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Annabel Joseph

REVIEW: Odalisque by Annabel Joseph

REVIEW: Odalisque by Annabel Joseph

Dear Ms. Joseph,

Jane sent me your book and asked me to give it a try. She told me that she liked your writing style, but not the subject matter. Not knowing anything about this book other than it was erotica, I sat down to give it a spin and quickly found myself immersed in the book. Jane is correct in that you do have an easy to read style, and I read this book in a very short period of time because I wanted to find out what happened next. In the end, however, I’m going to have to chalk this story up as well written, but not for me. The heroine was passive beyond believe, the hero was repulsive and juvenile, and I felt the emotion was lacking.

Odalisque Annabel JosephOdalisque starts out with Kai Chandler, a half-indian millionaire/billionaire at a party. He is still hurt and seething over his divorce from his ex-wife, who aborted his child three times without telling him and cheated on him, and in the end, walked away with 35 million dollars. His friend Mason suggests that what Kai needs is an Odalisque. There is a place in France where one can purchase an odalisque’s services for a year. She will, in turn, live to serve him sexually. Kai is extremely enthusiastic about such a relationship – he wants a woman to have sex with, but he doesn’t want to bother with messy things like emotions and dating.

Kai arrives at Maison Odalisque and learns about the Code d’Odalisque.

“I never said anything about emotion,” Bastien corrected him. “I meant worshipful in a sense of sexual worship. Craving, desire. We have a word for it, a coarse word perhaps: cockslavery. It is a state to which all odalisques aspire.”

It’s a serious moment, but I’m afraid I laughed at the term.

Kai and tells the man in charge what he is looking for in a woman.

Kai felt put on the spot, so he just came out with the basics. “I like longish hair. I like creative women. I like nice tits but nothing fake. I like large features–big mouths, big noses. Expressive eyes. I like normal bodies, not too thin, not too fat. Maybe a little fat. I like curves. I love curves,” he amended a moment later. “I love curves a lot.”

Maison Odalisque conveniently has a curvy, long haired creative woman with a big nose. Her name is Constance. She is shy and sweet, but when commanded, immediately drops to her knees to service Kai and give him the best blow job of his life. They have sex again the next day, as the odalisque house has a ‘kick the tires’ policy. But when Kai finds out that Constance is deaf, he initially doesn’t want her but changes his mind. Constance follows him to LA once her contract has been purchased and moves in. The story unfolds as Constance and Kai begin to live together and try to overcome the challenges of their relationship – namely, her deafness and the fact that the relationship is a paid one.

I thought the set-up was decent but there were lots of uncomfortable moments.

I have to say that I disliked Kai. He acts like a fifteen year old boy, not a mature man. Just the conversations about odalisques with his friend Mason are enough to make him want to whip his dick out in public.

“Sorry. But seriously, it’s fucking hot. These women literally exist to accommodate cock. They live for it. They do whatever their owner desires sexually. Whatever. Nothing of a sexual nature is off limits.

Kai was going to start masturbating himself in a moment.

Kai thinks of the heroine, Constance, as nothing more than a receptacle for his lust.

Kai shifted and shrugged. “I can assure you Constance is going to have my cock in her face and in her holes plenty of the time she’s with me. Constance-ly, if you know what I mean.” Kai thought he was hilarious.

Bastien didn’t crack a smile.

And

Afterward he turned her over and nuzzled her and gazed into her wide eyes.  He said “Good girl,” and her smile told him she understood.

I felt like this was a statement one would give to a dog, not a bed companion.

I kept waiting for this to change through the book, that perhaps Kai would realize his selfishness for Constance, but I never felt like he grew in appreciation for Constance. She remains a pretty hole on the first page and the last page of this book. Furthermore, through most of the book, Kai seems to resent Constance’s deafness. He is constantly turning away when she speaks, or annoyed that she cannot hear him play the piano. He takes her to the doctor even after she says there is nothing to be done, just to check one more time.  I didn’t feel as if he was reconciled with her deafness inasmuch as he would just tolerate it because it was the only way he could have Constance.

Constance was a very weak character as well. She was extremely passive, and I wasn’t sure if it was because of her odalisque training or because that was simply how she was written. Since this is erotic romance, there is a lot of sex in this book, and not all of it is with the hero. They have scatter parties (a hardcore hide and seek). Kai constantly shares Constance with his friend Mason. They are not exclusive because of the ‘lifestyle’ which involves a lot of swinging and sex, and Constance is game for it, as well as Kai. I found this bizarre given that his big hang-up with his wife was trust, yet he was willing to hand Constance out to people on a regular basis. At times, Kai didn’t seem to care who was sleeping with Constance, just as long as it didn’t affect his need for her.

I realize this review probably comes across as harsh. You’re a good writer. It was an interesting setup for all that I had to suspend disbelief. I appreciate BDSM and I appreciate erotic romance.  The sex was hot enough, but it lacked emotion. Overall, I felt like the story was a little too clinical for me and lacked the emotional growth I wanted to see. Couple that with an unlikable hero and I’m afraid I won’t be picking up more of your books. It’s not that they’re bad. It’s just not for me.

All best,

January

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REVIEW: Mercy by Annabel Joseph

REVIEW: Mercy by Annabel Joseph

Dear Ms. Joseph:

This is a tough book to grade because I recognize that there is very good writing in this story but grading here at Dear Author is a mix of not only the skill of the writing, but the response of the reader because how we feel about a book is inextricably intertwined with how we value a story.  I don’t view this story as an erotic romance but rather erotic fiction. I found it disturbing and uncomfortable but in the end, I was convinced that whatever it was that these two characters were seeking, it was found in each other.

mercy annabel josephThis is a story that revolves around the submission of Lucy Merritt and the dominance of Matthew Norris.  It is told primarily from the first person point of view of Lucy although Matthew’s point of view is shared with us in the latter part of the story.

