Romance, Historical, Contemporary, Paranormal, Young Adult, Book reviews, industry news, and commentary from a reader's point of view

About Jia

Jia is an avid reader who loves fantasy and young adult novels. She's also currently dipping her toes in the new adult genre but remains unconvinced by the prevalent need for traumatic pasts. Her favorite authors are Michelle West and Jacqueline Carey. YA authors whose works she's enjoyed include Holly Black, Laini Taylor, Ally Carter, and Megan Miranda. Jia's on a neverending quest for novels with diverse casts and multicultural settings. Feel free to email her with recommendations at [email protected]!

Posts by Jia :

REVIEW:  The Falconer by Elizabeth May

REVIEW: The Falconer by Elizabeth May


Dear Ms. May,

I admit it. I’m jaded on the speculative fiction genre. It’s not that I’ve seen it all because I don’t think that’s the case. How is that even possible? I just think that a lot of what’s currently out there fits into a certain type, and that’s what I’m tired of. Your debut, The Falconer, brought enough different to keep me interested but it also brought a couple of my least favorite YA tropes.

Set in a 19th century steampunk Scotland, The Falconer tells the story of Aileana Kameron. One year ago, Aileana was your perfect society miss, thinking of nothing more than her next beautiful gown and future as a wife and mother. Then her mother was murdered before her eyes — murdered by a fae.

The murder destroyed Aileana’s life. Because she couldn’t tell the truth about the killer — no one believes in faeries in this enlightened age — a shadow lingers over her. No one dares accuse her of murdering her mother but almost everyone thinks it. Consumed by rage, Aileana began to hunt faeries, searching for her mother’s killer. Her first hunt very nearly ends in her death but she is saved by Kiaran, a powerful faerie lord who is hunting his own kind. Kiaran takes her under his wing and begins to train her how to kill his own people.

Now Scotland is on the verge of disaster. The number of faerie attacks is increasing, and Aileana learns it is because a seal that traps the fae has begun to weaken. Unless the seal can be recharged, the fae will break free and all of humanity will fall under their onslaught.

In many ways, this actually reminded me of Colleen Gleason’s The Gardella Chronicles, except the YA version and with faeries instead of vampires. I don’t think this is a bad thing because I still think of that original series fondly. But I do like the struggle Aileana faces between trying to be a perfect lady and realizing she can’t be because her mother’s violent death forever changed her.

Aileana left me feeling torn. I liked her rage. On the other hand, I wish we’d seen more repercussions involving her inability to assume the “perfect lady” facade. We never actually saw any. Oh sure, we saw her almost being caught killing faeries or being found in suspicious circumstances but I’m talking about the little things. Like her saying awkward things at balls or ignoring potential suitors. What about her just snapping at all the debutantes who spread nasty rumors at her? For someone who has anger management issues, she conveniently seems able to control it except when the plot calls for it.

I also admit the genius inventor angle stretched my suspension of disbelief. It’s not the fact that she’s an inventor. I loved that. But I think I would have had an easier time if her inventing had been focused on gadgets and weapons. I found that well within the realm of belief, especially if it’s something she shared with her mother. I even could have let the mini-helicopter go if it’d been less perfect an invention and had its flaws — maybe rickety or had dubious wings. What made me scoff was her somehow building a steampunk driven secret entrance that leads from her bedroom to the outside. How do you keep that a secret? Because that’s not just engineering; that’s architecture and hoping that a support wall wouldn’t be destroyed in the process. I didn’t see why it was necessary to make her the best inventor/engineer ever. She’s 18. There’s nothing wrong with her being good and gifted.

The romantic subplot is muddled. There’s Kiaran, Aileana’s fae mentor. Vampires or faeries, apparently my reaction is the same: save me from the sexy-dangerous, centuries old love interest. The older I get, the more I see all these near-immortals being interested in teenagers and wonder why they’re all so creepy. It also doesn’t help that I thought the chemistry between Kiaran and Aileana was forced. Then we meet Derrick, the older brother of Aileana’s best friend and who she once had a crush on. A love triangle? Oh no! But because I’m contrary, I found myself cheering for Derrick even though I knew the story wouldn’t favor him. And indeed, the romance becomes crystal clear by the end of the book and I was less than impressed.

As I said earlier, the setting is steampunk Scotland. I don’t know if this actually added anything to the book. It did make it different but as far as I could tell, the only change was the technology. It didn’t change the society or the people, which I find a bit hard to believe.

While The Falconer didn’t quite live up to my expectations, I did finish it and found it immensely readable despite my misgivings over certain elements. That said, I must warn potential readers that there is a terrible cliffhanger at the end — quite possibly the worst cliffhanger I’ve read in years. So if cliffhangers bother you, I’d recommend waiting for the sequel to come out. B-

My regards,

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REVIEW:  The Body in the Woods by April Henry

REVIEW: The Body in the Woods by April Henry


Dear readers,

Help me. I think I’ve done something to anger the universe. Why do I say that? Because I am lost in a swamp of books that, at best, can be described as meh. And at worst –

At worst, I get The Body in the Woods.

