I’d been knocked off the rails one time too many.

    I’d been attributing my issue entirely to the fact that the homophobic cop wasn’t the only thing that felt awkward and didn’t seem to have a point. The mom’s cat was kinda weird and the dreams that Ted mentioned about a billion times stuck out a lot. I’m all for books not being predictable, but it was distracting and then they ended up not being relevant.

  9. jennifer armintrout
    Mar 11, 2011 @ 07:03:06

    I guess I don’t see how a workshop where all three guys working there are gay is any more unbelievable than a workshop where all three guys working there are straight, but I’ve never been real good at math, either.

  10. jennifer armintrout
    Mar 11, 2011 @ 07:06:38

    I also think it’s funny how much we as readers can accept as believable, but it’s details like that we get stopped by. I was reading a vampire book yesterday with a police interrogation scene in it, and I was like, “No way, no cop would get away with asking those questions, her ass would be canned in a heartbeat.” Then I was like, “Wait… this is a book where dead people are walking around sucking blood out of living people.”

  11. appomattoxco
    Mar 12, 2011 @ 22:10:22

    @jennifer armintrout I think the more unreal the fantasy aspect of a book is the more I need the stuff that is realistic to be so. Kind of to ground reality.

  12. What Sarah was Reading in September - Dear Author
    Oct 11, 2011 @ 12:23:51

    […] whole post. Looking forward to it. Lynn Lorenz’s Bayou’s End – I enjoyed the first story in this series, but I’ve read the introduction to this one and was seriously unimpressed with […]

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