Romance, Historical, Contemporary, Paranormal, Young Adult, Book reviews, industry news, and commentary from a reader's point of view

About Robin Reader

http://dearauthor.com/author/janet/

isn't sure if she's an average Romance reader, or even an average reader, but a reader she is, enjoying everything from literary fiction to philosophy to history to poetry. Historical Romance was her first love within the genre, but she's fickle and easily seduced by the promise of a good read. She approaches every book with the same hope: that she will be filled from the inside out with something awesome that she didnʼt know, didnʼt think about, or didnʼt feel until that moment. And she's always looking for the next mind-blowing read, so feel free to share any suggestions!

Posts by Robin Reader:

Monday News: Romance Awareness Month at Open Road, Kindle Worlds a failure?, new children’s author Ben Bailey Smith, and reader-driven school supplies campaign

Monday News: Romance Awareness Month at Open Road, Kindle Worlds a...

. . .
According to Tushnet, a big part of the problem is the creative limits that brand owners impose on the use of their work. In the case of G.I. Joe, for instance, the villain can’t wear a Yankees cap. Characters in other works can’t use drugs or employ profane language. And gay, bisexual or deviant sexual behavior might be off-limits too. –Gigaom

On the subject of fatherhood he is keen not to be “one of those people who says it’s changed me”, but it is touching. “I’m still the same reprobate I always was but I worry now. When you’re a parent you become responsible. And I can’t procrastinate like I used to. If you’ve got time you spend it with your kids and I rarely have time. I thought I understood what love was before I had children but I didn’t. Now I’m constantly concerned about the kids in a way I didn’t think about any girlfriend or even my own parents.” –London Evening Standard

It’s back to school time, but not everyone can afford the supplies needed for school. All profits from this Look Good, Do Good – School Supplies campaign T-shirts will go to the Kids in Need Foundation which provides free school supplies to students and teachers through the Kids in Need National Network of Resource Centers. Find out more here. If we sell 50 shirts, we will send approximately $400 to the Kids in Need Foundation. Come on, let’s show them what readers can do! –Fresh Fiction

Friday News: Controversial new Spider Woman cover, Canadian copyright’s unintended consequences, Arab Noir fiction, and Gretna Green’s marriage business

Friday News: Controversial new Spider Woman cover, Canadian copyright’s unintended consequences,...

“But while diversity on the page has improved, diversity behind the pens really hasn’t,” said Sneddon. “There still just aren’t enough women breaking into the superhero comics industry, and covers like these help illustrate why – they put up a very big ‘no women welcome’ sign, which puts off not only women readers, but the many women creators working on a great variety of other comics.” –The Guardian

I think this is a really tough situation, because in the US, for example, textbook prices are insane, and many students, especially those at community colleges and state public institutions simply cannot afford to pay the exorbitant prices that are charged, especially for textbooks that become more and more expensive with each new edition, as compared to older editions with many less expensive, used copies available. There needs to be some kind of balance between compensating rights holders and upholding the spirit of fair use for educational purposes, which helps to facilitate new scholarship and research, as well as a strong foundation for educational access and learning.

Roanie Levy, the executive director of Access Copyright, explained that in educational institutions’ interpretation of the law, “it is fair for them to use up to 10% of a work or a chapter of a book. And they believe it is fair to copy a chapter, put it on a course management website, and share it with a class of 10 students or a class of 150 students…. It would be fair to take chapters from multiple publications, journal articles, and 10% of a book, compile it all into a course pack, and use that as the readings for a given class, without paying any of the rights holders.”
. . .
That impact is perhaps most apparent in the revenues lost when educational institutions decided not to renew collective licensing agreements administrated by Access Copyright. Under those agreements, universities pay C$26 per student and colleges pay C$10 per student as a flat fee for the reproduction of copyrighted material, and Access Copyright distributes royalties to the appropriate publishers and creators. According to figures provided by the organization, the drop-off in licensing renewals in 2013 resulted in a C$4.9 million decline in Access Copyright’s payments to publishers and creators last year. They lost another C$13.5 million in 2013 because provincial education ministries also stopped paying licensing fees for the K–12 sector in public schools. –Publishers Weekly

These translated thrillers captivated Egyptian readers in part because they shined a torch on the contested legal system of colonialism. The plots would be familiar to those who watch The Wire—inefficient courts, bumbling officers, the law’s futility in the face of crime. A classic example is Tawfik Al-Hakim’s Diary of a Country Prosecutor, a 1947 novel that’s part biographical, part hard-boiled, with a dash of bitters thrown in. The prosecutor waxes cynical about the legal institutions of British colonialism. In a satirical courthouse scene, Al-Hakim demonstrates the law’s worthlessness in the Nile Delta, where rural Egyptians are “required to submit to a modern legal system imported from abroad.” As in James M. Cain’s Double Indemnity, the law here can be fudged; the real disputes are settled outside of court.

“These novels form a tradition of legal muckraking,” writes Elliott Colla, chair of Georgetown’s Department of Arabic and Islamic Studies and the author of a new thriller, Baghdad Central. “Writing fiction about impolite or contentious social issues became an alternative way of addressing problems normally resolved through legal deliberation and action.” The stories of prosecutors and shamuses portrayed the ambiguity of law and order. All crime novels are political. –The Paris Review

But despite the whittling away of the legal distinction that made Gretna a marriage capital, it retains a romantic allure. “Running away to Gretna Green” remains a commonly used phrase. And couples still come. –BBC News