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Jo Beverley

REVIEW:  Seduction in Silk by Jo Beverley

REVIEW: Seduction in Silk by Jo Beverley

“A curse, a bachelor, and a spinster with a gun.

Perry Perriam has no time for marriage, but when he’s named heir to Perriam Manor he must marry a stranger or his family will lose the ancient estate. There’s a strange curse in the mix as well.

Claris Mallow has survived her parents’ tormented marriage and even though she’s living in a cottage on a very small income she has no intention of marrying anyone. She’s even willing to make her point with a pistol!”

Dear Ms. Beverley,

I look forward to my annual trips to the World of Malloren “where all things are possible.” Included in this novel are: discovering all about curses, 18th century road conditions, how the village folk view any deviation from their quiet and hum-drum existence, marble statue renovation, what to put in a basket designed to lure young women into marriage, exactly why it’s so vital that romance heroines be willing to get their younger brothers into Eton, Introduction to Estate Management for Young Ladies, and how the powerful and wealthy enjoyed themselves in London – including ways to further society – which could be done with their clothes on. Some of these things I had great fun delving into and some … well … didn’t hold my attention quite as much.

seduction-in-silkI did like Claris and Perry. Well, I’ve been waiting for Perry’s story for two books now and he didn’t disappoint. Claris made me happy because when Perry arrives at her humble Lavender Cottage offering what he thinks will be a quickly snapped up marriage proposal, Claris sets him back on his heels a bit when she says the unthinkable “no.” Ah, now Perry actually has to pull out his vaunted social skills and try again. And she still says “no.” Stunned and running out of time before his bedamned distant cousin’s fiendish will conveys the Perriam family homeplace out of the family for good, Perry must throw himself upon the mercy of his friend Ashart’s wife Genova who helps him fill a basket with tempting delights to woo a young woman. And even then Claris almost turns Perry down again until her unconventional grandmother provides him the key.

I’ve read this scenario in countless books but here it works. The reason lies in the fact that you don’t just tell the reader that Perry can help smooth her younger brothers’ way in life or that he can provide a place for Claris’s grandmother and companion as well as a comfortable home for her. One thing I think you do really well in your books is explain history. You take the time to lay out WHY the twins need Eton and the connections they’ll make there, WHY they need the polish and social greasing of wheels and you don’t just have Claris clasp her hands, cast her eyes Heavenward and (almost happily) whine that she must sacrifice herself on the Altar of Family.

It’s nice to see bits and pieces of past couples – ooh, that sounded either naughty or gruesome. Since Claris is now moving in this world with Perry it makes sense. The story is truly in the World of Malloren with intrigues and behind the scenes maneuvering. The mighty and powerful are shown being just that and influencing events though it’s sad to see beginnings of the Madness of King George. I enjoyed seeing signs of why this is Age of Enlightenment and of scientific discovery. Yet also the age of childhood death, illness and bad roads to travel on.

Another thing that tickles my fancy is that not all the marriages of their family members are deliriously happy. In fact Perry’s family boasts a fair share of unhappy unions. This seems so much more realistic. Bonus hot chocolate sauce added because it’s not all happy siblings who love each other either – Perry can’t stand some of his brothers and doesn’t think much of his overbearing father – yet filial duty to him and to the Earldom is still the order of the day.

Perry and Claris initially plan to live separate lives – which would not be unusual for many couples in this day and age – though we of course know this won’t hold here. He prefers town and she the country yet soon each is starting to change the other slightly, to expand horizons and ideas. But I’m glad this switch didn’t arrive too quickly as both were set in their preferences in addition to having family obligations on Perry’s side. You set up some good reasons for this to be a source of conflict and take the appropriate amount of time to settle things.

It’s realistic that they’re not in love and that lust and pleasures of marriage bed come first only to slowly lead to a growing relationship and then move to love.

But Claris’ sudden change from wanting Perry to “get out!” the very afternoon of their marriage to “I want a baby” seemed too fast. It’s almost literally overnight. I didn’t buy that. She’s been around babies, having almost raised her two younger brothers from infancy, so a day watching other mothers with their children x a few scenes of Perry en dishabille isn’t enough to convince me of this change of heart.

And then there’s the curse. Claris has never even heard of this curse before Perry arrives and tells her of it, along with his proposal, yet suddenly it takes over her life. She thinks about it often, she obsesses about whether or not it might effect her marriage, children and family, she single mindedly follows clues like a blood hound and just will not let it go. Even after almost all of her adult family members tell her she’s taking it far too seriously, she won’t give up. I never quite bought into this either. Beyond the little details of daily life that her quest provided me, I shifted into skim mode after a while.

The other issue that yielded delightful little nuggets of 18th century life mixed into a somewhat ultimately boring plot thread was Perry’s turn at seeking a traitor in London. He works extensively with Cyn Malloren and Rothgar – yah! which lets us see a bit of how each of them is doing. This shows him doing the little influential things that caused him to be in such demand in London and showed how much Rothgar valued Perry’s help. Plus the post war London political scene is neatly laid out but the nitty gritty of tracking the two possible spies lost my attention way before the resolution.

