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A.L. Turner

REVIEW: I Just Play One on TV by A.L. Turner

REVIEW: I Just Play One on TV by A.L. Turner

Dear Ms. Turner.

I read your book back in August and loved it, but it’s taken me a while to get back to it for review. Reading it a second time, I still loved it and it surprised me anew with its complexity and how much I loved the characters.

I Just Play One on TV by A.L. TurnerThe story is told from Vince’s first person perspective. And he’s just wonderful. He’s in LA as an aspiring actor and interviews for two roles in one day: the “straight” man on a horrible sitcom, and a character in a high-concept sci-fi show with a multicultural ensemble cast. He auditions with Alex for the sci-fi show, things click on the stage and personally, but they’re both convinced they won’t get the roles. They have an out-of-character-for-both-of-them one night stand after the audition and are shocked weeks later when they find themselves working together. The problem is that Alex is deeply in the closet professionally and personally and Vince isn’t. And Vince doesn’t do one night stands (much). So despite their mutual attraction and Vince’s huge crush on Alex, they don’t get together and don’t get together. And don’t get together. And they channel all their tension and frustration into their characters who are really close “friends” that Vince and Alex play with a strong gay subtext. These characters don’t get together and don’t get together as well.

Vince and Alex finally get together a quarter of the way through the book. This is NOT an erotic romance, by the way. It’s certainly a m/m romance, but it’s not erotic at all. Most of the sex scenes are fade to black and close the door and come back after it’s all over. Which is actually rather frustrating, considering the sexual tension that Vince and Alex (and their characters, James and Matt) create and sustain for so long.

Once they’re together, the tension comes from their differences about being in or out of the closet. Vince goes back into the closet for Alex — much to the very vocal disgust of his friends and family — but it’s a constant tension in their actual relationship, as we see when Vince invites Alex to go home to Chicago with him for Christmas. Alex agrees, then freaks out in the airport when they’re recognized by another actor. He eventually makes it to Chicago and Vince forgives him, but the tension is real and Vince just doesn’t GET why Alex insists on the closet so strongly, while at the same time Vince wants to push the gay subtext in the show to text because he believes its Important.

One of the joys of this book for me, especially reading it the second time, was really seeing how Vince came to understand Alex’s viewpoint on the closet. Alex has a horrific coming out story that just gets more and more damaging every time he tries to come out. Whenever he tries, it’s been awful for him, and as Vince stays with him (and the story takes place over more than a year), Vince comes to understand and even agree with Alex’s perspective, against his own political and personal beliefs. Readers shouldn’t worry, though, because Alex comes to understand Vince’s perspective as well and they get their HEA when Alex blows the doors off his closet in about as public a way as possible.

The closet issue also means, maybe counter-intuitively, that this book is incredibly complex emotionally. The heroes get together, break up, get back together, break up, and then finally get back together again, completely remade. And this isn’t the “I love you, I hate you, I love you” of bodice rippers and Harlequin Presents. This is deep commitment to the relationship that’s torn apart by two personalities that need very different things, who are then unable to stay apart because they need each other more, who are then torn apart again by different choices and issues, who finally find their way back to each other in ways that will sustain the relationship.

I also really REALLY love the writing. I loved Vince because he’s so open and honest. I loved Alex because he’s so confused and scared. And the writing itself is sparse and perfect:

We cleaned up the mess we’d made of the apartment and then showered — together — kissing and touching and cleaning each other. Once we were out, he tied his towel around his waist and went back out into the living area, turning on the stereo system low and turning out most of the lights. I stood in the living room, naked, and watched him, wondering if he wanted me to leave.

When he saw me, he went still, becoming nothing but a shadow in the dimness of the night lights and streetlights and the blue glow of the stereo control screen. He finally moved — to set down the remote — and walked towards me. I didn’t let myself back away or hide myself. If he wanted to regret this, if he wanted to be horrified by it, that was his problem, not mine. Better I know now than have to wonder.

He stopped just inches away, his eyes on mine, his expression motionless.

I didn’t say anything.

Then he unknotted his towel and let it drop to the floor, and he slid his hands up my arms to my shoulders, slowly curling around as he went, savoring the caress. My whole body shuddered and he whispered, “Stay tonight?”

