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Zoe Marriott

REVIEW:  Shadows on the Moon by Zoe Marriott

REVIEW: Shadows on the Moon by Zoe Marriott

Dear Ms. Marriott,

I’m always on the lookout for books featuring nonwhite characters so when I stumbled across your new novel on NetGalley, I had to request it. I know my previous encounter with your work was so-so but the experience certainly wasn’t enough to turn me off to the possibility of giving you another try. I’m so very glad I did.

shadows-on-the-moonShadows on the Moon tells the story of Suzume, the daughter of a noble family. When the book opens, she’s looking forward to celebrating her birthday without the oppressive presence of her mother, who’s currently away visiting a bereaved relative. Unfortunately, what was supposed to be a happy day turns to tragedy. Soldiers attack her family and everyone is killed.

Everyone except for Suzume, that is. (After all, if Suzume died, there’d be no story.) Suzume manages to survive and reunites with her mother, who arrives by the side of powerful lord Terayama who was also the best friend of Suzume’s father. Terayama takes in both Suzume and her mother and as perceptive readers can guess, soon her mother and Terayama marry.

Suzume throws all she has into forgetting what happened and becoming a perfect daughter and lady. That plan falls apart when she learns the truth: Terayama was responsible for the death of her beloved father and cousin. It’s something Suzume cannot forgive. And so she casts off her entire identity in order to seek revenge.

This was one of the more original retellings of Cinderella I’ve seen. I’m not even referring to the setting, which is a fantasy world loosely based on what I believe to be Heian era Japan. The interweaving of Suzume’s quest for revenge with her psychological trauma and burgeoning magical ability against the original Cinderella story was well done. I also found it interesting that the wicked stepmother and fairy godmother roles were genderflipped and assumed by male characters here.

I also thought it was refreshing that Suzume’s prince was not actually the Prince Charming character. In fact, the Prince Charming analogue is rather bland — something Suzume acknowledges, but she sees him as a means to an end rather than her one true love. Instead Suzume’s love interest was another prince entirely. It was great that he was not only nonwhite but also the African analogue of this setting. It’s still relatively rare to find interracial romances between nonwhite characters (versus the more common white/nonwhite couple), and I liked seeing that representation here.

Speaking of great, it was also nice to see a trans woman as a major supporting character, especially when she wasn’t portrayed as a freak. It’s still 50/50 these days when it comes to portrayals of transgendered characters. (And maybe I’m being generous with those odds.) While Akira is infamous, it has more to do with her past role as the lover of the previous Prince than her gender in and of itself. It was nice that Shadows on the Moon didn’t just focus on diversity in race but also queer diversity. That’s more inclusive.

I found Suzume’s trauma over the family massacre, as well as her guilt over surviving it, to be handled pretty well. As a reader, I felt how damaged she was and saw how it ultimately led to her cutting. And a warning to readers sensitive to depictions of cutting, there’s a lot of it, especially in the first parts of the novel where Suzume is the most freshly traumatized by her experience. I wouldn’t say it was portrayed in explicit detail but it’s definitely present and Suzume relies on it quite a bit.

I appreciated the effort to leave certain Japanese terms untranslated. Because it’s true; some things are lost in translation due to there being no English-language equivalent. For example, Japanese honorifics like -san or -chan. Translating these terms can be clunky and awkward so I favor leaving them as is. On the other hand, there can be such a thing as including too much. If there’s a direct English translation of a Japanese word, I see no reason to leave it in the original Japanese. For example, baka means idiot or stupid. There’s no reason why that can’t be translated. I realize it’s a fine line to walk. Some prefer more original Japanese language while others like none to be included at all.

Revenge stories are one of my favorite narratives so I stayed glued to the pages until the end. However, the more we approached the end, the messier the plot became — and I don’t mean in a good way. It seemed rushed and anticlimatic. It’s not that I thought Suzume’s ultimate revenge against Terayama to be inappropriate; I found it fitting, in fact. But the narrative tension lost some steam when a certain reveal took place right before the climax.