Once Perry and Claris begin to grow closer together emotionally, I fell right in with their blossoming romance. I could see and accept how each began to change in their views on the lifestyle the other wanted to live so that by the end of the book, I could see them being happy in either town or country. Perry’s decision to defy his father and cleave to Claris seemed the perfect culmination of the book. But Claris’ change of heart about sex, coupled with the curse and the slow resolution of the spy issue caused me to lower the grade to a B-



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REVIEW: The Scandalous Countess by Jo Beverley

REVIEW: The Scandalous Countess by Jo Beverley

“Georgia, Countess of Maybury has it all, but then her husband is killed in a duel and she loses her homes, most of her possessions, and her reputation as well. Innocent of all charges, she returns to the beau monde determined to regain all through a second brilliant marriage, but a scarred ex-naval officer threatens to tempt her in a different direction.”

The Scandalous Countess Jo BeverleyDear Ms. Beverley,

I’m always up for a revisit to your 18th century Georgian world of the Mallorens. We recently had a discussion here about series and as I mentioned then, I enjoy seeing a few of the past characters but am also happy that Rothgar and Diana are peripheral, mainly mentioned but not present. Portia and Bryght have more face time and nice to see them again after an absence of a few books. As always I’m in love with little period details such as the mantua maker’s fashion dolls, the water systems of London, and how the grand lived. Plus when Georgie and Dracy visit with his Naval pals, I felt as if I were in Mrs. Miggin’s Pie Shoppe! The Perriam family is powerful and clever and knows how to manage the Polite World in which they move. The Countess of Hernescroft staging the morning after the duel is enough to scare lesser men. As well the reminder is there of their influence when the inquest is managed.

The basic plot here is a mix of beauty and the beast, wealth vs want plus a touch of a stalker thrown in. Georgie might be a difficult heroine for people to love. She is dazzling, flirty, showy, loves to be the center of attention and isn’t good at deflecting men away and towards other women. She has two main gal pals but gets along fine with men and is the kind of woman who seems to prefer them and their company. She just doesn’t DO the faux kiss-kiss “let’s do lunch” kind of thing. Men love her but most women don’t, especially any woman who thinks herself pretty. That plus the catty beau monde – ready for the next juicy scandal – ensures Georgie a rough time when she tries to slip back into Society after her mourning period ends. But the woman also has backbone. Society viewed her marriage as a constant party filled with a luscious London town home, clothes to die for and a handsome husband ready to indulge her. What it didn’t see – and would never see – is that it was also an escape hatch from her parents.

Georgie isn’t fluff. She’s made of sterner stuff than that – she’d have to be with that mother. Georgie might flaunt a few rules but she’s well aware of them. She thinks through a problem, sees angles and outcomes and doesn’t fool herself- she is eager to get to the bottom of who is threatening her and – what really got me pumped – she doesn’t go missish at the thought of the villain going down for what she’s suffered through. When push comes to shove, she takes matters into her own hands and delivers justice. True there’s a little breakdown sobbing before this when she seems intent on blaming herself For All but by the end, she appears to have got over that.

To contrast with beautiful Georgie there is Dracy who was handsome – still is when viewed from the correct profile – but who’s lost his perfect looks to a war injury. I kind of like that initially Georgie admits that she’d hate to lose her beauty – after all, it’s what she’s known for. But she’s got the guts to look him straight on and never flinches from his face. Part of her growth over the course of the book is to realize and admit that looks aren’t everything. Dracy has chutzpa and doesn’t hide his face – not that he’d do it anyway after mainly being in the presence of fellow Navy men who would be used to this. You’ve made Dracy a military man and thankfully included this mindset and appropriate details as part of Dracy’s personality – how he’s a man of action when trying to discover who threatens Georgie and then proactively protects her once the threat is identified. But also he doesn’t know the beau monde as well and needs some lessons in estate management. These little landlubber touches make him seem more rounded as a character.

Georgie’s family presents some realism of the day. Her sister in law is ghastly, her sister viewed marriage as a social contract with no thought of love, and Georgie is a marriage pawn – controlled and commanded by her parents. Her first marriage wasn’t great in the sack but while she still loved Dickon, truly mourned him – I smiled at this too, she also mourned the loss of her freedom, the money and the perks. You sprinkle some chilling examples of other couples who had made social mismatches so Georgie has plenty of time to think about the step she’s taking in marrying a man of lower rank. But then it’s not as if Dracy is a candlestick maker – she still will be a Lady Something even beyond her courtesy title as the daughter of an Earl. Then I gotta love a woman who lights up at the thought of tackling her husband’s clusterf*cked household account books . I also picture Georgie enjoying extreme couponing 18th century style.

While Georgie and Dracy contrast in looks, they are alike in personality which is shown from early on. Dracy initially thinks he wants a quiet life in Devon with a placid wife who knows about getting rid of moths and sleeping pig sickness. But does he really? The Earl of Hernescroft pegs Dracy and his military personality which relishes a challenge and wants to be stimulated. This is mirrored in the easy way Georgie and Dracy get along from the very beginning. They jest and joke and laugh and the falling in love seems so easy yet there’s still the money issues which Georgie is honest with herself about. Until her friends point out she loves a challenge and what could be better than the little fixer-upper Dracy has for her in the wilds of Devon? The Countess of Hernescroft’s reaction to her future son in law’s house is hilarious.

I thoroughly enjoyed my yearly visit to the Mallorens and watching Georgie and Dracy work out their differences while delighting in their similarities. Still the business of uncovering the vendetta plot had better hold the reader’s attention or they’ll be bored with this one. In the end, Georgie and Dracy are matched in what counts – love, commonality, boldness, laughter and friendship. B