Definitely,” I said. Forever, I thought.

He pushed his fingers deep into my hair and touched his forehead to mine, softly and more intimately than a kiss. I could feel his breath on my face as he said, “Good. That’s good.”

He led the way up to his loft bedroom. Up here, the bedside lamp was on. The covers were folded back, showing inviting white sheets. Alex had speakers up here, so the low-key music purred in the background. Candles, unlit, stood on the nightstand.

He stopped by the nightstand and turned, watching me take in the room, his expression tight and unhappy. “It’s too much, right?”

“No,” I said. “No, it’s…” Ridiculously, amazingly, shockingly romantic. For once, though, I was literally lost for words. Even as I screamed for joy inside, my heart broke at how afraid he was, and how uncertain. What he must have been thinking about, worrying about.

He took it the wrong way. “Sorry, I know it’s — I don’t know what I was thinking — I mean, I haven’t ever — You’re a guy, I’m a guy, it’s stupid — ”

He was picking up the candles as if to stash them away when I reached him and caught his hands, pushing them down until the candles were back where they’d started and he’d let go of them. Now I had his attention again.

“Alex,” I said, “Stop. Take a deep breath.”

He did, and I felt him relax. I kissed him, first with just my lips, lightly and quickly across the seam of his mouth, then deeper, exploring him, taking my time, not letting him pull away or hasten things. I kept kissing him until I could feel him understanding it and relaxing into it, savoring the languid sensuality.

I didn’t know how to explain it to him, all of that crap about gender stereotypes, and expectations, and romance. I didn’t know how to tell him how thrilled I was without sounding pacifying or patronizing.

For possibly the first time in my life, I realized that the best thing to say may be nothing at all.

I lit the candles and turned off the lamp before I joined him in his bed.

My one quibble is that after watching these men through so much, the ending was very abrupt. I wanted to see them enjoy being back together, even for just a little epilogue. The final image is beautiful, sure, but there’s been so much angst and heartache and time apart, so much finality to their split, and so much careful dealing throughout the rest of the book with fallout of decisions, that I wished for a glimpse of them beyond that night just to make sure they were doing okay.

As I said back in August, I couldn’t figure out if this was fanfic with the serial numbers filed off — I *never* watch TV, so I’m really bad about figuring this stuff out. You assured us it wasn’t. And honestly, I really think it’s TOO self-conscious about the slash angle to be fanfic. Vince follows the slashfic about their characters online. The characters go to conventions and meet fans who show them explicit slashpics. Vince convinces the show’s creator to make the subtext between James and Matt overt, which precipitates changes on the show because of how it affects Alex in real life. Even if it is fanfic without serial numbers, its very self-consciousness makes it fascinating to me. And the writing is amazing enough that the story was real to me, no matter its origins.

I really loved this book both times I read it and I honestly can’t recommend it enough.

Grade: A-

Best regards,
-Sarah

P.S. God, I hate hate hate the cover for this book. Yuck. Title’s not great, either.

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What Sarah’s been reading, August-ish

What Sarah’s been reading, August-ish

The middle of August is the start of the school year for me, so on the one hand I’ve got way too much to do to find time for reading, but on the other, reading is a stress reliever for me, so I seem to be reading more. Or at least, sampling more and reading more shorts. All but two of these stories are m/m romance.

Sweet Savage Love by Rosemary Rogers (Avon): I’m researching the 1970s blockbuster historical romances this semester and presenting on it in November, so I should be reading a lot of these. I’m not quite halfway through this classic yet, but they’ve already had sex (not rape!) in which she came (multiple times!). I’m still waiting for the bodice ripping to start, honestly. It’s very well written, but SO much slower than novels nowadays.

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Dance With Me by Heidi Cullinan (Loose Id): Brilliant but flawed m/m that I will get around to reviewing at some point because of the brilliance. Cullinan’s books are amazing because her characters are so real. Not a perfect book but utterly worth it, just the same, as are all Cullinan’s books.

