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Lorelie James

REVIEW:  Bound by Lorelie James

REVIEW: Bound by Lorelie James

Bound Lorelei James

Dear Ms. James:

I went into this book with some great expectations but ended it disappointed and not interested in reading the second book of the series. This story pairs up Ronin Black with Amery Hardwick. It contains some of the most fetishistic portrayal of Japanese cultural (without any actual minority in the story) I’ve read in a long time along with some poor dialogue, strained conflicts, and unsexy love scenes.

Let’s start with the issue regarding the cultural appropriation in the story. Ronin Black is described as having high cheekbones and a wide, chiseled jawline courtesy of Germanic or Nordic genes in his lineage. and eyes that tilted upward in the corner, “indicating his family tree also included an Asian branch. His black hair nearly brushed his shoulders.” That’s not so bad although Japanese have high cheekbones and it’s rather common to ascribe the cheekbones and chiseled jawline to European genes and the tilted eyes to Asia.

Ronin is one quarter Japanese but his life is 100% Japanese. He has Shunga prints in his halls; he runs a dojo and is disdainful of Brazilian jitjitsu. He has a zen rock garden on his roof and bonsai trees. He says he lives by the “Samurai code.” I’m not even certain how Ronin is actually one quarter Japanese as we learn that his father was a serviceman stationed in Japan and was also one quarter Japanese. I guess that makes his mother one quarter Japanese in a land that’s one of the most homogenous in the world. Ahem. I don’t even want to start contemplating how a Japanese mother would name her child after a disgraced, itinerant and masterless warrior.

Ronin prefers to be addressed as Sensei Black, trained in a monastery and has had a run-in with rival martial arts experts that the heroine refers to as “Karate Kid” like. Even Ronin’s sexual fetish is rope bondage learned from his monastery master in Japan.

But it’s not just the portrayal of Ronin who, maybe I could accept, but Amery’s interaction with him. Amery constantly refers to his “ninja skills” and his “Zen sayings.” The evil ex is apparently Japanese and Amery refers to her as a geisha and exotic. “She had a better idea what Naomi looked like—probably exotic in that Japanese geisha way.” Later meeting another Amery’s sister, Amery describes her as exotic as well and refers to the Japanese woman’s bodyguard as sumo wrestler or just “Sumo Guy”. Even Ronin is described as exotic as well as his cologne. The sister must be one quarter Japanese because she and Ronin share the same parents but the sister is described as Japanese by Amery. Yet Ronin is not.

To round out the weeaboo nature of this book is that Amery has a scar that she got after being gored by a bull that is amazingly shaped in the Kanji letters of Ronin. ““Because it’s nearly identical to the Japanese symbol for a rogue samurai warrior.” NEARLY IDENTICAL

Um, wow. That is some amazing scab picking. What made me laugh/cry even more is that Amery’s skin is described as white and pure. (She, of course, thinks it is pasty, but our 1/4 Japanese hero thinks it’s pure).

But let’s set that all aside for now and talk about the romance. This is one half of a duology and I think the conflict really suffers from having to stretch beyond one book. Amery is from a fundamentalist upbringing and sometimes her interactions with Ronin are colored by her shame and others it is because Ronin can’t bring himself to reveal anything more than his Japanese fetish to her and at other times it is Ronin’s possible violent nature. Because, you know, owning a dojo and all where she’s learning self defense equals being a violet thug.

Their interactions don’t even read particularly sexy to me. At one point, he’s practicing his “tethered turtle” technique and they make lusty turtle innuendos. . “Come out of that shell and beg me to fuck you, turtle girl.” He later tells her that since she won’t perform with him, he has to use other models and will be touching them with sexual manner. I wish she would have responded that she’d be practicing her massage techniques complete with a rub and tug ending but don’t worry, Ronin, it don’t mean anything.

In sum, I found this book to be offensive with stilted dialogue, an ever changing set of conflicts, and decidedly unsexy love scenes. The strange thing is that I’ve enjoyed Lorelei James books in the past. This is such a departure. It felt forced and awkward. You know, if you’re going to write a character who loves all things Japanese and speaks it at random times, why not just make him Japanese? F

Best regards,


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REVIEW:  Turn and Burn by Lorelie James

REVIEW: Turn and Burn by Lorelie James

Dear Ms. James:

I’ve had mixed reactions to this series, but it’s been mostly good. The Berkley publicist, Erin Galloway, pitched this book to a group of bloggers at RT. I read it (in paper) on a flight later that month.  It’s a slow moving romance and the conflict is a little manufactured, but there’s a sense of realism and believability that permeated the connection between champion barrel racer, Tanna Barker, and veterinarian, Augustus “Fletch” Fletcher. Their parallel character arcs gave the story more depth than the current spate of erotic romance releases.

I’m actually hesitant to call it an erotic romance because the sex in the book isn’t the focus of the story. Both Tanna and Fletch are at crossroads in their lives and it is their personal life dilemmas that power the story. The sex scenes, while well done and well integrated, are simply an expression of one part of the couple’s emotional journey.

Turn and Burn Lorelie JamesFletch and Tanna enjoy a one night stand after he watches with humor as Tanna turns away suitor after suitor in local bar in Wyoming but decides that he’ll make his own pitch.  Tanna is agreeable to Fletch’s advances, in part because she likes the look of him and due to the fact that he sees through her various stories.  After a night of boot shaking sex, Tanna runs off and Augustus wants more.

Heart sore after a riding incident that resulted in a serious injury to her and an even worse result for her horse, Tanna has sought refuge with friends in Wyoming.  She’ll be working retail in the boutique shop at the Split Rock Ranch and Resort until she can figure out what she’ll be doing with the rest of her life. It won’t be barrel racing, though, because Tanna can’t bring herself to get back on to a horse.  Her friend hooks her up with a local horse whisperer to see if Tanna can overcome her fear.

Fletch finally catches up with Tanna because it’s a small town and even smaller community.  As Fletch’s feelings for Tanna grow, he begins to be dissatisfied with his life. Fletch is on call, all the time because of his solo practice. He rarely takes a vacation and all his non Vet related activities are shoe horned around his practice.  Having a relationship is virtually impossible with that lifestyle.  The resolution for Fletch’s issues are presented to him, gift wrapped with a Fletch colored bow on the top.

There really isn’t any question of whether Tanna will recover or whether Fletch will slow down and if a reader needs that urgency and movement in her books, she might be disappointed. There really isn’t anything that is urging one to turn the pages other than discovering when and how Tanna recovers and watching Fletch work through his reluctance to let go of total control.

And James book isn’t just about the couple, it’s about the community.  There are many people that come into the circle created by Fletch and Tanna.  If a reader hasn’t read previous stories, the constant reference to and frequent reintroduction of past characters can be a little tedious.   And one thing I just could not get into was Fletch’s nickname for Tanna.  “Say the word, sugar twang, and I’ll walk away.” 

Overall, however, I appreciated the adult attitudes of Fletch and Tanna and their realistic storyline.  It’s not an overloud or exaggerated story but the quiet romance suited me at the time that I read it. It’s a welcome relief to the billionaires of the East Cost.B-

Best regards,


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