The premise is promising. Teenaged volunteers for a local search and rescue team stumble across a dead body while looking for a missing autistic man. Investigative shenanigans ensue. I can dig this. Search and rescue volunteers? Awesome. Teenaged amateur sleuths? I loved Scooby Doo and Nancy Drew as a kid. How can this go wrong?

Plenty of ways, apparently.

Let’s start with the three main characters: Ruby, Nick, and Alexis. Were their characters poorly fleshed out? Yes, but that’s not actually my complaint. All three of them have rather problematic depictions.

First, we have Nick. Nick’s father presumably died fighting in the Middle East and because Nick idolizes him, he dreams of becoming a soldier and living as a hero. And for various reasons, he’s prone to exaggeration and self-aggrandizing. Perfectly reasonable characterization. Then we discover Nick also has ADHD and I start to squint. Nick’s ADHD is referred to multiple times in the story as something both his mother and older brother worry about and I found myself asking that if this diagnosis is so well-known, is there any treatment happening? Is he taking medication? I don’t remember either being the case but if I’m wrong, please correct me.

But the main reason for my squinting at Nick? He’s a creeper. During the sections from his perspective, we see him ogling girls, finding excuses to talk to disinterested girls and thinking up ways to touch them. What the hell, I’m supposed to sympathize with this guy? Combine this behavior with the fact that Nick has ADHD, and I feel uneasy with the narrative implication.

That brings us to Ruby. Ruby is prone to obsessive behaviors. She’s viewed as strange by pretty much everyone around her. I read her as being neuroatypical — but perhaps undiagnosed. It’s not just the way she fixates on things. It’s the way she doesn’t understand human relationships and interactions and the way she assumes “roles” (“Good Daughter,” “Best Friend”, etc) when dealing with people. It’s the way she doesn’t know what’s appropriate behavior in various situations. I’m on board with all this but the way the narrative treated her — Ruby is played up as the odd duck and class weirdo. There are scenes where, due to her inability to read other people and determine what’s appropriate, the other characters find her annoying and I personally thought the narrative reinforced this impression.

Which brings us to Alexis. Alexis is poor. Her mother is mentally ill. Bipolar, of course, because all the “bad” parents of YA have bipolar disorder as far as I can tell. And this is not the dubious depiction of bipolar disorder that we see in books like Fangirl where the manic phases coincide with creative highs. No, this is full out off her meds and needs to be committed because the mother is a danger to herself and others but especially her daughter.

I don’t even know what to do with Alexis’s backstory. It’s classic “child takes care of mentally ill parent” played for sympathy and pity. Poor Alexis! She has such a hard life! No dad in sight, she lives off food stamps, and has a sick mom who refuses to take her meds!

Any one of these characters presented alone probably would have made me squint but all together? Side eye. Maybe the narrative is not intentionally saying anything but it’s definitely implying some things I don’t like. I don’t think I’m imagining it. There are some hinky things being said about people with mental disorders and who aren’t neurotypical, right?

As for the actual plot, save me. It was a mess. After finding the body, the team of Ruby, Alexis, and Nick decide that they can do a better job than the police themselves. Well, no, Ruby does because her obsessive behaviors make her pay closer attention to details than the police themselves and through the powers of Google, she quickly realizes the police have overlooked the fact that there is a serial killer on the loose targeting homeless girls.

(I am not even joking.)

Because of this, Ruby recruits Alexis and Nick in her impromptu investigation even though they’re not actually friends. Why? Because Ruby doesn’t have friends (she’s the class weirdo, remember?) but since Alexis and Nick were on her SAR team, they’ll help her, right? And they sort of do — except Nick uses the opportunity to inflate his own self-importance and Alexis vanishes for several chapters because she has to look for her mentally ill mom who has run away from home. But that subplot is not really extraneous because Alexis’s search leads her to mingle with homeless people (which included sleeping in a homeless shelter) and that offers her some insight into the case!

In case it wasn’t readily obvious, these were not the shenanigans I had hoped for when I picked up this mystery thriller. Of course, there are the more familiar tropes: multiple suspects, red herrings, wrongful arrests, and the killer targeting one of our protagonists. But combined with the other things, I just couldn’t take any of it seriously. If you’re going to include mental disorders in your book — even if it’s not the focus as in a problem novel — please treat the subject with the care it deserves. Not as a convenient plot device or personality quirk.

I just can’t recommend this book to anyone. It does move fast so I can see why some readers would find it a quick read but the characterization left much to be desired. That’s not even addressing the issues regarding mental disorders. It is the first of a series and based on the premise of the next book — budding creeper Nick is the main suspect of a murder because he’s a loner who plays first person shooters — it continues along the same vein. F

My regards,

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