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Muffled Drum by Erastes (Carina): I’ll be doing a review of this soon(ish). The writing’s brilliant, the characters are wonderful — and so TSTL that I end up yelling at the book every time I open it. The entire plot of the book is dependent on not one but TWO Big Misunderstandings, the characters make stupid-ass decisions, and it’s just incredibly frustrating to read, the more so because of the otherwise amazing writing.

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I Just Play One on TV by A.L. Turner (Torquere): I adored this book, so want to write a review of it…and yet I’m not unconvinced it’s not fanfic with the serial numbers filed off and sold as original fic, except I don’t know the fandoms out there well enough to be able to pinpoint which one it is. Which pisses me off. I’m all for fanfic AS fanfic. But I’ve been burned before by “fake” original fic. To my mind,  if the books for sale, it should be original. And yes, I know the Shakespeare argument. I know that many many fabulous authors got their start in fanfic of many different types. I know people can and should be “inspired by” all the time. But if I want to read fanfic, I know where to go, dammit.

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Two Christmases by Anne Brooke (Dreamspinner): I was intrigued by Sunita’s short review of Brooke’s For One Night Only, so I bought that, but liked the look of this one too. And it was really good, actually. Told from first person, Danny cheated on Jake, his boyfriend of 9 months, when he was drunk at a bar. The guy he cheated with, Marty, is an ex-boyfriend and vindictive over their breakup. Jake breaks up with Danny, Danny spends a year getting his act together, and Jake and Danny get together again at the end. It’s short — 30 pages — but there’s a lot of emotion packed into the pages. So much, though, that the ending feels really rushed. I wish Brooke had spent 2-3 pages more on the end. Grade: B-.

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For One Night Only by Anne Brooke (Amber Allure): Short as well, but I didn’t like it nearly as much as Sunita did. Very emotionally powerful, I’ll absolutely admit, but the first sex scene with Andrew was horrible, knowing that he would commit suicide that evening. And then why did Jake get to pull apart Langley’s painful romantic background as his own “penance” for Andrew’s death. Creeped me the fuck out. Grade: C- for me.

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Bad Boyfriend by K.A. Mitchell (Samhain): December release. You guys, it’s SO fucking brilliant, I just can’t tell you. Review on release.

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Seducing Miss Dunaway by Kate Rothwell (Smashwords): Self-pubbed short. Great writing, some plot holes that made me go WTF, but great sex and fun characters. I’m enjoying this a lot. And NOT a m/m romance! :)

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Secret Service by Kim Dare (Total-e-Bound): I’m on a Kim Dare kick and have an epic post planned, but this is a stand alone short about a service sub who just wants to serve anyone because his boyfriend refuses to contemplate any BDSM in their relationship at all. The boyfriend’s refusal comes from a bad BDSM experience, but of course he’s a brilliant dom who is finally convinced to turn their relationship into a power exchange. It was a fun little story, showing who actually has the power in a BDSM relationship. Grade: B

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Anchored by Rachel Haimowitz (Noble): I don’t even know where to start with this story. It’s set in an Alternate Universe of contemporary society that has slavery. It’s not racially-based slavery; it’s just that there’s modern society…with slaves. And no one questions that. While the main character Daniel questions some things he’s told to do, he never questions that he should be punished for not doing them. I sometimes enjoy stories set in slave universes, but that’s when they’re obviously fantasies, and I still prefer for there to be some indication that the narrative disapproves of the slavery. This book was, honestly, an excuse for non-consensual torture porn — Daniel is viciously beaten and gang raped as punishment, two scenes which comprise the bulk of the narrative — with the implicit narrative understanding that readers are supposed to see that this is acceptable and can be overcome emotionally by a caring sexual partner (who was stupid enough in the first place to send you to be gang-raped because he didn’t seem to understand how his own damn world worked). I just…gah. The thing about this book, though, is that the writing itself is incredibly compelling. Brilliant author; awful terrible world-building. Grade: F

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Master Class by Rachel Haimowitz (Riptide): ARC of one of Riptide Publishing‘s first books. Heavy-SM BDSM romance with deep emotional component. I needed something to wash the foul taste of Anchored away. As I said, Haimowitz’s writing is brilliant and when focused on consensual BDSM, it’s incredibly erotic. Will review upon release in November.

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