Retellings are fairly common, and Cinderella is often a popular choice. Despite this, I thought Shadows on the Moon brought something new to the table. The choice of setting, the diverse cast of characters, and the heroine’s personal trauma and determination to seek revenge no matter the cost made this a worthwhile read for me. B

My regards,
Jia

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What Jia Read in March and April

What Jia Read in March and April

Wow, has it been a long time since I last put one of these lists together! And I think I promised to be better about it in my previous post too. Obviously I need to learn not to jinx myself.

The Scholomance by R. Lee Smith.
Since lots of people were talking about Smith, I decided to give one of her books a try. While I definitely agree her work isn’t for everyone, I really enjoyed my first foray into her works. It had an intensity to it that I feel has been lacking in other books, and I liked that the demons read and acted like aliens. They were pretty inhuman for the most part. After I finished this one, I remember not reading anything else for a week because everything seemed so bland by comparison. I’ll probably give Heat a try at some point later this year.

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A Temptation of Angels by Michelle Zink.
Such a frustrating read! It was vague on every front that mattered and there were quite a few logic fails. Full review here.

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The Kingdom by Amanda Stevens.
I have no idea what happened. I really enjoyed the first book in this trilogy and I did like the first part of this installment. But then things started getting weird and nonsensical and I wanted off the ride. I had the final book in the trilogy in my TBR pile but after reading the first chapter, I decided it was time for me to get off the bus permanently. Sad when that happens. Full review here.

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The Book of Blood and Shadow by Robin Wasserman.
What an odd book. There were parts of it I really enjoyed, and parts of it that I wished had been done differently. Maybe I was expecting more of a breakneck thriller pace than what I got. Full review here.

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Doubletake by Rob Thurman.
The Leandros boys never fail to cheer me up. This book covers all sorts of (awkward) family reunions. We learn why there are only male pucks (and what that means when it comes to procreation), and we finally meet Niko’s dad. There’s a development regarding the auphe that tells me we’re launching into the next thematic arc for the series. If the previous book was sort of a breather, this one is a preview of what’s to come. I’m really intrigued by what we glimpsed. (And for those readers like me who’ve missed her, Georgie makes a brief cameo.)

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The Girl in the Park by Mariah Fredericks.
A YA mystery thriller about a girl looking into the death of her former best friend. Nice interweaving of social media and outward appearances versus secret lives. Full review here.

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Masque of the Red Death by Bethany Griffin.
So disappointing! I was so thrilled to read a book that references Edgar Allan Poe. Unfortunately the reality doesn’t live up to the promise. The heroine makes some ridiculous choices. The love triangle makes it painfully obvious who the ultimate choice will be, and of course that choice is the asshole. Honestly, it read like someone trying to be edgy but had no actual experience with the topics at hand. Review to come.

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Unraveling by Elizabeth Norris.
I enjoyed this one a lot. I’m hoping books like this one means we’re moving away from the YA dystopian trend and more towards YA thrillers. The heroine reminded me of Veronica Mars in many respects. Actually, the book itself is something like a cross between Veronica Mars, 24, and X-Files. It is a big book, I suppose, but it reads extremely fast. Loved that the insta-love romance plot here made sense to me. Review here.

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Shadows of the Moon by Zoe Marriott.
Kind of like a Cinderella story set in a fantasy world loosely based on (what I think is) Heian era Japan. The heroine, Suzume, survived the slaughter of her family, and I thought it was a pretty realistic depiction of that sort of trauma. Her mother also survived (she was away when the attack came) and eventually remarries, taking Suzume with her. But then Suzume discovers that her new stepfather is the one responsible for the murder of her family and soon embarks on a quest for revenge. I liked how the book interwove all the different guises and lives Suzume adopts for herself, and blended the original Cinderella story with the culture and Suzume’s revenge tale. Review to come.

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What about you guys? Read any of these? What did you think? What are you reading now? I’m currently reading Spirit’s Princess by Esther Friesner, which portrays the story of the Japanese shaman-queen, Himiko.