Lucy Merritt is a ballet dancer at a successful avant garde dance company.  She also poses for a fairly successful artist.  Her sex life isn’t what she wants it to be and she gains fulfillment for emotional intimacy from her dancing partner, who, unfortunately for her is gay.  Lucy is seeking something but she isn’t aware of what it is until Matthew Norris enters her life.  He tells her that he wants to own her body and nothing more.  He doesn’t want a relationship; doesn’t want to date her but he wants to possess her being.  Matthew believes that he can fulfill something Lucy is seeking.  He’s watched her dance. He’s seen her paintings.

Lucy rejects Matthew at first, but her quest for more feeling in her life, more awareness, leads her to begin a sexual relationship with Matthew.  Only, from the very beginning it seems apparent that Lucy is an emotional creature, one that will not be able to separate sex from emotion.  Matthew doesn’t see this or refuses to see it.  It was the first sign of Matthew’s blindness or myopathy, an unfortunate subtext which I didn’t think was intentional.  The idea that we are supposed to buy into is that Matthew is insightful, intuitive.  His understanding of Lucy’s emotional and physical need for pain and dominance seemed to contradict his blindness toward other areas in Lucy’s heart.

The two make a deal that they will always be truthful to each other and that Lucy’s safeword will be Mercy.  But Lucy, because she is a submissive and wants to always please Matthew, never uses her word, even in places that the reader might be crying out for her to say Mercy.

If there is one thing that I took away from this book it is that a dom who is messed up in the head can really be dangerous, both emotionally and physically.  I tried to view this book from a fantasy point of view because once I started to translate the subtext into reality, Matthew seems like a sadistic tormenter whose own emotional problems are being mixed up with his desire or need for sexual domination.  There is a scene late in the book where Matthew places Lucy in a position that is quite degrading.  This is not a scene written to titillate, but Matthew’s reasoning for why he kept pushing Lucy, why he wasn’t more protective of her, didn’t wash for me.  Instead of trying to explore Lucy’s emotional psyche, to seek out the truth as Matthew is always saying is the most important reason for living, he pushes her harder.  He recognizes she is holding back and thus his activities become increasingly more extreme and even dangerous, as he pushes her toward confession, I guess.

 

THE FOLLOWING PARAGRPAHS ARE HUGE SPOILERS FOR THIS STORY:

[spoiler]At one point, he has his driver beat her until she starts to bleed and then the driver fucks her up the ass. Then he apologizes later saying that he had promised he would never draw blood. This isn’t the turning point though. Instead, he brings her to another event where she meets a true “Slave” and her two masters. This part really bothered me. During the scene, which isn’t really written to titillate, they misuse her terribly and want to piss and defecate in her mouth because that is what they do to the Slave.

He explains to her later that the Slave is topping the men from the bottom because she is a pain slut and nothing that they do to her can bring true pain and that the two masters will seek her out because she is a true submissive and all her emotions are true and honest but that she must never go to them.  He was also mad at her for not using the safe word during her time in the group dungeon.  It’s her fault, you see, that they so sorely mistreated her.

I wasn’t sure if this scene was meant to show us that, in contrast, Matthew was a caring wonderful dom?  And if he was so dominant, why wasn’t he controlling the group situation? Instead, it seemed like the other two were topping Matthew by treating Lucy so poorly.

But that isn’t even the worst part of what Matthew does to Lucy. Indeed, Lucy gets hooked in drugs later in the story in order to keep dancing and in order to break her from dancing, Matthew rapes Lucy without a condom while she is unconscious and impregnates her. [/spoiler]

Many times I felt that Matthew was very cold to Lucy, almost unfeeling, as if having sex with her was a chore that he undertook almost as a punishment to Lucy. Maybe this is what I was supposed to come away with. Matthew had been hurt before and he was trying to get out of this sexual relationship with Lucy what he needed without committing emotionally. Maybe the subtext is that can never be done.

I guess I can look at this objectively and say that it was well written because there were certain things you were trying to explore and you made me think about them.  Did Lucy’s need for pain arise out of a bad sexual incident?  Matthew and Lucy weren’t honest with each other and that made their relationship painful and dangerous.  Is that a subtext for a larger truth.  Was Lucy ever vulnerable to Matthew even though she was bound and he held the whip when she was always holding back?

I found this story to be so problematic because it read as if the two characters hated themselves with one being super submissive, so her self hate / self doubt actualizes itself by allowing herself to get the crap beat out of her and the other being super dominant so his self hate actualizes itself by him being increasingly cruel to her.  I think if I really believed that Lucy found true emotional release in the deeds that Matthew enacted upon her body, I would have found it more palatable.  Instead, I felt like Lucy received physical release but not emotional release.  Was she truly happier and more self fulfilled after?  The epilogue made me question Matthew’s actions even more because it showed him, albeit briefly, as the tender and caring dom.

A friend of mine read this and we talked about it in a long email exchange.  She pointed out that it seemed like you would bring Matthew to a point of assholery no return but then draw back and make him into a pussycat in the next scene, as if you were afraid that we wouldn’t adopt Matthew as the hero.  But this inconsistency led to  more questions about Matthew and less confidence in him as a dom.   I never felt that Lucy was ever truly safe with Matthew and in these kinds of games, I think the reader consent isn’t about whether one character should have sex with another, but whether one character feels safe with the other.

This isn’t a book that I will read again and I don’t know that I would want to read others like it.  I am not regretful I read this, though because it is a book I will think about a lot in the future so my C grade isn’t ambivalence so much as a weighing of the scales of my reaction and the writing in the book.

Best regards,

Jane

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